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Best soundtracks of the decade

Best soundtracks of the decade (photo)

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This past decade has been awash in both great and terrible soundtracks, with a preponderance of directors who have great musical taste but often apply it too liberally to their films. The music video, long fallen from prominence on TV, seems to have found it’s place on the big screen, with scenes written around songs now part of a formula. This isn’t always a bad thing, and some of the finest moments in film cannot be separated from the songs that accompany them. Some even become forever inseparable.

The more gratuitous examples are tiresome, even offensive. Some directors don’t know how to build a scene or earn the right to employ the song — they just slap it in there because it seems cool. In many cases the indispensable music supervisor did it for them. A best of list for the decade is sure to include some of these lesser moments but I’ve assembled a list of films whose soundtracks have risen above the pack. Keep in mind, this is not about films scores which is another beast entirely.

1. “The Royal Tenenbaums” (2001)

I often think of Wes Anderson as the biggest asshole I’ve never met. Film after film, he (along with his music supe Randall Poster) selfishly claims more of the best songs ever written as his own. There they are, burned forever into his films, greats by The Rolling Stones, Nico, Bob Dylan, Paul Simon, The Velvet Underground. He’s often the first to use them and, even when someone already has, he tends to do it better. Genius you can be jealous of. I’ve grown a bit tired of the constant song barrage he employs but glance back with me to “The Royal Tenenbaums,” before all was overplayed out. That moment with Margot coming off the bus… it still almost makes me weep, it’s so beautiful. Elliot Smith too.

2. “Adventureland” (2009)

Greg Mottola’s ’80s amusement park/graduate love story has not yet had the chance to stand the test of time, but it will. Hands down the best soundtrack of 2009 and possibly the best use of The Velvet Underground in the history of film. Even Falco’s “Rock Me Amadeus” was a good time.

3. “Children of Men” (2006)

It’s hard to stand back and separate a great soundtrack from a great film, and it may be that this is so high on the list because I’m swayed by the quality of Alfonso Cuarón’s filmmaking, Michael Caine and Deep Purple. Add some Donovan, Radiohead, Lennon, that wispy Franco Battiato “Ruby Tuesday” cover and King Crimson and I think you have one of the most bad-ass soundtracks of the Naughts.

4. “Breakfast on Pluto” (2005)

I was so smitten with Kitten that I had to check myself when I left the theater after seeing this Neil Jordan fun fest. You know, whistle at a couple broads on the street on my way to give my girlfriend a pearl necklace. I was even more impressed with the songcraft of Harry Nilsson, Dusty Springfield and T-Rex. Not the first time, “Children of the Revolution” was employed (see “Billy Elliot” and “Dogtown and Z-Boys”), but it was tough as nails — painted ones of course.

5. “24 Hour Party People” (2002)

If you’re a huge Joy Division fan (I am) or lover of New Order (less so) you might have had to see this film multiple times. It doesn’t necessarily live or die as a film because of the bands — it’s a great story about a moment in time in Manchester, and Steve Coogan is particularly hilarious — but the bands are why this soundtrack kicks ass.

6. “High Fidelity” (2000)

If only we still had the mix tape. John Cusack’s damaged record store owner was a dying breed then and only a memory now. This film, while lacking some of the flavor of the book, makes up for it in the music. Love, Smog, 13th Floor Elevators, The Velvet Underground, Stereolab, even the now forgotten Beta Band.

7. “Almost famous” (2000)

Cameron Crowe’s semi-autobiographical fantasy about his experience as a teenage writer for Rolling Stone is pretty much mandatory for this list. Whatever you think of the film now, the soundtrack brilliantly captured the sound and feeling of the zany trip everyone was on in the early ’70s. Remember the fun/lame Elton John sing along? Cat Stevens, Led Zeppelin, Simon and Garfunkel’s “America” seals it.

8. “Juno” (2007)

Dominated by Kimya Dawson/The Moldy Peaches, this soundtrack still has some variety in Astrud Gilberto, The Kinks and Sonic Youth. What’s more, Michael Cera and Ellen Page’s cover of “Anyone Else But You” is entirely endearing.

9. “Hedwig and the Angry Inch” (2001)

I would never have thought I’d be so pleased with a musical film about an East German transgendered Bowie wannabe (who lost his johnson) on tour with his weird glam band. Composer Stephen Trask wrote all the songs for the stage musical on which the film is based, and likewise the soundtrack is all Trask (aside from a bit of “Walk on the Wild Side,” there’s little other music in the film). I never got so fired up about it that I bought the soundtrack, but the achievement and execution deserves serious recognition.

10 / 0. “Watchmen” (2009)

Lastly, Zack Snyder’s Watchmen deserves some special top ten consideration. Think of this less as number 10 and maybe more number 0. It’s rare that a film employs a repertoire of such weighty songs and so many of them so badly. Snyder doesn’t earn half of the songs he uses — “The Sound of Silence,” are you kidding me? — and he basically rapes Leonard Cohen’s “Hallelujah.” As confounding and tasteless as it is used, the soundtrack alone is fantastic. The Phillip Glass song worked wonders and the revisionist history opening credits, set to “The Times They Are A-Changin,” are magic.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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