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The Naughts: The Director of the ’00s

The Naughts: The Director of the ’00s (photo)

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Steven Soderbergh had a remarkable 12 films in theaters between 2000 and 2009. That includes two shiny Oscar winners, “Erin Brockovich” (which nabbed Julia Roberts a statuette) and “Traffic,” and a potential third, “The Informant!”; all three installments of the blockbuster “Ocean’s” franchise; three fast-and-loose video experiments (“Full Frontal,” “Bubble” and “The Girlfriend Experience”); an anti-period piece period piece (“The Good German”); an anti-biopic biopic (“Che”); and a sorely underrated remake/distillation of a sci-fi classic (“Solaris”).

And that’s not even counting his contribution to the 2004 omnibus “Eros,” or the ten episodes of HBO series “K Street” he helmed. By virtue of unstoppable output alone, Soderbergh’s made more of a mark on the ’00s than any other working director. But that’s not why he’s my pick for director of the decade.

Back in 1989, Soderbergh kicked off the giddy golden age of independent film with “Sex, Lies, and Videotape,” and while the following ’90s days of Park City wine and Miramax roses weren’t as immediately good to him as to other now brand name filmmakers, he remained, as Roger Ebert put it, the “poster boy of the Sundance generation,” the kid who showed studios that the world actually wanted to watch talky, low-budget relationship dramas, provided they were, you know, really good.

12112009_Bubble.jpgIn the Naughts, the floor creaked, sagged and eventually fell out from under the film industry, leaving only those perched on the edges — blockbusters and microbudgets, everyone says, are the safest future if you want to stay in business. Well, Steven Soderbergh, king of the one-for-me, one-for-them career, has been making variations of both for years now.

Actually, “one-for-me, one-for-them” makes it sound as if he shuffles like Persephone from colorless stints in the commercial underworld to brief bursts in the bright daylight of unfettered creativity. There’s no sense that his studio work is any less his own, less distinctive, or less invested in than his more overtly personal projects — as A.O. Scott put it, “Soderbergh may have zigzagged in and out of the movie-industry mainstream in the course of his career, but he has remained, throughout, to an extent matched by very few of his peers, an experimental filmmaker.”

That Soderbergh’s an auteur there’s no doubt, but he’s one whose foremost identifying quality is a quicksilver versatility — the artist as journeyman-for-hire, just as ready to test out new technology and non-professional actors as he is to command a budget in the tens of millions and the biggest stars in the world. You may not like every one of the dozen features he’s turned out in the ’00s, but you can’t deny that they’re all interesting.

He stretches the constraints of genres until they’ve bent into something new, and tests, in a similar way, the limits of the industry’s unwritten rules. Looking back, it’s hard to believe the uproar over “Bubble”‘s 2006 day-and-date theatrical and VOD release — it’s now in no way unusual, but at the time, the president of the National Association of Theatre Owners called it “the biggest threat to the viability of the cinema industry today.”

The same goes for his toe-dips up and down the production scale — if you want to make a movie free of outside oversight, you deal with the constraints of budget, and if you want to make a movie with more resources, you deal with the different constraints that come with them. An innate understanding of those facts, of how to work the system, and of film’s place between art and commerce, seems to underline his career. Not to paint that career in too rosy a financial light — “Che,” while a relative success domestically for a four-hour foreign language film, still only made back half its budget worldwide, and Soderbergh was booted off “Moneyball” days before it was slated to begin shooting because of script disagreements, making it seem like the director’s era of sneaking a more challenging approach into a seemingly standard project might be coming to an end.

12102009_OceansTwelve.jpgIf it is, that’d be a shame. For me, honestly, it’s films like the “Ocean’s” trilogy, collectively light as a feather, that have the most intriguing underlying push and pull to them between what’s prescribed and what’s possible when you color outside the lines. There’s the unexpected delight in the movie stardom of their leads, a hedonistic joy in taking in their glow, beautifully wardrobed, traveling high-end settings — don’t they look good on camera? — the blurring of public persona and character as the films continued a more interesting examination of our concept of the famous than, for sure, “Full Frontal.”

But there’s no doubt that Soderbergh will keep working. It’s what he does best. He’ll be headed back to Park City next month with a new documentary, “And Everything Is Going Fine,” and not to Sundance but to its punkier cousin Slamdance, where he’ll also participate in a summit on new models for content distribution. I’d listen to what he has to say — he’s done pretty good so far.

This feature is part of the Naughts Project.

[Additional Photos: Debbie Doebereiner in “Bubble,” Magnolia Pictures, 2005; Matt Damon, Brad Pitt and George Clooney in “Ocean’s Twelve,” Warner Bros., 2004]

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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