This browser is supported only in Windows 10 and above.


“Mother and Child” is “Crash”-tastic.

“Mother and Child” is “Crash”-tastic. (photo)

Posted by on

Reviewed at the 2010 Sundance Film Festival.

Friggin’ Paul Haggis.

Love or hate Haggis’ 2004 Best Picture winner “Crash,” we can all agree on one thing: in the wake of its success, we all endured far too many knockoff humanist ensemble issue films. Just when it seemed like the end of that trend was finally in sight, here comes Sundance 2010 selection “Mother and Child,” yet another movie about a bunch of people with interconnected lives and a really important topic on their minds, in this case, adoption and single motherhood. These movies in the “Crash” mold are about two things: big ethical points and big acting, to the exclusion of just about everything else. The real shame here is that one of the stories by writer/director Rodrigo Garcia is actually pretty strong, far stronger than the others. But its impact is dulled by the film’s format, which repeatedly pushes it aside to pick up other, lesser plotlines and characters. It’s like trying to watch a really good television show with someone who insists on flipping to another channel during every commercial break.

The winner in the bunch is Naomi Watts who, in a terrific performance, plays Elizabeth, a ferociously competitive careerist starting a new job at a law firm run by Paul (Samuel L. Jackson). For Watts, Elizabeth offers an opportunity to showcase an intensity she hasn’t tapped into onscreen in a while. It’s nice to see it back. When she tells Paul in her job interview that many women find her threatening, we can see why; she is an intimidating, formidable presence. Elizabeth reveals in the same interview that she was given up for adoption by her mother when she was a newborn. She never met the woman and doesn’t care to; she isn’t close with her adopted parents and she doesn’t intend to marry. “I’m not in the sisterhood,” she says. “I’m my own person.”

01192010_motherandchild1.jpgSoon, Paul and Elizabeth will begin an affair in a sex scene that ranks amongst the best in any recent movie, not because it is particularly sexy but because of the way it subtly reveals things about Elizabeth, particularly her issues with control and intimacy. Garcia frames the characters so that they almost never share the screen at the same time, creating a visible distance between them even while they’re having sex. Watts’ performance in the scene, and the entire movie, is sure to garner her some well-deserved attention.

But a problem with a performance this good in a film like this is we have to share it with others that, even if they aren’t necessarily bad, just aren’t as interesting. Annette Bening plays Karen, the woman who gave Elizabeth up when she was just 14 years old, and has lived with the guilt and pain of that decision for her entire life. Kerry Washington plays Lucy, a woman who can’t have a child of her own trying to find a baby to adopt. And yes, while it is sort of interesting to compare the three women – Karen and Elizabeth’s similar reactions to men even though they’ve never met; the black and white design that dominates the cold Elizabeth’s life contrasts sharply with the colorful, flowery clothes and home furnishings of the warmer Lucy – those scenes are never more interesting than simply following Elizabeth. At a certain point, Garcia goes so overboard with wild plot twists in all the plot threads (people dying, people radically changing deeply held beliefs) that even Watts’ storyline suffers.

0192010_motherandchild3.jpgBy the time Elizabeth is receiving counseling from a (wait for it) blind-but-wise teenager, the characters’ are no longer making decisions for themselves. They’re totally at the mercy of a screenwriter manipulating their lives for maximum shock value and poignancy. One particularly egregious deus ex machina involves a letter that must be lost at the perfect them, then rediscovered at the perfect time, in order to engineer the resolution the screenplay demands. To Garcia’s credit, he has created some rich, fascinating characters, particularly Watts’ and Jackson’s. But why can’t he let them breathe for even one scene without a crisis or a breakdown or at least than a half dozen references to babies, pregnancy and adoption? At times, it seems like he would rather make a point than make a movie.

“Mother and Child” will be released by Sony Pictures Classics on May 7th.

Watch More

Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

Watch More

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More