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DID YOU READ

“Hesher,” the magical metaphorical metalhead.

“Hesher,” the magical metaphorical metalhead. (photo)

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Reviewed at the 2010 Sundance Film Festival.

Hesher (Joseph Gordon-Levitt) is magical. Sort of. He doesn’t do anything completely out of the realms of believable human behavior, but he does seem pretty impervious to damage, bouncing back easily from falls and kicks to the groin. He’s able to appear out of and vanish into nowhere at just the right moment. And he apparently forces another character to have a minor car accident using the might of his air drumming.

Also, he looms outside T.J.’s (Devin Brochu) English class window just as the teacher asks what metaphor a character’s dreams represents, which comes across as more of a wink than knock on the head. Everything about the start of “Hesher,” the first feature from Spencer Susser, is clever, strange and promising, which makes its eventual downhill gallop into becoming just another indie flick with a dirty mouth and a big, goopy heart of gold terribly disappointing. Not enough “Visitor Q,” too much “Mary Poppins.”

When Hesher arrives, 13-year-old T.J.’s family is in the grip of overwhelming grief. His mother died two months ago in a car accident, and his father Paul (Rainn Wilson) is dealing with this by downing pills and hibernating on the couch all day. His elderly, misty-minded grandmother (Piper Laurie) tries to take care of them, but T.J., filled with rage and sadness, just wants to be left alone. He isn’t — when taking out his anger on the windows of a half-constructed model house, he attracts the attention of the lanky-haired metalhead who’s squatting there, and soon Hesher has forced his way into becoming the family’s unasked for house guest, none of the members together enough to question or remedy this fact.

01242010_hesher2.jpgGordon-Levitt has and is a great time as Hesher, talking in a growl, never walking when he can stomp, eternally shirtless and scruffy. He drives a dilapidated van and is covered in DIY tattoos, he likes setting things on fire and doling out wisdom via inappropriate anecdotes that could also just be non sequiturs. He’s hilarious, but there’s too much of him in the movie, and the unpredictability of his behavior starts to just seem like filler, eroding his mystery as the inexorable healing process begins.

You can imagine “Hesher” being a great short, but as a feature it mostly spins its wheels, unsure of what to do with its interesting premise. Oh, and Natalie Portman’s in it, playing the usual Natalie Portman character.

“Hesher” does not yet have U.S. distribution.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.