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The Naughts: The Critics of the ’00s

The Naughts: The Critics of the ’00s (photo)

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Luckily, though, Bordwell and Thompson aren’t “Get Off My Lawn” types. And when Bordwell looks askance at, say, intensified continuity, he doesn’t just decry fast cutting or shaky-cams and call it a day (though he tends to have more respect for classical filmmaking). He gets into the economic, cultural and technological factors that might have turned intensified continuity into the new industry standard — for example, a studio wanting to amass a wide array of coverage in case they decide they don’t like the director’s approach and decide to re-cut the film, or the director’s inability to decide what’s truly important in a scene, or in the story as a whole.

He and Thompson treat cinema as a fluid, living thing, forever changing shape and direction. They’re fascinated even by developments they find counterproductive or troubling — and they’re plugged into what’s happening now. Thompson has written what is perhaps the definitive book on the cultural phenomenon that is “The Lord of the Rings” trilogy. (It’s also detached and often skeptical, which makes it even more distinctive.) Bordwell adores animation and horror, keeps up with music videos and ads and is one of the most enthusiastic American boosters of Asian pop cinema (he’s Johnnie To’s biggest fan). He gets into the effect of TV, video games and online media, all of which reflect (and perhaps shape) filmmakers’ sense of how to tell a story, and the viewers’ ability to process information. And he has a knack for labeling phenomena in catchy, non-jargony ways; for three examples, check out Bordwell’s thumbnail descriptions of “network narratives” “broken timelines” and “companion films” here.

Bordwell and Thompson also grasp what ought to be a self-evident fact, but which often goes unremarked in contemporary film writing: cinema is an art form, art is made by artists, and artists generally don’t give one-sixteenth of a damn about making statements on such-and-such or reflecting the zeitgeist or carrying the torch for Godard or any of the other motives attributed to them by reviewers looking to lock art in a cage. Like athletes, musicians, tightrope walkers or any other sorts of performer (and yes, filmmaking is a performance), directors tend not to be slaves to theory. They’re motivated by a visceral appreciation of how movies move — and by respectful competitiveness. They see someone else’s film, admire a certain shot or cut or music cue or narrative device, then work it into their own film, which in turn is seen, absorbed and transformed by other filmmakers. When a lot of directors fall in love with a technique, what once was new becomes the norm.

12042009_RagingBull1.jpg

An example is the lengthy, elaborate Steadicam shot, which has become a familiar sight in auteur-driven films made during the last three decades and in TV dramas such as “E.R.” While all sorts of aesthetic, dramatic and even political rationales have been floated to explain the pervasiveness of super-long Steadicam shots, Bordwell implies that one-upsmanship might be the original culprit. As he writes in “The Way Hollywood Tells It,” “The crowd following Jake LaMotta from his dressing room, through the crowds and into the ring in ‘Raging Bull’ made [Brian De Palma] sit up. ‘I thought I was pretty good at doing those kind of shots, but when I saw that I said, ‘Whoa!’ And that’s when I started using these very complicated shots with the Steadicam.’ ”

That this type of writing is more apt to be described as “scholarship” than criticism says quite a bit about the impoverished state of criticism and the banishment of formal analysis to universities and elite film journals. What we tend to think about when we think about criticism — writing that’s mainly concerned with plot, characterization, themes, political allegory, race and gender politics, so-and-so’s Oscar hopes and the stupidity of every other critic — is not just as reductive as Thompson implied, it ignores the true source of cinema’s enchantment.

That’s a loss for critics as a writing class and a gain for Bordwell, Thompson and anyone else intrigued by the stuff that dreams are made of. The blurb-mongers and bomb-throwers huddle around this week’s releases, decrying this or that trend and arguing about whether so-and-so is a genius or a fraud, blathering like blind men trying to describe an elephant by manhandling its tail or trunk. Meanwhile, the cinematic taxonomists from Wisconsin are writing their own cinematic version of “The Origin of Species” in real time. Talk about a job worth doing.

This feature is part of the Naughts Project.

[Additional photos: “Die Hard” screen shots, from post “Seed-beds of Style,” Twentieth Century-Fox Film Corporation, 1988; “Transformers: Revenge of the Fallen,” DreamWorks/Paramount, 2009; “Raging Bull,” United Artists, 1980]

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Scarface Movie Al Pacino

Wanna Play?

Say Hello to Our Scarface Quiz

Play along with movie trivia during "Scarface" tonight at 8P on IFC.

