This browser is supported only in Windows 10 and above.

DID YOU READ

3D brings out the glory of “Cane Toads,” warts and all.

3D brings out the glory of “Cane Toads,” warts and all. (photo)

Posted by on

Reviewed at the 2010 Sundance Film Festival.

“Welcome to Avatoad,” “Cane Toads: The Conquest” director Mark Lewis told the audience at Park City’s Eccles Theater on Tuesday night, not only providing weary copy editors the world over with a readymade headline, but neatly summarizing the mild absurdity of the film’s existence. A sequel to his delightful “Cane Toads: An Unnatural History,” “Conquest” picks up the story 20 years later, chronicling the toads’ alarmingly rapid spread along Australia’s northern coast. The new movie, out of necessity, covers some of the same territory as the first: the toads’ artificial introduction to the environment as a hoped-for hedge against the beetles preying on sugarcane crops; their utter failure to perform their assigned task; and their rapid-fire reproduction, growing from a population of just over a hundred to an estimated 1.5 billion over the course of seven decades. But “Conquest” adds the eye-popping enhancement of digital 3D, capturing the beauty of the Australian landscape in all its stereoscopic glory.

Lewis is well aware of the disparity between the brute naturalism of his subject and the cutting-edge technology of his methods. At times, the film almost plays as a joke on the faddish application of 3D technology to subjects where it adds little more than a marketing hook. The talking-head interviews with a variety of scientists, farmers and civic officials are staged with exaggerated depth of field: one subject is photographed in front of a looming wall of library books, another in the shadow of an enormous tractor. The movie makes extensive use of digital compositing, and other shots simply look as if they’ve been extensively worked over in post, their colors popping unnaturally.

“Conquest”‘s stylized reenactments, in one case recounting a pet dog’s brush with death after chomping down on a toxic toad, are filmed with a visual panache that would make Errol Morris sit up and take notice. But the movie’s overreliance on effects sabotages the feeling of connection to the natural world. It’s hard to forge a connection to Lewis’ “little toad friends” when even the shots that purport to depict them in their natural environment seem as if they might be staged. Every time a toad hops across the screen, you wonder if there’s a pair of hands just out of frame, releasing the warty creature on cue.

“Cane Toads: The Conquest” does not yet have U.S. distribution.

[Photos: “Cane Toads: The Conquest,” Radio Pictures, 2010]

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.