It’s Time to Meet the Muppets, Again

It’s Time to Meet the Muppets, Again (photo)

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“Muppets Bohemian Rhapsody” debuted on the Muppets’ newly inaugurated YouTube channel just three weeks ago. But nearly ten million views later, it already feels like a signpost that we’ll look back on fondly — a goofy capper to a rotten decade, a bridge to whatever lies ahead, and perhaps a future time capsule, a reminder of what it felt like to be alive at this strange time. It’s a pop culture upper in a league with two classic bubblegum chart-toppers that heralded the shift from ’60s darkness to ’70s hedonism: John Lennon’s “Whatever Gets You Through the Night” and the Captain & Tennille’s cover of “Love Will Keep Us Together.”

There’s no world-shattering depth to those songs, just a straightforward reassurance that even though times are tough, as long as we’re capable of having fun, things aren’t quite as bad as they seem. “Muppets Bohemian Rhapsody” and the other offerings on the Muppets’ YouTube channel are likewise (deliberately) simple and upbeat — little rainbows, like the one arcing through the broken soundstage roof at the end of “The Muppet Movie” (1979).

“Ode to Joy” split-screens multiple incarnations of the jumpy dolt Beaker as he vocalizes the most famous section of Beethoven’s Ninth Symphony. Beaker’s boss, Dr. Bunson Honeydew, returns in “Muppet Labs Experiment 5T832: Ghost Hunt,” turning Beaker loose in a haunted house and yammering obliviously while Beaker shrieks at bats, spiders and apparitions. “Cårven Der Pümpkîn” brings back the Swedish chef, who’s nearly outsmarted by a couple of gourds. “Skateboarding Dog Gets Served!” spoofs “stupid pet tricks” clips, teaming motor-mouthed rodent scammer Rizzo with Rowlf the Dog, who nearly injures himself doing a dangerous stunt that doesn’t get captured on tape because the hungry Rizzo is busy shooting a guy eating a slice of pizza. (“We should go put it on web,” Rowlf gasps at the end. “The term is online,” Rizzo corrects him.)

12152009_muppets7.jpgEach sketch ends with Statler and Waldorf, the grumpy old men who lobbed insults from the balcony on “The Muppet Show,” grousing about the video you just watched, or the internet in general. (“When I was a kid they hadn’t invented the web,” Statler declares after the skateboarding video. “When you were a kid, they hadn’t invented the wheel!” Waldorf replies.) Sam the Eagle fronts a rousing a cappella rendition of “Stars and Stripes Forever”; Gonzo conducts a chorus of chickens clucking Johann Strauss’ “Blue Danube Waltz” in “Classical Chicken” and Beaker, the Swedish Chef and Animal sing “Habanera” from Bizet’s “Carmen.”

The publication of this first batch of videos isn’t just an auspicious occasion for Muppet fans; it might mark the exact moment when the characters really, truly, finally came back, and reclaimed their rightful place at the center of American popular culture.

The commonly accepted narrative of the Muppets holds that they lost something when Henson died in 1990 of pneumonia — and that the films and TV projects that followed were good-natured but doomed attempts to recapture the magic (a quest further hampered by the absence of Henson’s actual voice, which gave life to Kermit and other central characters). All true. But it’s also worth arguing that the Muppets started to drift away from the wellspring of their inspiration as early as the 1980s, when Henson fell in love with long-form storytelling and put sketch comedy on the back burner.

Henson’s creations have been around for over four decades, starting out as guest performers (creatures?) on talk and variety series. They found a home on PBS’ “Sesame Street” in 1969, broke away to form their own syndicated series, “The Muppet Show” (1976-81), then migrated to theatrical films, starting with 1979’s “The Muppet Movie.” There were more movies, plus television spinoffs (including the animated series “Muppet Babies,” 1984-1991) and periodic attempts to revive the variety show (1989’s short-lived “The Jim Henson Hour” and “Muppets Tonight,” which ran from 1996-98 on ABC and then the Disney Channel).

But with hindsight, it becomes clear that Muppets were at the peak of their powers from the mid-’70s through the early ’80s, when the original variety series, set in a big old theater, was still cranking out new episodes — offering a mix of music, slapstick and goofy banter modeled on the American vaudeville and English music hall traditions. They were creatures of TV — specifically grab bag TV, a format descended from vaudeville and the golden age of radio. Grab bag TV encompassed everything from live action music/comedy/variety to talk shows and children’s programs such as “Sesame Street.”

12152009_muppetmovie6.jpgHenson’s creations might have represented the last organic link to that type of entertainment, which was on its way out when “The Muppet Show” debuted. When Kermit interacted on “The Muppet Show” with Ethel Merman, or when master ventriloquist Edgar Bergen made a brief cameo in “The Muppet Movie,” one could sense the love and respect in every frame; the Muppets (especially Kermit, Henson’s alter ego) were acolytes paying tribute to their aesthetic grandparents. The troupe worked in the old showbiz vein, getting in and getting out in the time it took to set up a premise and work it to its logical (or illogical) conclusion. (An early, classic example is a sketch from a 1967 installment of “The Ed Sullivan Show” in which an intelligent computer explains its purpose to Cookie Monster, who’s mainly interested in eating it. The sketch’s meticulous build to a literally explosive finale is a marvel of comic architecture on par with the last few minutes of Laurel and Hardy’s destruction derby “Big Business.”)


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.