DID YOU READ

Martin Campbell’s short memory about “Edge of Darkness.”

Martin Campbell’s short memory about “Edge of Darkness.” (photo)

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The number of Americans who know that “Edge of Darkness” — this Friday’s Mel Gibson-vs. everyone conspiracy actionfest — is actually a remake of a beloved landmark BBC miniseries is very small; almost no one I’ve talked to who wasn’t working press was aware of it (not even some of the latter knew; then again, I’m one of those pesky Anglophiles). Fewer still, I imagine, will realize that director Martin Campbell directed the original as well, which is some kind of benchmark. There’s a few cases of directors tackling their own work again, but generally within the same medium (Hitchcock’s two versions of “The Man Who Knew Too Much,” the Dutch original and American remake of “The Vanishing”). But this is a whole other animal: the compression of five hours into two, 25 years later. As far as I know, there’s no precedent for it.

And apparently, it’s been long enough ago for Campbell to forget a few things about the original. In an interview with CanMag, Campbell said that a scene in which Gibson puts shaving cream on his young daughter “was entirely Mel’s idea […] a scene that Mel improvised with the little girl.” Well no, it wasn’t: it’s one of the very few scenes the remake takes intact from the original, so I guess Gibson remembers the original better than its director.

Now, I know I’m being petty asking Campbell to recall the exactitudes of a production from 25 years ago, but there are a few things he’s wrong about, and they’re kind of crucial. Speaking of his style on the original to ComingSoon.net‘s Edward Douglas, he notes: “I hope I shot the film fairly simply. I didn’t try to do anything pretentious with the way it was shot.” Well, he didn’t. 1985’s “Darkness” won’t be winning awards for convoluted mise-en-scène anytime soon, but it’s far from straightforward. In moments of chasing and running, Campbell tends to put some kind of major obstruction in the foreground to block off space; you can see the directions people are running in and in what order, but you can’t really see where they’re going or, sometimes, who’s pursuing who. He does stuff like this over and over for four episodes, visualizing the confusion of a script that’s already plenty confusing just in outline (until suddenly, in episode five, we’ve put together pretty much all the pieces and it’s time to get on with the chases and speechifying).

01272010_edgepeck.jpgThe other thing’s a little odder. The original version is nothing if not a creature of its time, full of era-specific Thatcherite politics and a very real concern with nuclear weapons. But the “Edge of Darkness” remake has generic politics: without spoilers, what it comes up with could be plausible only to your most unshakeable 9/11-truther. Which is fine: the politics here are a pretext rather than a raison d’être. But Campbell kicks it up a notch in an interview with The Guardian: “None of that mid-’80s stuff is scary anymore. It’s like everyone has plutonium in their back garden now.” Again please? The fact that plutonium isn’t in the hands of potentially mendacious industrialists but in everyone‘s is less scary…how?

Campbell is probably perfectly sincere when he claims “I liked the emotional story, from the original, of Craven losing his daughter. That side of the story is what I loved. The political story didn’t really interest me anymore.” That’s his right. But in a remake that, quite frankly, could use a lot more Gibson-on-anyone violence and a lot less in the way of generic father-daughter bits, it’s a bit inexplicable. And it’s forgetful of what Campbell brought to the original series: not just competently helming a fascinating teleplay that leveled the personal and political (not in the usual facile sense either), but complementing it visually.

[Photos: “Edge of Darkness,” Warner Bros., 2010; “Edge of Darkness,” BBC, 1985.]

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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