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Best soundtracks of the decade

Best soundtracks of the decade (photo)

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This past decade has been awash in both great and terrible soundtracks, with a preponderance of directors who have great musical taste but often apply it too liberally to their films. The music video, long fallen from prominence on TV, seems to have found it’s place on the big screen, with scenes written around songs now part of a formula. This isn’t always a bad thing, and some of the finest moments in film cannot be separated from the songs that accompany them. Some even become forever inseparable.

The more gratuitous examples are tiresome, even offensive. Some directors don’t know how to build a scene or earn the right to employ the song — they just slap it in there because it seems cool. In many cases the indispensable music supervisor did it for them. A best of list for the decade is sure to include some of these lesser moments but I’ve assembled a list of films whose soundtracks have risen above the pack. Keep in mind, this is not about films scores which is another beast entirely.

1. “The Royal Tenenbaums” (2001)

I often think of Wes Anderson as the biggest asshole I’ve never met. Film after film, he (along with his music supe Randall Poster) selfishly claims more of the best songs ever written as his own. There they are, burned forever into his films, greats by The Rolling Stones, Nico, Bob Dylan, Paul Simon, The Velvet Underground. He’s often the first to use them and, even when someone already has, he tends to do it better. Genius you can be jealous of. I’ve grown a bit tired of the constant song barrage he employs but glance back with me to “The Royal Tenenbaums,” before all was overplayed out. That moment with Margot coming off the bus… it still almost makes me weep, it’s so beautiful. Elliot Smith too.

2. “Adventureland” (2009)

Greg Mottola’s ’80s amusement park/graduate love story has not yet had the chance to stand the test of time, but it will. Hands down the best soundtrack of 2009 and possibly the best use of The Velvet Underground in the history of film. Even Falco’s “Rock Me Amadeus” was a good time.

3. “Children of Men” (2006)

It’s hard to stand back and separate a great soundtrack from a great film, and it may be that this is so high on the list because I’m swayed by the quality of Alfonso Cuarón’s filmmaking, Michael Caine and Deep Purple. Add some Donovan, Radiohead, Lennon, that wispy Franco Battiato “Ruby Tuesday” cover and King Crimson and I think you have one of the most bad-ass soundtracks of the Naughts.

4. “Breakfast on Pluto” (2005)

I was so smitten with Kitten that I had to check myself when I left the theater after seeing this Neil Jordan fun fest. You know, whistle at a couple broads on the street on my way to give my girlfriend a pearl necklace. I was even more impressed with the songcraft of Harry Nilsson, Dusty Springfield and T-Rex. Not the first time, “Children of the Revolution” was employed (see “Billy Elliot” and “Dogtown and Z-Boys”), but it was tough as nails — painted ones of course.

5. “24 Hour Party People” (2002)

If you’re a huge Joy Division fan (I am) or lover of New Order (less so) you might have had to see this film multiple times. It doesn’t necessarily live or die as a film because of the bands — it’s a great story about a moment in time in Manchester, and Steve Coogan is particularly hilarious — but the bands are why this soundtrack kicks ass.

6. “High Fidelity” (2000)

If only we still had the mix tape. John Cusack’s damaged record store owner was a dying breed then and only a memory now. This film, while lacking some of the flavor of the book, makes up for it in the music. Love, Smog, 13th Floor Elevators, The Velvet Underground, Stereolab, even the now forgotten Beta Band.

7. “Almost famous” (2000)

Cameron Crowe’s semi-autobiographical fantasy about his experience as a teenage writer for Rolling Stone is pretty much mandatory for this list. Whatever you think of the film now, the soundtrack brilliantly captured the sound and feeling of the zany trip everyone was on in the early ’70s. Remember the fun/lame Elton John sing along? Cat Stevens, Led Zeppelin, Simon and Garfunkel’s “America” seals it.

8. “Juno” (2007)

Dominated by Kimya Dawson/The Moldy Peaches, this soundtrack still has some variety in Astrud Gilberto, The Kinks and Sonic Youth. What’s more, Michael Cera and Ellen Page’s cover of “Anyone Else But You” is entirely endearing.

9. “Hedwig and the Angry Inch” (2001)

I would never have thought I’d be so pleased with a musical film about an East German transgendered Bowie wannabe (who lost his johnson) on tour with his weird glam band. Composer Stephen Trask wrote all the songs for the stage musical on which the film is based, and likewise the soundtrack is all Trask (aside from a bit of “Walk on the Wild Side,” there’s little other music in the film). I never got so fired up about it that I bought the soundtrack, but the achievement and execution deserves serious recognition.

