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Why James Cameron is no Cecil B. DeMille.

Why James Cameron is no Cecil B. DeMille. (photo)

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We’re approaching the awards season home stretch — the Golden Globes are done, the Oscar announcements are in two weeks.

Some previously surefire contenders have fallen by the wayside since critics’ associations started putting out their lists in December. “Precious” — which I wasn’t alone in thinking a “Slumdog Millionaire”-esque Best Picture contender — has topped off at just under $45 million at the box office, and no one but Mo’Nique seems to be still gunning for Oscar glory (though a friend of mine enmeshed in graduate school academia assures me black studies will be grappling with the film for years, so there’s that).

The biggest Globes news (beside the fact that host Ricky Gervais was funny but inexplicably poorly reviewed) was that “Avatar” appears on track for Best Picture, though its Golden Globe victory hardly makes that a certainty. As Xan Brooks at the Guardian points out, in the last five years only “Slumdog” got Best Picture both at the Globes and Oscars.

But you can sense the buzz around “Avatar” as an indicator of a major shift in awardsland, thought what it means depends on where you’re standing. For the cranky Brooks, the win “tarnishes” the Globes (um, they can be tarnished? I thought we just tuned in to watch the drinks manifest themselves onstage) because it’s a Hollywood circle-jerk. You really can’t win sometimes. Complain about the awards being out-of-touch with ordinary filmgoers, get awarded a populist victory and what happens? People start complaining about the self-congratulatory speeches.

Closer to home, people are thrilled — none more so than Betsy Sharkey in the Los Angeles Times, whose victory lap pretty gave me hives. Using the fact that Scorsese got the Cecil B. DeMille award as a starting point, Sharkey concludes that the awards exemplified the spirit of DeMille: “forever the populist, never the auteur.” Which is a good thing: unlike those huffy snots “De Sica, Welles, Hitchcock and the like” (the like? Would you like to try to group together three less similar filmmakers?), DeMille didn’t “push the artistic and intellectual boundaries of film.” Instead, he “never lost sight of his audience, mostly hardworking folks.”

Sometimes you have to wonder if it isn’t a good thing that the newspapers are dying; Sharkey’s language here is inadvertently pretty close to the worst kind of demagoguery. But what’s more interesting is the way the comparison becomes weirder and more instructive if you follow it. DeMille was so intensely conservative that while on the Screen Directors Guild in 1950, he tried to push through a bylaw requiring all members to sign a loyalty oath. Reflecting the climate of the ’50s, he conceived of “The Ten Commandments” as a political statement (Judeo-Christian values vs. the Communist threat) and had Ten Commandments monuments spread all over the land, as promotion and a proclamation of principles.

Cameron is the biggest showman of our time, and nothing if not an unapologetic populist. But he’s as liberal as DeMille was conservative — if you want to push that comparison to its logical conclusion, that would mean that Hollywood is every bit as liberal now as it was conservative 50 years ago. (Which, well, duh.)

Even more, DeMille’s early work (particularly the silents) has been enthusiastically reclaimed by avant-garde enthusiasts as pure, unfettered insanity, inadvertently deranged in its gonzo scale. As spectacle films decay with technological advances and the cracks start to show, excess starts to look downright surreal. So keep that in mind before blathering about populism — yesterday’s spectacle is tomorrow’s novelty.

[Photos: “Avatar,” 20th Century Fox, 2009; “The Ten Commandments,” Paramount, 1956]

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GIF Giving

The Funniest Gifs From the Maron Season Premiere

Watch the Maron season premiere now on IFC.com and the IFC app.

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Last night, Marc Maron returned in all his haggard glory in the darkly hilarious season premiere of Maron. In case you’re not caught up, Marc has fallen into a downward spiral of drugs and addiction, having lost his house, his podcast, his cats, and the ability to say he doesn’t live in a storage unit. And only someone like Marc can make the situation laugh-out-loud funny.

Here are the 5 funniest GIFs from last night’s Maron premiere, which you can watch right now on IFC.com and the IFC app.

1. Dave Anthony, Professional Truth Teller.

Maron Not Okay


2. Storage locker etiquette is important.

Maron Storage Locker


3. We’re sure Chris Hardwick would love to have Marc back on Talking Dead.

Maron Dumb Show


4. We can’t unsee Dave in that apron.

Maron Shit Bucket


5. The first step is listening. Marc has a lot of steps to go.

Maron Shut Up

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Marc Maron, Craig Anton – Maron – Season 4, Episode 3

The Reviews Are In

Critics Are Raving About the New Season of Maron

Watch the Maron season premiere right now on IFC.com and the IFC app.

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Last night saw the return of Marc Maron, more than a little worse for wear, in the pitch-black premiere of Maron’s fourth season. Having fallen back into addiction, Marc’s lost his house, his podcast, and even his cats, and is now residing in a storage unit.

Maron

Part two of the double-shot premiere found our favorite curmudgeon dealing with the assorted characters in the Clean Living Rehab Center. The season’s heavy themes and unflinching performances earned much praise from fans and critics.

Check out what people said about last night’s premiere of Maron. And in case you missed the premiere, you can watch it now on IFC.com and the IFC app

Joe Berkowitz of Co.Create: “For the first time ever, Maron has veered way off the course of its creator’s timeline — into a chaotic alternate reality — and it’s the boldest creative leap in the series’ run yet…This particular downward trajectory provides a window into a world where the actual Marc Maron ends up hitting rock bottom. This world turns out to offer darkly comic possibilities, such as a rehab facilitator trying to get an in-patient Maron to be a guest on his podcast.”

