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The war over “Rabbit-Proof Fence.”

The war over “Rabbit-Proof Fence.” (photo)

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src=””>The treatment of Aborigines on-screen in Australia is a sensitive issue treated with a great deal more trepidation than, say, the way Native Americans are portrayed in American movies.

There’s even a standard film preface/warning that “Aboriginal and Torres Strait Islander viewers should exercise caution when watching this program as it may contain images of deceased persons” — a nod to Aboriginal beliefs that if you capture the image of a person, you capture their soul, placing them in after-life limbo.

So it’s no surprise that a movie like 2002’s “Rabbit-Proof Fence,” the story of three aboriginal girls, kidnapped by a government agent, who walked back home, and, from a larger perspective, an indictment of past Australian treatment of aborigines, is capable of igniting controversy some seven years on.

Since its release, “Rabbit-Proof Fence” has become standard viewing in Australian history classes, making it a flash-point for the “History Wars” arguments about whether Australia’s settlement and colonization was benevolent, genocidal or in-between.

12172009_fabrication.jpgFor those inclined towards the former view, talk of genocide, forced displacement and all is a gross exaggeration tending towards a “black armband” view of history. Those on the other side speak disparagingly of the “white blindfold view.” And Noyce’s film — with Kenneth Branagh at his most villainous as a foul-intentioned government man — is definitely on the side of the sensitive liberals.

Conservative historian Keith Windschuttle is kicking the argument open again with his new book “The Fabrication of Aboriginal History,” prompting counter- and counter-counter claims with dizzying speed. He claims the 11 and 14-year-old girls in question were removed from their home because they were having sex with white men. Director Philip Noyce and screenwriter Christine Olsen quickly issued a counter-statement with opposing evidence from a later date. (Noyce called Windschuttle either “extremely lazy or just plain dishonest” for good measure.)

The mess spirals out from there even further, with conservative columnist Andrew Bolt citing a book written by one of the girls’ daughters as evidence, while the daughter of the other girl has her own response. It’s all very heated and more than a little unnerving.

12182009_rabbitprooffence4.jpgAs a non-historian, I can’t begin to parse the evidence, though it’s hard not to distrust Windschuttle the moment he starts claiming the villain in question only supported a “program to ‘breed out the color’ ” for the, uh, benevolent motive of “fostering the marriage of part-Aboriginal women to white men.” (Oh, so that’s why they called it “breeding out the color.” Problem solved.)

But mostly it’s heartening (and a bit chastening) to see a country undergoing a prolonged and serious debate about its own past without resorting (solely, anyway) to counter-cries of “fascist!” and “socialist” (or “America-hater” or “reactionary” or whatever). We should be so lucky.

[Photos: “Rabbit-Proof Fence,” Miramax, 2002]


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.