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DID YOU READ

January, no longer the worst movie month of the year.

January, no longer the worst movie month of the year. (photo)

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It’s common knowledge that January is when — if you’re not lucky enough to live in one of the relatively few American cities with an arthouse theater — there’s nothing much to see, as studios use the month to unload their least promising, most half-baked goods.

But last year, the surprise one-two punch of “Taken” and “Paul Blart: Mall Cop” kicked the door open. Who’s to say what unlikely, unexpected or just plain silly looking commercial juggernauts might emerge this month?

One of the weird things about this January is how much more expensive it looks compared to last year’s slate. The January ’09 releases were pretty cheap; genre stalwart “Underworld: Rise of the Lycans,” for all its CGI beasts, came in at a trim $35 million, which was about the top on the expense front. This January comes loaded with “The Book of Eli,” which cost $80 million, and the upcoming Mel-Gibson-kills-people extravaganza “Edge of Darkness,” with a reported price tag of $60 million.

These aren’t commercially undesirable movies. “The Book of Eli” made back nearly half its production budget in one weekend, and while how “Edge of Darkness” will fare remains to be seen — it’s hard to tell how people currently feel about Gibson — it’s still sure to have better production values (and explosions!) than the average January release. Lesson learned? You can open a movie that’s not terrible in January and even make bank off of it, especially if you’re catering to the underserved meat-and-potatoes action movie crowd.

01192010_romebride.jpgFor romcom fans, last year saw the little-loved “Bride Wars” and the dreadful “New In Town,” and this year has the hardly more promising looking “Leap Year” and “When In Rome” — no change on that front. What are gone are the cheap horror joints. 2009 had the odd dybbuk-terrorizes-teens “The Unborn” and K-horror remake “The Uninvited.” This year, those lusting for attacking loud noises will have to wait til the end of February for “The Crazies.” Are anonymous casts of interchangeable beautiful people being slaughtered by CGI ghouls and lurking killers on the way out? We can only hope.

It’s impossible to predict from January alone if 2010 will be another record-setting year of audiences going to the movies as they run away from the recession, but hey, can you still get more from less? Looks like it, for studios and audiences alike.

[Photos: “Edge of Darkness,” Warner Bros., 2010 vs “Taken,” Twentieth Century-Fox Film Corporation, 2009; “When in Rome,” Walt Disney Studios Motion Pictures, 2010 vs “Bride Wars,” Fox 2000 Pictures, 2009]

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.