Running Late

Running Late (photo)

Posted by on

As we wind down to year’s end, we find Michael Haneke’s Cannes conqueror fashionably late to the party, while Paramount waited three years to release the Renée Zellweger horror flick “Case 39” and a mere half-century later, audiences will finally see the fruits of an unproduced Tennessee Williams screenplay. Throw in a pair of modern Korean films and you’ve got yourself an exciting way to start the new year.

Download this in audio form (MP3: 8:33 minutes, 7.8 MB)

Subscribe to the In Theaters podcast: [XML] [iTunes]

“Case 39”
We can only hope it’s no reflection of quality that this latest volley from the creepy-kid subgenre sat on the shelf for so long that its director, Christian Alvart, had another project (daffy sci-fi chiller “Pandorum”) wrapped, released and mostly ignored before this domestic thriller even made it to our shores. The German helmer’s English-language debut (at least chronologically) has Renée Zellweger playing a kindly social worker who wrestles away the innocuous looking young Lilith (Jodelle Ferland) from seemingly abusive parents, only to discover that the little angel might not be as benevolent as she appears. Ian McShane, who has yet to transfer his small screen authority to movies, co-stars as a creeped-out child therapist.
Opens wide.

“The Chaser”
A huge hit in its native South Korea, Na Hong-jin’s directorial debut centers on a fallen police officer-turned-pimp who must dust off his detective skills when his prostitutes begin to go missing. Kim Yoon-suk stars as the mack daddy who believes he’s stumbled onto the case of a serial killer, but finds little help from his former colleagues. Although it sounds like the kind of film no American studio would touch, Leonardo DiCaprio is said to be eyeing an American remake for Warner Bros.
Opens in New York.

12282009_teardrop1.jpg“The Loss of a Teardrop Diamond”
For a first-time feature filmmaker, actress-turned-helmer Jodie Markell couldn’t make her debut with a sturdier piece of material than this recently unearthed screenplay of societal scandal and sexual jealousy penned by the iconic playwright Tennessee Williams. Bryce Dallas Howard ruffles some feathers as the decidedly unwelcome wannabe socialite Fisher Willow, who takes Memphis society by storm when she recruits the cash-strapped son of the help (Chris Evans) to be her arm candy for the social season and silently seethes when her business arrangement with her escort becomes something more right as he falls for another. Ann-Margaret and Ellen Burstyn lend their support to this Southern Gothic throwback that’s been kicking around the festival circuit since premiering in Toronto in 2008.
Opens in New York and Los Angeles.

“Old Partner”
A poetic portrait of the companionship between a man and his beast of burden, South Korean helmer Chung Ryoul-Lee’s unashamedly simply documentary charts the twilight year in a four-decade long friendship between Choi, an elderly farmer, and his trusty ox, much to the chagrin of his wife, who views the great hulk as something akin to her husband’s idiot college buddy. As Choi spends an inordinate amount of time feeding and grooming his trusty companion, the missus wonders why her 80-year-old husband continues to sweat out a day’s work with an ox when he could easily diminish his workload with a tractor. In Korean with subtitles.
Opens in New York.

“The White Ribbon”
Perhaps a bit narked that his American remake of “Funny Games” went largely unremarked upon, Michael Haneke returned to Germany to cook up this slow-burning exercise in escalating tension and spiraling incident that finally landed the Palme d’Or that had long eluded him. It says much about his brand of moviemaking that this mostly silent, achingly slow study of a rural German village sliding towards the brink — a parable of how ignorance, apathy and base human nature combined to birth the Nazi movement — is one of his more accessible works. In German with subtitles.
Opens in New York and Los Angeles before expanding into limited release on January 22nd.

[Additional photo: “The Loss of a Teardrop Diamond,” Paladin, 2009]

Watch More

Weird Roles

Anthony Michael Hall’s Most Rotten Movies

Catch Anthony Michael Hall in Weird Science on Friday at 8P on IFC.

Posted by on
Photo Credit: Universal/Everett Collection

Anthony Michael Hall was the quintessential ’80s nerd. We love him in classics like The Breakfast Club and National Lampoon’s Vacation. But even the brainiest among us has his weak spots. In honor of Weird Science airing this Rotten Friday, we analyze Hall’s worst movies.

Weird Science (1985) 56%

A low point for John Hughes, Weird Science is way too wacky for its own good. Anthony Michael Hall’s Gary and his pal Wyatt (Ilan Mitchell-Smith) create the “perfect woman.” Supernatural chaos ensues. The film costars a young Bill Paxton, floppy disks, and a general disconnect from all reality.

