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In defense of Mel Gibson.

In defense of Mel Gibson. (photo)

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The trouble-prone Mel Gibson has gone off and made it hard to defend himself again.

There were early rumors that Gibson was preparing to use some personal muscle to clear out a Mexican prison in order to shoot his latest movie, reportedly to be action flick “How I Spent My Summer Vacation,” which Gibson wrote and in which he also stars “as a career criminal who is forced to pick up new survival skills while serving a sentence in a rough Mexican prison.”

That was no problem for the governor of Veracruz, Herrera Beltran; Gibson had cultivated good relations while shooting “Apocalypto” there (donating a million dollars for flood-relief housing), and Beltran announced proudly a new “grand production” from “our friend, the actor and producer Mel Gibson.”

More than 200 inmates from a prison there were transferred to four other jails to make room for the production. Angry relatives — concerned they’d have to pay more to travel further for visits — protested and briefly clashed with police, something that can’t help but make you think that yes, this is kind of a jerk-off abuse of power.

In recent years, Gibson’s alienated a lot of people, reducing himself to a drunken, anti-Semitic sputterer obsessed with peculiarly gory forms of violence. And I’m not a particularly big admirer of either “The Passion of the Christ” or “Apocalypto,” the two big products of the Gibson-as-rogue-auteur era (temporarily on pause, it seems, while Gibson tries to resuscitate his acting career).

01122010_vincentgallo1.jpgBut if we’re going to sit around and take Vincent Gallo seriously — a man who says offensive, ridiculous things all the time that we’re pretty much forced to take as ironic — we might as well take Gibson seriously as well. Whatever his flaws as a human, Gibson’s precisely in the mold of that breed of aggressively self-outcasting directors people love to champion despite widespread disapproval: Larry Clark, Harmony Korine, Gallo, and so on.

Gibson’s pursuing a fixated vision of violence as private, obscure and disgusting as any of those other guys. It’s like someone who should be one of those “outsider artists” suddenly got their hands on some real money and went haywire. That doesn’t make his movies any less tedious to sit through — but, for me, that’s true of all of them. And as pathological fixations go, his are pretty compelling. (As a friend of mine one noted, “The Passion” really isn’t that far from “Salo.”)

[Photos: Mel Gibson on the set of “Apocalypto,” Buena Vista Pictures, 2006; Vincent Gallo in “The Brown Bunny,” Wellspring Media, 2004]


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.