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Photo Credit: Everett Collection

Tony Montana is all about money, power and respect. And while we can’t promise you’ll get money or power by taking our Scarface quiz below, you will get respect if you get a perfect score. One out of three ain’t bad. Click below to take the quiz, and catch Scarface this month on IFC.

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Hank Azaria Commencement

Best Speech Ever

Hank Azaria’s Simpsons Advice For Grads, Questionable Shark Facts and More of This Week’s Funniest Videos

This week we're laughing at Hank's Tufts commencement speech, Jason Alexander's shark facts and more.

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Photo Credit: YouTube/Tufts University

We’ve made it! Memorial Day weekend! But before we can complain that it’s over too quickly, take a moment to bask in the pre-break lack of productivity and enjoy some lighthearted videos.

From Hank Azaria channeling Chief Wiggum and other Simpsons characters while talking to college grads to “Shark-spert” Jason Alexander sharing questionable shark facts, here are five funny things from this week you need to watch.

1. Kermit Informs Fozzie Bear That They’ve Been Canceled

It’s never easy to see someone receive bad news, much less a Muppet. But if anything, Kermit’s poise and acceptance during a time of crisis is impressive, admirable even. Fozzie Bear, on the other hand, reacts with greater similarity to how we would: with baseless anger and utter despair.


2. Jason Alexander Offers Shark “Fin Facts”

Memorial Day weekend means the start of beach season, aka Shark Feeding Season. As part of IFC’s Shark Half-A-Day Memorial Day marathon, “sharks-pert” Jason Alexander offers up some interesting “fin facts” about our sharp-toothed friends from the deep. You can also check out Jason’s beach tips, and catch the Jaws movies with more “fin facts” from Jason this Memorial Day on IFC.


3. Game of Thrones’ Emilia Clarke Confirms Dothraki Is a Real Language

With eyes still dewy from the climax of this past Sunday’s Game of Thrones (Hold the door!), the Mother of Dragons herself Emilia Clarke dropped by Late Night with Seth Meyers to throw the diehard fans a reason to smile: Yes, Dothraki is a real language. Watch Clarke discuss the phonetics and grammar involved with vying for Westeros rule.


4. Hank Azaria Gives Advice Through Simpsons Characters

Hank Azaria — star of The Simpsons, The Birdcage, and Brockmire, premiering in 2017 on IFC — gave the commencement speech at his alma mater Tufts University. In the hilarious speech, Azaria discusses how he got through college, recounts his early career struggles, and offers up life advice via fan favorite Simpsons characters like Chief Wiggum and Comic Book Guy.


5. X-Men: The Animated Series Gets Honest

Screen Junkies are back this week with another round of Honest Trailers. This entry focuses on the cartoon mutants that comprise X-Men: The Animated Series — an ultra-’90s Marvel property that predates the comic book adaptation boom of the 21st Century. But looking back at the decade of Rob Liefeld and Todd McFarlane, this video finds much to mock.

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Weird Al Comedy Bang Bang Season 5

Call Him Al

“Weird Al” Talks Comedy Bang! Bang!, His Upcoming Tour, Favorite Videos and More

Weird Al comes to Comedy Bang! Bang! starting June 3rd at 11P on IFC.

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With a career spanning five decades, “Weird Al” Yankovic has defined the song parody genre and become a beloved pop culture icon. Starting June 3rd, you’ll be able to catch him as the brand new Comedy Bang! Bang! bandleader Fridays at 11P on IFC.

We recently chatted with Al about joining Scott Aukerman on the new season, his upcoming tour, favorite CB!B! characters and his future dream projects. (Hint: it might involve actors spontaneously breaking into song.)

The Comedy Bang! Bang! bandleader gig seems like a natural fit for you. Did it take any time to get acclimated?

Weird Al: Yeah. It’s a slightly different skill set. The accordion is my main act, but I don’t use it on the show at all. It’s a keyboard setup. The actual setup is a little bit of a combination of what Reggie [Watts] had and [Kid] Cudi had. And a few extra things thrown in. So I’m trying to do my own version of what they brought to the show.

You’ve been on the Comedy Bang! Bang! podcast and the show many times. Do you have a favorite CB!B! character?

Weird Al: I’d probably have to say Doctor Time. Every time Scott wants me to do an evil character, he’s always got a bad English accent. [Laughs] Any time my character goes evil, he becomes sort of British.

Any favorite guests you’ve worked with?

