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“House”: The Ultimate Midnight Movie?

“House”: The Ultimate Midnight Movie? (photo)

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It took 33 years for Japanese director Nobuhiko Obayashi’s film “House” to make its way to U.S. theaters, which is just as well.

This movie was ahead of its time in 1977, it’s ahead of its time now, and will continue to be ahead of its time until some point in the future when humans communicate telepathically and sleep in nutrient-rich fluid baths. I would call it a new contender for the title of ultimate midnight movie, but midnight feels about three hours too early for something as deranged as “House.” This phantasmagoric head-trip has to be one of the strangest and most surreal movies ever made.

It concerns the sometimes horrific, sometimes comedic, always psychedelic misadventures of a group of Japanese teenage girls. The gang is kind of an all-girl version of The Goonies: each is less a character than a type with her own gimmick and easily distinguishable physical features. There’s Prof (Ai Matsubara) the brainy one with glasses; Melody (Eriko Tanaka) the musical one; Kung Fu (Miki Jinbo) who’s got impressive martial arts moves, and so on. They all follow Gorgeous (Kimiko Ikegami) to her aunt’s house for a summer vacation. Gorgeous’ Aunt (Yoko Minamida) is happy to have the guests, even if they invited themselves for the visit, because she’s actually an undead spirit who feasts on the souls of young unmarried females.

01142010_house2.jpgSoon after the girls arrive at the Aunt’s house, they come under attack from supernatural assailants — cats, pianos, posters, kimonos, and all kinds of ghosts — all trying to eat them, and all operating purely on the level of dream logic. Trying to describe what happens next is genuinely like trying to describe an intense dream to someone else: it never comes out sounding as profound as it was in your head.

Mostly, it’s just gibberish (“And then the light fixture ate her! Well, it ate half of her and then just her legs flew and kicked the evil cat poster! And then the poster ripped and it started spewing blood!”). While transcribing my notes from the section of the movie that does indeed involve killer light fixtures and dismembered legs attacking cat posters, I found this line: “This shit is bananas.”

And indeed it is. The degree of trippiness shames every Corman and American International drug movie of the 1960s. The practical special effects that turn household objects into toothy demons look like something out mid-period Cronenberg. The wild spurts of gore pouring from cracks in walls suggest Sam Raimi might have found a dusty copy during his formative years and gotten inspired to make “The Evil Dead” and especially “Evil Dead II.” But really, you can’t explain what this movie is like, you simply have to experience it yourself.

01142010_house4.jpgThe credit for this wackadoo experience belongs to Obayashi, a noted director of experimental shorts and television commercials who made the transition to feature films with “House.” As a filmmaker, the man is either incapable or unwilling to allow even a single shot to pass without it containing something of visual interest. He couldn’t let an early scene between Gorgeous and her father exist as a simple exchange of dialogue, so he staged the entire thing on a balcony and shot it through a wall of latticed glass in order to have the actors fracture and fragment as they talk and move, a nice warm-up for the later scenes that truly warp perception and reality.

At times near the end of the film, there’s almost too much going on for the eye to register. For certain, there’s animation, stop-motion effects, and things scratched or drawn directly onto the celluloid. As the girls face ever-mounting threats, the film builds to a visual crescendo that’s both disorienting and exhilarating. At this point, Prof remarks: “I don’t believe it! Can such things happen in this world?”

Anyone watching can share her incredulity. Movies don’t normally work this way. But this one somehow does.

“House” opens in New York on January 15th and will tour the country through July. A full schedule can be found here.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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