DID YOU READ

The Thin Line Between Lovely and Crazy

The Thin Line Between Lovely and Crazy (photo)

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If you’re expecting Clint Eastwood’s “Invictus,” about how new South African president Nelson Mandela (played by Morgan Freeman) used the country’s rugby team as a way to bring the nation together, to be preachy and obvious, the film’s first and last scenes will fulfill your worst fears. Everything in between, however, comes smarter and more moving than you might expect.

That first scene takes place on the historic day when Mandela was released from prison, and two groups of children gather on opposite sides of the street to watch the motorcade go past: Black children playing soccer on a dusty field surrounded by a sagging chain link fence erupt in cheers, while across the street, white kids playing rugby on an immaculate athletic pitch have stony faces as their coach tells them to remember this as the day that South Africa went to the dogs.

There’s nowhere to go but up from an opening that on-the-nose, and “Invictus” works best when it examines Mandela’s political plight after he’s elected president. How does he foster a reconciliation between the nation’s whites, embittered at being taken out of power, and its black population, furious over decades of cruel apartheid? How can he curry favor with the white power base — which still controlled the nation’s banking, police and army — while making both black and white South Africans feel as if they’re both part of the country’s future?

12092009_invictus5.jpgAccording to “Invictus,” Mandela’s solution was to let the national team, the Springboks, keep their colors, name and logo, despite its symbolism as a relic of the bad old days. (All black South Africans — Mandela included — would root for whatever foreign team was playing against the Springboks during the apartheid years.) The new president also sent the team out to the townships to generate good PR among the soccer-loving black kids.

The problem, of course, is that the Springboks weren’t a very good team, but the film implies that Mandela was able to inspire team captain Francois Pienaar (Matt Damon) to clean up its act and start winning some games. As a sports movie, “Invictus” delivers on some exciting rugby action, and it deftly demonstrates how athletics can transcend even politics in its impact on a nation.

While I’ll admit to getting swept up at the strangest times — who knew the South African anthem would give me goosebumps? — “Invictus” winds up being another one of those movies where Morgan Freeman walks on water. Not that he doesn’t do it very well, but his saintliness here reminded me why it was so exciting to hear him say “fuck” in “Wanted.” As for Damon, I don’t have the ear to tell you if he manages a convincing South African accent, but what comes out of his mouth is at least consistent throughout the film.

For its sheer sweep and occasional smarts, “Invictus” is worth a look, but by no means should this triumph-of-the-underdog feel-gooder be considered a definitive history of South Africa’s historical transition of power.

12092009_crazyheart7.jpgPlaying a washed-up, boozy country singer is really for actors what hooker-with-a-heart-of-gold roles are for actresses: A bit of show-offy, working-class grime that Oscar voters have been known to eat up with a golden spoon. And so we get Jeff Bridges in “Crazy Heart,” drinkin’ and pukin’ and singin’ and swearin’ and shootin’ for one last shot at redemption via the love of a good woman (in this case, Maggie Gyllenhaal as a single mom and aspiring journalist).

And it’s not that Bridges isn’t perfectly convincing in the role — he even does his own singing — or that Gyllenhaal or Colin Farrell (as Bridges’ one-time protégé, now more popular than his mentor) don’t ably support him.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.