DID YOU READ

Highlights from the DIY Gaming Frontier

Highlights from the DIY Gaming Frontier (photo)

Posted by on

Thanks to better access to digital tools and improved distribution methods, indie gaming is on the cusp of a potential surge. But that rise won’t come just from established producers out to do their own thing. It’ll also happen because of upstart amateurs whose enthusiasm for gaming and technological talents lead to passion projects created not to reap financial rewards, but to showcase their authors’ skills and push game development into daring new realms of design and social commentary. In other words, the indie game world should be the first place you look when making the argument that games can be art.

One of the best examples of this is the Experimental Gameplay Project, a venture that was begun in 2005 at Carnegie Mellon University by four graduate students who are all now firmly ensconced in the gaming industry. It started as a web competition for gaming innovation, and continues today. The set-up is simple: every month, contributors submit a game (Flash-based, or downloadable to a PC, Mac or mobile platform) based on a given theme, like “Unexperimental Shooter,” “Failure” or “Numbers.”

The only rules are that the game must be made in less than seven days and by only one person, and at the end of the month, a winner is chosen. It’s a straightforward concept that’s led to amazing results, with countless titles that showcase both technical and thematic ambition, and at least a few that are so good that they’ve gone on to moderate mainstream success. The Experimental Gameplay Project heralds a new future of boundary-pushing homemade indie gaming. Here are some of the standout titles worth a highlight and a play.

01142010_Canabalt.jpg“Canabalt”

Adam Saltsman’s “Canabalt” is the definition of gaming simplicity. Produced in five days for EGP’s “Bare Minimum” theme, the black and white game (available as a free Flash web title or as a $2.99 iPhone download) couldn’t be more basic — as a man runs forward on an unknown quest, you hit a single keyboard button (or your iPhone touchscreen) to make him jump over obstacles and from rooftops to billboards to cranes. There’s no storyline and no predictable pattern (the game’s “level” changes every time you play), just the infectious challenge of trying to top your personal best score while enjoying a rocking soundtrack and admiring a host of sweet graphical flourishes (none better than flocks of flying birds). For pure addictiveness, nothing in ’09 topped “Canabalt.”

01142010_EveryDayTheSameDream.jpg“Every Day the Same Dream”

A game in only a loose sense of the term, Paolo Pedercini’s Flash contribution involves maneuvering a faceless figure through a series of daily-grind scenarios (bedroom, kitchen, car, workplace) set to an entrancing musical score that makes the action feel like, as Pedercini puts it, “a playable music video.” As you explores the game’s various workaday scenes, a puzzle begins to emerge, one in which breaking free from monotonous routine reveals a bleak, haunting commentary on the loneliness of the modern human condition and the limited potential for finding true meaning in life. Heady stuff, to be sure! But “Every Day the Same Dream” is anything but a slog, mixing enigmatic gameplay and social inquiry to mesmerizing effect.

01142010_LoseLose.jpg“Lose/Lose”

Zach Gage’s “Lose/Lose” takes its EGP theme — “Failure” — with deadly seriousness, to the point that it should only be played by those brave enough to risk the safety of their digital property. Gage’s title is a “Space Invaders” clone, except that, in the game’s terrifying twist, the alien enemies are actually real files from your hard drive, and when you blast these files in the game, they’re deleted from your computer. For good. Suffice it to say, only the intrepid or insane would actually play Gage’s game. Still, as a sly meditation on cultural reliance on technology (for practical purposes and for identity definition), it’s a one-of-a-kind work.

01142010MinMe.jpg“MinMe”

An iPhone title with “Tetris”-like appeal, Chaim Gingold’s “MinMe” is a puzzle game made for the “Bare Minimum” theme in just one and a half days that requires you to collapse tiles until the playing field grid is empty. No fancy graphics or music accompany this strategy-based title, but as a portable brainteaser, it’s a winner — even more so now that Gingold has expanded the game from its original, easyish ten levels to include an additional 50 increasingly difficult boards available via in-app purchasing.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

PL_409_MPX-1920×1080

Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

Posted by on
GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

via GIPHY

Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

via GIPHY

Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

via GIPHY

Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

via GIPHY

Self Defense

You can’t throw a download like a ninja star. Think about it.

via GIPHY

If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.