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DID YOU READ

“Nowhere Boy,” the world is at your command.

“Nowhere Boy,” the world is at your command. (photo)

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Reviewed at the 2010 Sundance Film Festival.

“Nowhere Boy” takes a sort of superhero origin story approach to the life of John Lennon (played by Aaron Johnson) — he’s fifteen when it starts and already larger than life, nineteen when it ends and headed off to Hamburg with his latest band. “What are they called again?” his aunt Mimi (Kristin Scott Thomas) asks. “Do you care?” he responds. “They all sound the same to me,” she tell him. Har har har.

Even with those scattered bits of on-the-nose foreshadowing, the saga of how young Lennon falls in love with music, and then with making music, and then with making music as part of a band worked just fine for me. In the Mia Wallace dichotomy, I absolutely fall on the Beatles side, and I got a kick out of seeing Lennon’s initial attempt at Elvis hair, his first gig, and his posturing when confronted with a diminutive Paul McCartney (played by Thomas Sangster, who was Liam Neeson’s love-struck stepson in “Love Actually”) in the latter’s impromptu try-out when they’re introduced.

Alas, that all takes place in the background of a giant to-do about Lennon’s home life, which develops into triangle between him, Mimi, who’s all starchy, stiff upper lip propriety, and her sister — his mother — Julia (Anne-Marie Duff), who’s all warmth, gaiety and instability. What lad could choose between such persistent female archetypes? Julia gave him over to Mimi’s care when he was five and, according to the film’s source material, a memoir by Lennon’s half-sister, the two didn’t see each other again for years, despite the fact that Julia and her new family lived within walking distance.

01222010_nowhereboy5.jpgReunited with her son, Julia woos him with affection and introduces him to music, but she’s needy, unfit to take care of him and inappropriately flirty. Mimi is prickly, can’t express her emotions and doesn’t support Lennon’s rock aspirations, but loves him and has always been there for him in other ways. These ties have been churned into melodrama, but “Nowhere Boy” has the frustrating dilemma of ascribing to biopic tics without applying them to its subjects life. Why flatten the messiness of these real relationships in this way if they’re not going to be explicitly tied to some aspect of Lennon the legend? Conversely, if this is supposed to be a less traditional exploration of a famous musician’s early years, and not one that “solves” him, why draw the characters so two-dimensionally?

Director Sam Taylor-Wood is an artist who shot the acclaimed 2008 short “Love You More” before making her feature debut with “Nowhere Boy,” and seems with the latter to have committed herself to making something stalwartly straightforward, never pushing toward any visual or narrative inventiveness. She is, at least, unafraid to show that Lennon can be a real shit to his family and to his friends, prone to fits of anger and cruelty, while also making it clear why they and everyone else adored him anyway. It helps that he’s played by Johnson, who’ll be making a splash soon with “Kick-Ass” and who’s utterly magnetic here despite bearing no particular resemblance to the man he’s channeling. (He’s this Sundance’s Carey Mulligan, who he incidentally starred with in a film from last year’s festival that has yet to reach theaters, “The Greatest.”) Raising low-key Liverpudlian hell with a friend, charming girls on the street, riding on bustops and stealing what turn out to be (accidentally) jazz records from a shop, his joy in himself and his own semi-rebellious youth is irresistible.

“Nowhere Boy” will be released by the Weinstein Company later this year.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.