DID YOU READ

Best soundtracks of the decade

Best soundtracks of the decade (photo)

Posted by on

This past decade has been awash in both great and terrible soundtracks, with a preponderance of directors who have great musical taste but often apply it too liberally to their films. The music video, long fallen from prominence on TV, seems to have found it’s place on the big screen, with scenes written around songs now part of a formula. This isn’t always a bad thing, and some of the finest moments in film cannot be separated from the songs that accompany them. Some even become forever inseparable.

The more gratuitous examples are tiresome, even offensive. Some directors don’t know how to build a scene or earn the right to employ the song — they just slap it in there because it seems cool. In many cases the indispensable music supervisor did it for them. A best of list for the decade is sure to include some of these lesser moments but I’ve assembled a list of films whose soundtracks have risen above the pack. Keep in mind, this is not about films scores which is another beast entirely.

1. “The Royal Tenenbaums” (2001)

I often think of Wes Anderson as the biggest asshole I’ve never met. Film after film, he (along with his music supe Randall Poster) selfishly claims more of the best songs ever written as his own. There they are, burned forever into his films, greats by The Rolling Stones, Nico, Bob Dylan, Paul Simon, The Velvet Underground. He’s often the first to use them and, even when someone already has, he tends to do it better. Genius you can be jealous of. I’ve grown a bit tired of the constant song barrage he employs but glance back with me to “The Royal Tenenbaums,” before all was overplayed out. That moment with Margot coming off the bus… it still almost makes me weep, it’s so beautiful. Elliot Smith too.

2. “Adventureland” (2009)

Greg Mottola’s ’80s amusement park/graduate love story has not yet had the chance to stand the test of time, but it will. Hands down the best soundtrack of 2009 and possibly the best use of The Velvet Underground in the history of film. Even Falco’s “Rock Me Amadeus” was a good time.

3. “Children of Men” (2006)

It’s hard to stand back and separate a great soundtrack from a great film, and it may be that this is so high on the list because I’m swayed by the quality of Alfonso Cuarón’s filmmaking, Michael Caine and Deep Purple. Add some Donovan, Radiohead, Lennon, that wispy Franco Battiato “Ruby Tuesday” cover and King Crimson and I think you have one of the most bad-ass soundtracks of the Naughts.

4. “Breakfast on Pluto” (2005)

I was so smitten with Kitten that I had to check myself when I left the theater after seeing this Neil Jordan fun fest. You know, whistle at a couple broads on the street on my way to give my girlfriend a pearl necklace. I was even more impressed with the songcraft of Harry Nilsson, Dusty Springfield and T-Rex. Not the first time, “Children of the Revolution” was employed (see “Billy Elliot” and “Dogtown and Z-Boys”), but it was tough as nails — painted ones of course.

5. “24 Hour Party People” (2002)

If you’re a huge Joy Division fan (I am) or lover of New Order (less so) you might have had to see this film multiple times. It doesn’t necessarily live or die as a film because of the bands — it’s a great story about a moment in time in Manchester, and Steve Coogan is particularly hilarious — but the bands are why this soundtrack kicks ass.

6. “High Fidelity” (2000)

If only we still had the mix tape. John Cusack’s damaged record store owner was a dying breed then and only a memory now. This film, while lacking some of the flavor of the book, makes up for it in the music. Love, Smog, 13th Floor Elevators, The Velvet Underground, Stereolab, even the now forgotten Beta Band.

7. “Almost famous” (2000)

Cameron Crowe’s semi-autobiographical fantasy about his experience as a teenage writer for Rolling Stone is pretty much mandatory for this list. Whatever you think of the film now, the soundtrack brilliantly captured the sound and feeling of the zany trip everyone was on in the early ’70s. Remember the fun/lame Elton John sing along? Cat Stevens, Led Zeppelin, Simon and Garfunkel’s “America” seals it.

8. “Juno” (2007)

Dominated by Kimya Dawson/The Moldy Peaches, this soundtrack still has some variety in Astrud Gilberto, The Kinks and Sonic Youth. What’s more, Michael Cera and Ellen Page’s cover of “Anyone Else But You” is entirely endearing.

9. “Hedwig and the Angry Inch” (2001)

I would never have thought I’d be so pleased with a musical film about an East German transgendered Bowie wannabe (who lost his johnson) on tour with his weird glam band. Composer Stephen Trask wrote all the songs for the stage musical on which the film is based, and likewise the soundtrack is all Trask (aside from a bit of “Walk on the Wild Side,” there’s little other music in the film). I never got so fired up about it that I bought the soundtrack, but the achievement and execution deserves serious recognition.

10 / 0. “Watchmen” (2009)

Lastly, Zack Snyder’s Watchmen deserves some special top ten consideration. Think of this less as number 10 and maybe more number 0. It’s rare that a film employs a repertoire of such weighty songs and so many of them so badly. Snyder doesn’t earn half of the songs he uses — “The Sound of Silence,” are you kidding me? — and he basically rapes Leonard Cohen’s “Hallelujah.” As confounding and tasteless as it is used, the soundtrack alone is fantastic. The Phillip Glass song worked wonders and the revisionist history opening credits, set to “The Times They Are A-Changin,” are magic.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.