DID YOU READ

The 2010 Spirit Award nominees.

The 2010 Spirit Award nominees. (photo)

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Matt Dillon and Taraji P. Henson announced the 2010 Spirit Award nominees this morning.

“The Last Station” (left), Michael Hoffman’s film about the last year in the life of Leo Tolstoy, snagged five nominations, as did everyone’s favorite Oscar frontrunner prediction “Precious,” while homefront drama “The Messenger” got four — but the big surprise has to be low-budget horror phenom “Paranormal Activity”‘s Best First Feature nod.

The Spirit Awards will be airing live on IFC Friday, March 5th at 11pm ET/8pm PT. Check out some photos from last year’s red carpet.

Best Feature
“(500) Days of Summer”
“Amreeka”
“Precious”
“Sin Nombre”
“The Last Station”

Best Director
Ethan and Joel Coen, “A Serious Man”
Lee Daniels, “Precious”
Cary Fukunaga, “Sin Nombre”
James Gray, “Two Lovers”
Michael Hoffman, “The Last Station”

Best First Feature
“A Single Man”
“Crazy Heart”
“Easier With Practice”
“The Messenger”
“Paranormal Activity”

12012009_downloadingnancy.jpgBest Lead Female
Maria Bello, “Downloading Nancy”
Nisreen Faour, “Amreeka”
Helen Mirren, “The Last Station”
Gwyneth Paltrow, “Two Lovers”
Gabourey Sidibe, “Precious”

Best Lead Male
Jeff Bridges, “Crazy Heart”
Colin Firth, “A Single Man”
Joseph Gordon-Levitt, “(500) Days of Summer”
Souleymane Sy Savane, “Goodbye Solo”
Adam Scott, “The Vicious Kind”

Best Supporting Female
Mo’Nique, “Precious”
Dina Korzun, “Cold Souls”
Samantha Morton, “The Messenger”
Natalie Press, “Fifty Dead Men Walking”
Mia Wasikowska, “That Evening Sun”

Best Supporting Male
Jemaine Clement, “Gentlemen Broncos”
Woody Harrelson, “The Messenger”
Christian McKay, “Me and Orson Welles”
Ray McKinnon, “That Evening Sun”
Christopher Plummer, “The Last Station”

12012009_themessenger.jpgBest Screenplay
Alessandro Camon and Oren Moverman, “The Messenger”
Michael Hoffman, “The Last Station”
Lee Toland Krieger, “The Vicious Kind”
Greg Mottola, “Adventureland”
Scott Neustadter and Michael H. Weber, “(500) Days of Summer”

Best First Screenplay
Sophie Barthes, “Cold Souls”
Scott Cooper, “Crazy Heart”
Cherien Dabis, “Amreeka”
Geoffrey Fletcher, “Precious”
Tom Ford, “A Single Man”

Best Foreign Film
“A Prophet,” directed by Jacques Audiard
“An Education,” directed by Lone Scherfig
“Everlasting Moments,” directed by Jan Troell
“Mother,” directed by Bong Joon-ho
“The Maid,” directed by Sebastián Silva

Best Documentary Feature
“Anvil! The Story of Anvil”
“Food, Inc”
“More Than A Game”
“October Country”
“Which Way Home”

12012009_treelessmountain.jpgBest Cinematography
Roger Deakins , “A Serious Man”
Adriano Goldman, “Sin Nombre”
Anne Misawa, “Treeless Mountain”
Andrij Parekh, “Cold Souls”
Peter Zeitlinger, “The Bad Lieutenant: Port of Call New Orleans”

John Cassavetes Award
“Big Fan”
“Humpday”
“The New Year Parade”
“Treeless Mountain”
“Zero Bridge”

Robert Altman Award
“A Serious Man”

Acura Someone to Watch Award
Kyle Patrick Alvarez, “Easier With Practice”
Tariq Tapa, “Zero Bridge”
Asiel Norton, “Redland”

Piaget Producers Award
Karin Chien, “Santa Mesa” and “The Exploding Girl”
Larry Fessenden, “I Sell the Dead” and “House of the Devil”
Dia Sokol, “Beeswax,” “Nights and Weekends”

Truer than Fiction Award
Natalia Almada, “El General”
Bill and Turner Ross, “45365”
Jessica Oreck, “Beetle Queen Conquers Tokyo”

[Photos: “The Last Station,” Sony Classics, 2009; “The Messenger,” Oscilloscope, 2009; “Treeless Mountain,” Oscilloscope, 2009; “Downloading Nancy,” Strand Releasing, 2009]

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.