Weird Al: Gosh, I love them all. Paul F. Tompkins is always fun. His Andrew Lloyd Webber character, Cake Boss, everything he does. And Andy Daly as well. They’re so versatile and so amazing at improv. That’s the one thing I was a little nervous about because I’ve never been super confident with my improv skills. But Comedy Bang! Bang!, particularly the TV version, is good for that because it’s all heavily edited. So it kind of gives me permission to try out whatever comes to my mind, so if it really sucks, they’re not gonna use it. [Laughs]

Scott Aukerman Weird Al

Your upcoming tour is a continuation of your Mandatory Fun tour from last year. Any new elements to the show?

Weird Al: Well, it is the same tour, so it’s not that much different. I might freshen some video a little bit. I’m hoping to use a bit or two from the current season of Comedy Bang! Bang! and slip that into the show somewhere.

The tour starts June 3rd in St. Petersburg, Florida and ends September 24th at Radio City Music Hall. How do you keep up the pace? 

Weird Al: It’s just a mindset. I’m really only working for two hours a day, so I basically just save up my energy for the show. I relax, surf online, watch satellite TV, read a book, rest my voice, and then give it all I got when I’m onstage.

Looking back at your vast song catalog, was there ever a parody that came to you immediately upon hearing the song?

Weird Al: Yeah, that’s happened a few times. More often than not, I have to think about it and analytically work out all the variations on a theme that I can and pick out the one with the most potential. But there’s been a few times where the idea came to me spontaneously. I think the first time I saw Michael Jackson’s “Bad” video, before it was even over, I thought, “Oh! I gotta do ‘Fat’! Super-plus-sized actors trying to get through a turnstile on a subway! I gotta do that!”

Do you have a favorite of your many hilarious videos?

Weird Al: Oh boy, it’s hard to say. “White and Nerdy” has been my biggest hit and that was a really fun video to do. But in terms of making a video, “Tacky” was really fun to do because it was so easy and I got to work with amazing people like Jack Black, Margaret Cho, Kristen Schaal, Eric Stonestreet, and Aisha Tyler. And we knocked it out in a couple of hours. We were having so much fun while making it, I kinda wish we weren’t so efficient and professional. [Laughs] I could’ve done that all night.

Was it filmed all in one take or was it stitched together?

Weird Al: That was all one take. Some people say, “Oh, I see where the edit is,” but it was all one shot. We did a total of six takes, and I think four of those takes were usable, but the last one was the best.

And you were directing while performing?

Weird Al: I directed that one, yeah. We location scouted and found a building in downtown LA that I thought was good for the shoot. I’ve since seen that building in a lot of other movies and TV shows — I think it was used in The Big Lebowski and a few others. It was difficult because I start the video in one set of clothes and I also end the video in a completely different set of clothes. So while the cameras were off me, because there’s only one elevator in the building, I had to run down five flights of stairs, quickly change my clothes, and hit my mark for the end. And after the take, we’d all just watch what we did, and say, “OK, let’s do it again.”

Is there a director you’d love to work with in the future?

Weird Al: Oh gosh, yeah, but I mean, music videos are notoriously low-budget so that’s why I end up directing them myself. [Laughs] But I’d love to be in a movie codirected by Steven Spielberg and Quentin Tarantino.

Do you have a particular genre of music that you love parodying the most? Or is it more of the moment and different for each song?

Weird Al: It doesn’t necessarily revolve around personal taste so much. It really depends more on the song than the genre. But I found rap songs tend to lend themselves to parody, mostly because there’s a lot of words to play with. A lot of pop songs are repetitive, and that’s sometimes been an issue. With rap, there’s no shortage of syllables to mess around with.

Given that you’ve been so prolific and done so much, is there any type of art left that you’d like to dip your toe in? Dramatic acting, perhaps?

Weird Al: Well, if Spielberg and Tarantino want me for their film, I wouldn’t want to turn them down. But there’s no burning desire to do drama. I love doing comedy and feel comfortable doing that. Writing a musical might be something I do down the line. I don’t know when but I might take a shot at something in that area. Other than that, I’ve done pretty much all I wanted to do in my life so far. A lot of it not successfully. [Laughs] But I took a stab at it and feel gratified by that.

You’ve had such a eclectic career in music and comedy. What do you attribute your longevity to?

Weird Al: [Laughs] I don’t know what I’d attribute the longevity to. There’s a modicum of talent, but it’s mostly because I surround myself with very talented people. I’ve got a great support group, I’ve got the same band since the early ’80s, and I’ve worked with the same people for decades. And I got a very loyal fan base and I love what I do. And somehow I’ve been very lucky and it’s worked out so far.

Watch “Weird Al” in an episode from the new season of Comedy Bang! Bang! right now, before the season premiere on Friday June 3rd at 11P.

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