10 / 0. “Watchmen” (2009)

Lastly, Zack Snyder’s Watchmen deserves some special top ten consideration. Think of this less as number 10 and maybe more number 0. It’s rare that a film employs a repertoire of such weighty songs and so many of them so badly. Snyder doesn’t earn half of the songs he uses — “The Sound of Silence,” are you kidding me? — and he basically rapes Leonard Cohen’s “Hallelujah.” As confounding and tasteless as it is used, the soundtrack alone is fantastic. The Phillip Glass song worked wonders and the revisionist history opening credits, set to “The Times They Are A-Changin,” are magic.

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Scarface Movie Al Pacino

Wanna Play?

Say Hello to Our Scarface Quiz

Play along with movie trivia during "Scarface" tonight at 8P on IFC.

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Photo Credit: Everett Collection

Tony Montana is all about money, power and respect. And while we can’t promise you’ll get money or power by taking our Scarface quiz below, you will get respect if you get a perfect score. One out of three ain’t bad. Click below to take the quiz, and catch Scarface this month on IFC.

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Hank Azaria’s Simpsons Advice For Grads, Questionable Shark Facts and More of This Week’s Funniest Videos

This week we're laughing at Hank's Tufts commencement speech, Jason Alexander's shark facts and more.

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Photo Credit: YouTube/Tufts University

We’ve made it! Memorial Day weekend! But before we can complain that it’s over too quickly, take a moment to bask in the pre-break lack of productivity and enjoy some lighthearted videos.

From Hank Azaria channeling Chief Wiggum and other Simpsons characters while talking to college grads to “Shark-spert” Jason Alexander sharing questionable shark facts, here are five funny things from this week you need to watch.

1. Kermit Informs Fozzie Bear That They’ve Been Canceled

It’s never easy to see someone receive bad news, much less a Muppet. But if anything, Kermit’s poise and acceptance during a time of crisis is impressive, admirable even. Fozzie Bear, on the other hand, reacts with greater similarity to how we would: with baseless anger and utter despair.


2. Jason Alexander Offers Shark “Fin Facts”

Memorial Day weekend means the start of beach season, aka Shark Feeding Season. As part of IFC’s Shark Half-A-Day Memorial Day marathon, “sharks-pert” Jason Alexander offers up some interesting “fin facts” about our sharp-toothed friends from the deep. You can also check out Jason’s beach tips, and catch the Jaws movies with more “fin facts” from Jason this Memorial Day on IFC.


3. Game of Thrones’ Emilia Clarke Confirms Dothraki Is a Real Language

With eyes still dewy from the climax of this past Sunday’s Game of Thrones (Hold the door!), the Mother of Dragons herself Emilia Clarke dropped by Late Night with Seth Meyers to throw the diehard fans a reason to smile: Yes, Dothraki is a real language. Watch Clarke discuss the phonetics and grammar involved with vying for Westeros rule.


4. Hank Azaria Gives Advice Through Simpsons Characters

Hank Azaria — star of The Simpsons, The Birdcage, and Brockmire, premiering in 2017 on IFC — gave the commencement speech at his alma mater Tufts University. In the hilarious speech, Azaria discusses how he got through college, recounts his early career struggles, and offers up life advice via fan favorite Simpsons characters like Chief Wiggum and Comic Book Guy.


5. X-Men: The Animated Series Gets Honest

Screen Junkies are back this week with another round of Honest Trailers. This entry focuses on the cartoon mutants that comprise X-Men: The Animated Series — an ultra-’90s Marvel property that predates the comic book adaptation boom of the 21st Century. But looking back at the decade of Rob Liefeld and Todd McFarlane, this video finds much to mock.

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Weird Al Comedy Bang Bang Season 5

Call Him Al

“Weird Al” Talks Comedy Bang! Bang!, His Upcoming Tour, Favorite Videos and More

Weird Al comes to Comedy Bang! Bang! starting June 3rd at 11P on IFC.

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With a career spanning five decades, “Weird Al” Yankovic has defined the song parody genre and become a beloved pop culture icon. Starting June 3rd, you’ll be able to catch him as the brand new Comedy Bang! Bang! bandleader Fridays at 11P on IFC.

We recently chatted with Al about joining Scott Aukerman on the new season, his upcoming tour, favorite CB!B! characters and his future dream projects. (Hint: it might involve actors spontaneously breaking into song.)

The Comedy Bang! Bang! bandleader gig seems like a natural fit for you. Did it take any time to get acclimated?

Weird Al: Yeah. It’s a slightly different skill set. The accordion is my main act, but I don’t use it on the show at all. It’s a keyboard setup. The actual setup is a little bit of a combination of what Reggie [Watts] had and [Kid] Cudi had. And a few extra things thrown in. So I’m trying to do my own version of what they brought to the show.

You’ve been on the Comedy Bang! Bang! podcast and the show many times. Do you have a favorite CB!B! character?

Weird Al: I’d probably have to say Doctor Time. Every time Scott wants me to do an evil character, he’s always got a bad English accent. [Laughs] Any time my character goes evil, he becomes sort of British.

