This browser is supported only in Windows 10 and above.


Corneliu Porumboiu Gets the Last Word

Corneliu Porumboiu Gets the Last Word (photo)

Posted by on

“Police, Adjective” is one of the year’s most striking films, the type that will be embraced by some and derided by others for its bone dry humor, its solemnly long takes (including scrolling down hand-written police reports) and the fact that its climax pivots on the dictionary definition of “conscience.” It is, in some ways, an extension of Corneliu Porumboiu’s first film, “12:08 East of Bucharest,” which dazzled as much with its debate over the hazy recollections of the Romanian Revolution as with its startling final image of snow falling over the city of Vaslui. “Adjective” is similarly wintry, following the daily grind of a policeman (Dragos Bucur) assigned to follow a student suspected of dealing marijuana to his friends and arriving at a conclusion that leads his boss to pull out the Merriam-Webster’s to convince him otherwise. While at the Toronto Film Festival, Porumboiu took some time to talk about the film’s origins, its mixed reception (including two prizes from this year’s Cannes) and why he needs to start playing sports again. [Spoilers ahead.]

How did “Police, Adjective” come about?

After “12:08,” I started four different stories, but at the end, a friend of mine, a policeman, told me a story, a small case of conscience. And he told me he had a case like [the one in the film], and he didn’t want to solve it. I was touched by a story like that because usually you see the movie and it’s very big cases and all the time, it is possible that policemen can save the world. I [also] heard another story about a brother who betrayed his brother. So these were the two stories that I started with.

12292009_policeadj3.jpg This film suggests that many things are in decay in contemporary Romanian society, but do you feel language in particular has been a catalyst?

No, I think we’re living in a world [where] each [person] has his own individuality, more and more in how we communicate, what are our values. At the same time, there’s a lot of loneliness in my movies; the characters I construct, they are living in a bubble. The starting point [for “Police, Adjective] was how we understand each other, what is the background, what is their representation of the world for each one of us. It’s a world that’s very fragmented and each one has his own truth. For me, it’s a quite absurd if we follow a dictionary because sometimes we can use words to speak to each other and after that, we reuse words and there are so many [words] used, they lose their meaning.

It requires a certain confidence to shoot such long scenes, and it’s been a point of contention among audiences — why did you feel it was necessary for this film?

When I’m making the movie, I don’t think about the audience. I’m interested in finding the spirit of my character. So [in doing research], I saw that the policeman spent so much time waiting and following and at the end, it’s a movie of meanings and sense. It’s real time there, but in my [film], it becomes absurd time – watching, waiting, watching, waiting — that could [demonstrate] a certain psychology that’s unexplainable.

I’ve spoken with a lot of people and [some of them] don’t believe that at the end [the main character is] convinced by his chief [to make the arrest] because his chief gives him the meaning, gives him the sense. A lot of people like to think that he was forced. But I think maybe this kind of audience didn’t enter into the first part of the movie. It’s weird because yeah, the people need the explanation, but for me, it was more important to show character — he’s like a hunter, you see that he’s born for this, he likes what he’s doing, but at the same time, he has this conscience problem and he’s in between and how could he do this.

Much has been made of a Romanian New Wave that includes Cristian Mungiu (“4 Months, 3 Weeks & 2 Days”) and Cristi Puiu (“The Death of Mr. Lăzărescu”), but as a filmmaker, what do you make of that label?

As a director, you choose your own way, you choose your own cinema. Of course, cinema is an art, it’s been around 100 years, so you have a lot of forms, you have a lot of types of cinema. I’m quite strict and I have a point of view of cinema, but at the same time, I’m not feeling that this is the ultimate truth. For me, it’s important to have all these kind of movies. At the same time, I want to find my own voice.

12292009_Corneliu1.jpgHow did you actually get interested in cinema?

First, I was studying management in Bucharest [at the Academy of Economic Studies] and after that, I started to go to the cinematheque and there I discovered Chaplin, Antonioni and after that, Polish cinema and Nouvelle Vague Français and after that, I said I want to do this.

You’re the son of a football referee and I was wondering whether that contributed to your interest in language and rules.

No, I think this obsession is coming more from my mother because she was a Romanian teacher – she’s now retired. And [from] my father, I [played] sports when I was a teenager and this helped in my development. Now, I’m smoking too much and drinking too much coffee, so for me, it was very important I [played] sports when I was a teenager. [laughs] That keeps me alive, even now.

“Police, Adjective” is now open in limited release and available on VOD.


Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

Posted by on

The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at


Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

Posted by on

Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.


Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…