The Caveman’s Valentine (2001) 46%

This ambitious drama starring Samuel L. Jackson couldn’t live up to its rich premise. Jackson plays Romulus, a Juilliard-educated, paranoid schizophrenic who lives in a cave. Hall co-stars as Bob, a rich man, who wants to see Romulus play the piano. The plot centers around Romulus investigating a murder, but with so much going on, the movie never quite finds its rhythm.

All About the Benjamins (2002) 30%

Ice Cube plays a bounty hunter who teams up with Mike Epps’ con man to catch diamond thieves. Hall plays Lil J, a small-time drug dealer. It’s definitely a role we’ve never seen Hall in, but overall the movie isn’t funny or original enough to justify its violence.

Freddy Got Fingered (2001) 11%

This showcase for Tom Green’s goofy gross-out comedy is often hailed as one of the worst films of all time. Green plays Gord, a 20-something slacker, who dreams of having his own animated series. Hall is Dave Davidson, a CEO of an animation studio who eventually helps Gord find success. Too bad Tom Green wasn’t so lucky.

Johnny Be Good (1988) 0%

Hall plays against type as Johnny Walker, a star quarterback. Robert Downey Jr. is his best friend and Uma Thurman plays his devoted girlfriend. Despite the support of a future A-list cast, the movie lacks central conflict and charm. Or, as TV Guide put it, “Johnny be worthless.” Ouch.

Catch the “Too Rotten to Miss” Weird Science this Friday at 8P on IFC.

Watch More
Season 6: Episode 1: Pickathon

Binge Fest

Portlandia Season 6 Now Available On DVD

The perfect addition to your locally-sourced, artisanal DVD collection.

Posted by on

End of summer got you feeling like:

Portlandia Toni Screaming GIF

Ease into fall with Portlandia‘s sixth season. Relive the latest exploits of Fred Armisen and Carrie Brownstein’s cast of characters, including Doug and Claire’s poignant breakup, Lance’s foray into intellectual society, and the terrifying rampage of a tsukemen Noodle Monster! Plus, guest stars The Flaming Lips, Glenn Danzig, Louis C.K., Kevin Corrigan, Zoë Kravitz, and more stop by to experience what Portlandia is all about.

Pick up a copy of the DVD today, or watch full episodes and series extras now on IFC.com and the IFC app.

Watch More

Byrning Down the House

Everything You Need to Know About the Film That Inspired “Final Transmission”

Documentary Now! pays tribute to "Stop Making Sense" this Wednesday at 10P on IFC.

Posted by on
Photo Credit: Cinecom/courtesy Everett Collection

This week Documentary Now! is with the band. For everyone who’s ever wanted to be a roadie without leaving the couch, “Final Transmission” pulls back the curtain on experimental rock group Test Pattern’s final concert. Before you tune in Wednesday at 10P on IFC, plug your amp into this guide for Stop Making Sense, the acclaimed 1984 Talking Heads concert documentary.

Put on Your Dancing Shoes

Hailed as one of the best concert films ever created, director Jonathan Demme (Silence of the Lambs) captured the energy and eccentricities of a band known for pushing the limits of music and performance.

Make an Entrance

Lead singer David Byrne treats the concert like a story: He enters an empty stage with a boom box and sings the first song on the setlist solo, then welcomes the other members of the group to the stage one song at a time.

Steal the Spotlight

David Byrne Dancing
Cinecom/Everett Collection

Always a physical performer, Byrne infuses the stage and the film with contagious joy — jogging in place, dancing with lamps, and generally carrying the show’s high energy on his shoulders.

Suit Yourself

Byrne makes a splash in his “big suit,” a boxy business suit that grows with each song until he looks like a boy who raided his father’s closet. Don’t overthink it; on the DVD, the singer explains, “Music is very physical, and often the body understands it before the head.”

View from the Front Row

Stop Making Sense Band On Stage
Cinecom/Everett Collection

Demme (who also helmed 1987’s Swimming to Cambodia, the inspiration for this season’s Documentary Now! episode “Parker Gail’s Location is Everything”) films the show by putting viewers in the audience’s shoes. The camera rarely shows the crowd and never cuts to interviews or talking heads — except the ones onstage.

Let’s Get Digital

Tina Weymouth Keyboard
Cinecom/Everett Collection

Stop Making Sense isn’t just a good time — it’s also the first rock movie to be recorded entirely using digital audio techniques. The sound holds up more than 30 years later.

Out of Pocket

Talk about investing in your art: Talking Heads drummer Chris Frantz told Rolling Stone that the members of the band “basically put [their] life savings” into the movie, and they didn’t regret it.

Catch Documentary Now!’s tribute to Stop Making Sense when “Final Transmission” premieres Wednesday, October 12 at 10P on IFC.

Watch More
Powered by ZergNet