Jason Tabrys of Uproxx: “[Whether] this is the beginning of the end for Maron, or just the start of a new phase, the fourth season’s off to an intriguing start that should make for compelling viewing.”

Neil Genzlinger of The New York Times: “[The] premiere does effectively, yet comedically, show two truths of substance abuse: Addicts need enablers who fuel their problem, either deliberately or inadvertently, and most need someone to intervene to help them climb out of the pit.”

Vikram Murthi of AV Club: “By shifting the series’ premise from a man struggling to maintain success to a man desperately trying to get it back, Maron has found a whole new energy…Maron doesn’t bring Marc down to a low point just for kicks but to demonstrate what happens when people forget what’s important and succumb to their worst selves. The fourth season effectively channels the raw vitality of [the WTF podcast’s] early days, when Maron was trying to dig his way out of a hole by embracing the world around him instead of pushing it away. ‘I’m gonna be okay, right?’ Maron asks Dave at the clinic. ‘Or not,’ Dave replies honestly. ‘But you have to try.’ Maron’s entire career has been about trying, and Maron’s fourth season succeeds by placing that idea at its center.”

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Bridesmaids Roommates Matt Lucas 1920

Roommate Not Wanted

The 10 Worst Roommates In Pop Culture History

Find out how Marc deals with his new roommate on the season premiere of Maron available now on IFC.com and the IFC app.

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Photo Credit: Universal/Everett Collection

Last night’s season premiere of Maron found Marc’s disastrous downward spiral landing him in rehab with an annoying roommate who breaks into rhymes whenever he feels like it. Played in an inspired bit of casting by real life celebrity rapper Chet Hanks, Trey makes Marc’s life a living hell by taking his stuff and doing unspeakable things to his bed. Check out some other insufferable roommates from pop culture below, and be sure to catch up on the two-episode Maron season premiere on IFC.com and the IFC app to see how Marc deals with his new rapping bunkmate.

10. Scott Pilgrim, Scott Pilgrim Vs the World

Scott Pilgrim

Scott Pilgrim is the ultimate geek heroic fantasy. In that he’s living in a constructed fantasy world while ignoring all the people who have to deal with his failures. Saintly roommate Wallace Wells offers rent, food, and even his own bed to his eternally immature friend who rewards him by whining and leaving clothes on the floor.


9. Hooch, Turner & Hooch

Turner and Hooch

Nobody likes being forced to share their home. This goes double when you’re a police officer, the work is a murder investigation, and the unwelcome guest is a dog spraying more fluid than a leak in the Hoover Dam.


8. Floyd, True Romance

True Romance

Perfectly portrayed by Brad Pitt, Floyd is the worst kind of stoner roommate. He never answers the door, and barely moves from his position on the couch. Even worse, he rats out your pals’ location to a tough-looking stranger who comes to the door without a second thought. Not to “condescend” to you Floyd, but you’re kind of a tool. You probably never share that honey bear bong.


7. Gil and Brynn, Bridesmaids

Bridesmaids

Annie (Kristen Wiig) is already at a low point when her roommates Gil (Matt Lucas) and Brynn (Rebel Wilson) ask her to move out. To make matters worse, the tattoo-obsessed Brynn isn’t even Annie’s roommate — her brother has been letting her stay rent free so she can wear Annie’s clothes and read her journal.


6. Eddie, Friends

You might remember Eddie (played by the always reliably deadpan Adam Goldberg) as Chandler’s roommate who moved in after Joey moved into his own place with his big time soap opera money. Eddie proved to be a complete psycho, accusing Chandler of sleeping with his ex-girlfriend Tilly and watching his new roomie while he sleeps. In the end, Chandler tells Eddie that Hannibal Lector would make a better roommate. Could he be any creepier??


5. Bevers, Broad City

Bevers Broad City

What’s worse than an annoying roommate who eats all your food, tries on your clothes, and never seems to leave the apartment? How about a guy who isn’t even technically your roommate, but in fact the boyfriend of your roommate who is never around. If you’re going to hang out in your underwear all day, the least you could do is pay rent, dude.


4. Chris Knight, Real Genius

Real Genius

Freshman Mitch Taylor faces every college student’s worst nightmare: a pushy roommate. Chris Knight might be a genius, but within the first minute of their acquaintance he’s thrown out Mitch’s clothes, talked about his genitals, and smashed the dorm-room window.


3. Oscar Madison, The Odd Couple

Odd Couple

The Odd Couple defined the idea of mismatched roommates. Uptight neat-freak Felix and easygoing slob Oscar were meant to be just as bad as each other, but anyone who’s ever lived with other people knows that the lazy one is always the worst. At least the obsessive is keeping things clean while annoying you.


2. Roberto, Futurama

Futurama

Fry’s regular robotic roommate is an indestructibly amoral freeloader who’d sell Fry’s kidneys if he could think of a suitably lazy way to extract them. But Bender is the deity of domestic bliss compared to Roberto, the stabbing-obsessed psychobot who shares Fry’s room in the robot asylum.


1. Hedra Carlson, Single White Female

Single White Female

Hedra Carlson takes “drinking the last of the milk” to the ultimate extreme, stealing her roommate’s boyfriend, identity, and takes a stab at stealing her life. Well, it’s more of a butcher’s hook slash than a stab. Which makes it all the worse.

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