Any favorite guests you’ve worked with?

Weird Al: Gosh, I love them all. Paul F. Tompkins is always fun. His Andrew Lloyd Webber character, Cake Boss, everything he does. And Andy Daly as well. They’re so versatile and so amazing at improv. That’s the one thing I was a little nervous about because I’ve never been super confident with my improv skills. But Comedy Bang! Bang!, particularly the TV version, is good for that because it’s all heavily edited. So it kind of gives me permission to try out whatever comes to my mind, so if it really sucks, they’re not gonna use it. [Laughs]

Scott Aukerman Weird Al

Your upcoming tour is a continuation of your Mandatory Fun tour from last year. Any new elements to the show?

Weird Al: Well, it is the same tour, so it’s not that much different. I might freshen some video a little bit. I’m hoping to use a bit or two from the current season of Comedy Bang! Bang! and slip that into the show somewhere.

The tour starts June 3rd in St. Petersburg, Florida and ends September 24th at Radio City Music Hall. How do you keep up the pace? 

Weird Al: It’s just a mindset. I’m really only working for two hours a day, so I basically just save up my energy for the show. I relax, surf online, watch satellite TV, read a book, rest my voice, and then give it all I got when I’m onstage.

Looking back at your vast song catalog, was there ever a parody that came to you immediately upon hearing the song?

Weird Al: Yeah, that’s happened a few times. More often than not, I have to think about it and analytically work out all the variations on a theme that I can and pick out the one with the most potential. But there’s been a few times where the idea came to me spontaneously. I think the first time I saw Michael Jackson’s “Bad” video, before it was even over, I thought, “Oh! I gotta do ‘Fat’! Super-plus-sized actors trying to get through a turnstile on a subway! I gotta do that!”

Do you have a favorite of your many hilarious videos?

Weird Al: Oh boy, it’s hard to say. “White and Nerdy” has been my biggest hit and that was a really fun video to do. But in terms of making a video, “Tacky” was really fun to do because it was so easy and I got to work with amazing people like Jack Black, Margaret Cho, Kristen Schaal, Eric Stonestreet, and Aisha Tyler. And we knocked it out in a couple of hours. We were having so much fun while making it, I kinda wish we weren’t so efficient and professional. [Laughs] I could’ve done that all night.

Was it filmed all in one take or was it stitched together?

Weird Al: That was all one take. Some people say, “Oh, I see where the edit is,” but it was all one shot. We did a total of six takes, and I think four of those takes were usable, but the last one was the best.

And you were directing while performing?

Weird Al: I directed that one, yeah. We location scouted and found a building in downtown LA that I thought was good for the shoot. I’ve since seen that building in a lot of other movies and TV shows — I think it was used in The Big Lebowski and a few others. It was difficult because I start the video in one set of clothes and I also end the video in a completely different set of clothes. So while the cameras were off me, because there’s only one elevator in the building, I had to run down five flights of stairs, quickly change my clothes, and hit my mark for the end. And after the take, we’d all just watch what we did, and say, “OK, let’s do it again.”

Is there a director you’d love to work with in the future?

Weird Al: Oh gosh, yeah, but I mean, music videos are notoriously low-budget so that’s why I end up directing them myself. [Laughs] But I’d love to be in a movie codirected by Steven Spielberg and Quentin Tarantino.

Do you have a particular genre of music that you love parodying the most? Or is it more of the moment and different for each song?

Weird Al: It doesn’t necessarily revolve around personal taste so much. It really depends more on the song than the genre. But I found rap songs tend to lend themselves to parody, mostly because there’s a lot of words to play with. A lot of pop songs are repetitive, and that’s sometimes been an issue. With rap, there’s no shortage of syllables to mess around with.

Given that you’ve been so prolific and done so much, is there any type of art left that you’d like to dip your toe in? Dramatic acting, perhaps?

Weird Al: Well, if Spielberg and Tarantino want me for their film, I wouldn’t want to turn them down. But there’s no burning desire to do drama. I love doing comedy and feel comfortable doing that. Writing a musical might be something I do down the line. I don’t know when but I might take a shot at something in that area. Other than that, I’ve done pretty much all I wanted to do in my life so far. A lot of it not successfully. [Laughs] But I took a stab at it and feel gratified by that.

You’ve had such a eclectic career in music and comedy. What do you attribute your longevity to?

Weird Al: [Laughs] I don’t know what I’d attribute the longevity to. There’s a modicum of talent, but it’s mostly because I surround myself with very talented people. I’ve got a great support group, I’ve got the same band since the early ’80s, and I’ve worked with the same people for decades. And I got a very loyal fan base and I love what I do. And somehow I’ve been very lucky and it’s worked out so far.

Watch “Weird Al” in an episode from the new season of Comedy Bang! Bang! right now, before the season premiere on Friday June 3rd at 11P.

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