This browser is supported only in Windows 10 and above.

DID YOU READ

Tim Burton heads Cannes, highbrow spleen flows.

Tim Burton heads Cannes, highbrow spleen flows.  (photo)

Posted by on

Sundance? Nah, we’re done. The festival circuit (which, unlike awards season, I never get tired of) rushes on with the announcement that Tim Burton will be heading up the 2010 Cannes jury. The news was instantly greeted with sarcasm and outright venom by most of the highbrow folks I know (and, I suppose, more or less claim affiliation with).

Discounting the die-hard Burton fans, a lot of people seem to agree that after an incredible first run, his work veered into self-parody and diminishing returns, though where you cut off is up to you. I’m on board till “Sleepy Hollow” (seriously), with everything but “Sweeney Todd” being pretty unwatchable after that. That doesn’t explain the disdain. I think it has something to do with the sense that Burton’s become more of a hollowed-out brand name than an auteur, and “Burtonesque” has become an adjective normally indicating someone biting off more gothic whimsy than they can chew.

But what does this mean for Cannes? Probably absolutely nothing; filmmakers normally go out of their way to avoid awarding movies similar to theirs, except for Tarantino, who did it his way in ’04 by making sure “Oldboy” got the Grand Prix. That, I think, is where the bulk of the real disdain is coming from. For all his lowbrow affectations, Tarantino named his production company A Band Apart after Godard’s “Band of Outsiders” and his jury gave what’s roughly third prize to Apichatpong Weerasethakul’s “Tropical Malady” — as highbrow (and, it must be said, lovely) a film as can be, defending it against the initial philistine attackers.

01262010_dinos.jpgTarantino, in short, has his highbrow cred in order, which is important when it comes to Cannes, a festival that still, miraculously, has room for the punishing and mystifying. Burton has no such thing. The currently running MoMA series of films that left their mark upon Burton includes at the high end of the spectrum, “The Cabinet of Dr. Caligari” and Roger Corman; way down at the bottom, we have “When Dinosaurs Ruled The Earth” and “The Swarm.”

Considering Cannes juries are volatile and unpredictable anyway, Burton shouldn’t register as cause for too much concern, though he did quite clearly express a worldview in “Mars Attacks!” that the world would be a better place if all the snots were gone and we were left with Jim Brown, Tom Jones and some guy rambling about teepees. Let’s hope an international jury of his peers can keep him in check, because there’s a good chance that he’d give the prize automatically to Sofia Coppola’s “Somewhere” (if it gets in) just for casting Stephen Dorff, you know?

[Photos: “The Melancholy Death of Oystery Boy and Other Stories” by Tim Burton, published by HarperEntertainment, 1997; “When Dinosaurs Ruled The Earth,” Warner Bros., 1970.]

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.