DID YOU READ

Why James Cameron is no Cecil B. DeMille.

Why James Cameron is no Cecil B. DeMille. (photo)

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We’re approaching the awards season home stretch — the Golden Globes are done, the Oscar announcements are in two weeks.

Some previously surefire contenders have fallen by the wayside since critics’ associations started putting out their lists in December. “Precious” — which I wasn’t alone in thinking a “Slumdog Millionaire”-esque Best Picture contender — has topped off at just under $45 million at the box office, and no one but Mo’Nique seems to be still gunning for Oscar glory (though a friend of mine enmeshed in graduate school academia assures me black studies will be grappling with the film for years, so there’s that).

The biggest Globes news (beside the fact that host Ricky Gervais was funny but inexplicably poorly reviewed) was that “Avatar” appears on track for Best Picture, though its Golden Globe victory hardly makes that a certainty. As Xan Brooks at the Guardian points out, in the last five years only “Slumdog” got Best Picture both at the Globes and Oscars.

But you can sense the buzz around “Avatar” as an indicator of a major shift in awardsland, thought what it means depends on where you’re standing. For the cranky Brooks, the win “tarnishes” the Globes (um, they can be tarnished? I thought we just tuned in to watch the drinks manifest themselves onstage) because it’s a Hollywood circle-jerk. You really can’t win sometimes. Complain about the awards being out-of-touch with ordinary filmgoers, get awarded a populist victory and what happens? People start complaining about the self-congratulatory speeches.

Closer to home, people are thrilled — none more so than Betsy Sharkey in the Los Angeles Times, whose victory lap pretty gave me hives. Using the fact that Scorsese got the Cecil B. DeMille award as a starting point, Sharkey concludes that the awards exemplified the spirit of DeMille: “forever the populist, never the auteur.” Which is a good thing: unlike those huffy snots “De Sica, Welles, Hitchcock and the like” (the like? Would you like to try to group together three less similar filmmakers?), DeMille didn’t “push the artistic and intellectual boundaries of film.” Instead, he “never lost sight of his audience, mostly hardworking folks.”

Sometimes you have to wonder if it isn’t a good thing that the newspapers are dying; Sharkey’s language here is inadvertently pretty close to the worst kind of demagoguery. But what’s more interesting is the way the comparison becomes weirder and more instructive if you follow it. DeMille was so intensely conservative that while on the Screen Directors Guild in 1950, he tried to push through a bylaw requiring all members to sign a loyalty oath. Reflecting the climate of the ’50s, he conceived of “The Ten Commandments” as a political statement (Judeo-Christian values vs. the Communist threat) and had Ten Commandments monuments spread all over the land, as promotion and a proclamation of principles.

Cameron is the biggest showman of our time, and nothing if not an unapologetic populist. But he’s as liberal as DeMille was conservative — if you want to push that comparison to its logical conclusion, that would mean that Hollywood is every bit as liberal now as it was conservative 50 years ago. (Which, well, duh.)

Even more, DeMille’s early work (particularly the silents) has been enthusiastically reclaimed by avant-garde enthusiasts as pure, unfettered insanity, inadvertently deranged in its gonzo scale. As spectacle films decay with technological advances and the cracks start to show, excess starts to look downright surreal. So keep that in mind before blathering about populism — yesterday’s spectacle is tomorrow’s novelty.

[Photos: “Avatar,” 20th Century Fox, 2009; “The Ten Commandments,” Paramount, 1956]

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Inauguration Alternative

Bill Murray On Repeat

It's a movie "Murray-thon" all-day Friday on IFC.

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Photo Credit: Everett Collection, GIFs courtesy of GIPHY

Democrats, Republicans and Millennials agree: 2017 is shaping up to be a spectacle — a spectacle that really kicks into high gear this Friday with the presidential inauguration. Not only will the new POTUS swear in, but all the Country’s highest offices will be filled. It’s a daunting prospect, and to feel a little anxious about it is only normal. But if your anxiety is snowballing into panic, we have a solution:
Bill Murray.

He’s the human embodiment of a mental “Happy Place”, and there’s really no problem he can’t solve. So, with that in mind, how about we all set aside reality for a moment and let Bill take the pain away by imagining a top-shelf White House cabinet filled exclusively by his signature characters. Here are a few hypothetical appointments for your consideration…

Secretary of Defense:
Bill Murray from Stripes

His incompetence is balanced by charm, and dumb luck is inexplicably on his side. America could do worse.

Secretary of State:
Bill Murray from Lost In Translation

A seasoned globetrotter steeped in regional traditions who has the respect of the whole wide world. And he kills Costello in karaoke, which is very important.

Press Secretary:
Bill Murray from Ghostbusters

“Cats and dogs, living together. Mass hysteria.” Dude knows how to brief a room.

Secretary of Health and Human Services:
Bill Murray from What About Bob.

A doctor-approved people person who knows that progress is measured in baby steps.

Secretary of Energy:
Bill Murray from Groundhog Day

Let’s be honest, this world is going to need a lot of do-overs.

Feeling better? Hold on to that bliss. And enjoy a healthy alternative to the inauguration brouhaha with multiple Murrays all Friday long in an IFC movie marathon including Kingpin, Zombieland, Ghostbusters, and Ghostbusters II.

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Home Run

Hank Azaria Gets Thrown A Curve Ball

Brockmire Premieres April 5 at 10P

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Photo Credit: Everett Collection

Unless you’ve somehow missed every episode of the Simpsons since 1989, then surely you know that Hank Azaria is one of the most important character actors of our time. He’s so prolific and his voice is so dynamic that he’s responsible for more iconic personalities than most folks realize. Basically, he’s the great and powerful Oz — except that when you pull back the curtain the truth is actually more impressive. And now Hank is coming to IFC to bring yet another character to the TV pop culture hive mind in the new series Brockmire. Check out the trailer below.

Based on the following Funny or Die short and co-starring Amanda Peet, Brockmire follows the story of imploded major league sportscaster Jim Brockmire as he tries to resurrect his career by calling plays for a floundering minor league team in a podunk town.

The series is written by Joel Church-Cooper (Undateable) and produced by Funny or Die’s Mike Farah and Joe Farrell, meaning that there’s funny in front of the camera, funny behind the camera–funny all around. Sounds like a ball to us.

Brockmire premieres April 5 at 10P on IFC.

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Car Notes

Portlandia On People Who Can’t Park

Portlandia returns tonight at 10P on IFC.

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If flagrant bad parking takes nerve, then retaliatory note writing takes neuroses. Watch Fred and Carrie take passive aggression to next level in Car Notes, the new Portlandia web series presented by Subaru. The first episode is yours right here and now, and you can see every installment of Car Notes anytime online, on the IFC app and on demand.

Portlandia returns tonight at 10P on IFC.

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