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War of the Welles: Seven Actors Who’ve Played Orson

War of the Welles: Seven Actors Who’ve Played Orson (photo)

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Vincent D’Onofrio and Maurice LaMarche in “Ed Wood” (1994)

Directed by Tim Burton

The Film is… a biopic about the life of Edward D. Wood Jr., the so-called “worst director of all-time.” Frustrated by his financiers’ efforts to control his film “Plan 9 From Outer Space,” Wood (Johnny Depp) storms off the set and heads to the nearest bar where, by chance, Orson Welles sits alone, looking over his notes for his production of “Don Quixote.” Welles invites Wood to join him at his table and the two strike up a conversation about filmmaking.

Orson Welles is portrayed as… Ed Wood with talent. As Wood and Welles chat, they realize they have a lot in common: both men struggle to maintain their artistic vision in the face of domineering moneymen and producers who think they’re directors and try to recut their pictures. Welles eventually gives Wood the encouragement he needs to complete “Plan 9.” “Ed,” he tells him, “visions are worth fighting for. Why spend your life making someone else’s dreams?”

D’Onofrio and LaMarche are… a good combination, with D’Onofrio as the face and LaMarche as the voice of Welles. D’Onofrio definitely looks like him, though maybe a bit too much like the boy genius of “Citizen Kane” and not enough like the heavyset has-been who made “Touch of Evil” around the time of this imagined conversation. And LaMarche has made a cottage industry of his uncanny aural resemblance to Welles, even using the voice as the basis of the character The Brain from the cartoon series “Animaniacs” — there’s an entire episode where The Brain throws a recording studio hissy fit nearly identical to Welles’ famous “Frozen Peas” tirade. If you’re curious to hear why director Tim Burton chose to dub in LaMarche’s voice for D’Onofrio’s, just watch D’Onofrio’s “Five Minutes, Mr. Welles,” a short film about the actor’s preparations for his famous supporting role in Carol Reed’s “The Third Man.” Five minutes of D’Onofrio’s Mr. Welles and his unconvincing upper-class accent is more than enough to convince you that Burton made the right call.

Liev Schreiber in “RKO 281” (1999)

Directed by Benjamin Ross

The Film is… a fictionalized account of the controversy surrounding the production of “Citizen Kane.” Welles and co-screenwriter Herman Mankiewicz (John Malkovich) produce their version of newspaper tycoon William Randolph Hearst’s life, and then Hearst (James Cromwell) uses all of his considerable power and influence to try and destroy the finished film before it’s released to theaters.

Orson Welles is portrayed as… a glory-hogging freedom fighter. On the one hand, Schreiber’s Welles will not compromise his vision or cede the spotlight for anyone, forcing Mankiewicz to change the lead character’s name at one point, and then taking Mank’s name off the screenplay entirely at another. On the other, Welles’ stubborn attitude comes in handy when RKO Pictures begins to buckle under the pressure and Welles is summoned before the board of directors to make his case, which he does, couching the entire debate as a freedom of speech matter. Mostly, this Welles is a relentless, driven egomaniac, though during a rare conciliatory moment with Mankiewicz, he reveals the well of self-doubt he hides from everyone else with his boundless cockiness. Despite his success, his fame, his talent, Welles feels alone. Or as he puts it to Mankiewicz, “I’m just a fraud who couldn’t care less about anyone except himself.” Welles, in other words, isn’t just telling Hearst’s story with “Kane”; he’s also telling his own.

Liev Schreiber is… charismatic, but a bit of a lightweight. He does a fine job capturing the young Welles’ swagger. Hard to blame RKO head George Schaefer (Roy Scheider) for giving this Welles final cut on “Kane”; he’s just so damn charming. Early scenes hum with Welles’ exuberance about his opportunity to make a great film. But Schreiber, and the film as a whole, suffers during the film’s heavier moments: he never carries the sort of raw emotion Welles brought to similar performances. Put it this way: despite the numerous scenes recreating the “Kane” production, I have a hard time believing the guy in “RKO” is the same guy who destroyed Susan Alexander’s bedroom, or who delivered the campaign rally speech, or who screamed at Boss Jim Gettys from across an apartment building stairwell. He just doesn’t have that fire in him.

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Angus Macfadyen in “Cradle Will Rock” (1999)

Directed by Tim Robbins

The Film is… an Altman-esque ensemble piece about the relationship of art and capitalism set during the Great Depression. In one major thread, Orson Welles and the Federal Theater Project’s production of the pro-union musical “The Cradle Will Rock” is threatened when the FTP comes under assault from anti-Communist elements within the U.S. Government. In the other, Nelson Rockefeller (John Cusack) hires Diego Rivera (Rubén Blades) to paint a mural for the lobby of the Rockefeller Center, but is disgusted by the finished product’s favorable depiction of Communist leaders like Lenin.

Orson Welles is portrayed as… a drunken buffoon. Robbins told Interview at the time of “Cradle Will Rock”‘s release that he found the myth of the young, brilliant Orson Welles to be “overly romantic.” In Robbins’ interpretation, Welles is less the creator of his history than a well-lubricated witness to it. Though Robbins praised Welles in the same interview as “brilliant” with a “wonderful punk personality,” that’s not really the guy we see in Robbins’ film. The guy we see rails against the eight-hour workday and mandatory breaks for union employees, drinks like a fish, and doesn’t take a steady step in the entire picture. Robbins is far more flattering to “The Cradle Will Rock” writer Marc Blitzstein (Hank Azaria), producer John Houseman (Cary Elwes) and to Hallie Flanagan (Cherry Jones), their benefactor at the Federal Theater Project, who are all regarded as passionate believers in the transcendent power of art. Welles, in contrast, is a guy who passes out during cast auditions and who dines, like William Randolph Hearst, at the 21 Club, hobnobbing with other elites while his workers scrounge for every dollar.

Angus Macfadyen is… not Orson Welles, at least not any Welles I recognize, except perhaps in those Paul Masson Wine commercial outtakes. Scottish by birth, Macfayden rarely sounds like he’s American, let alone like Orson Welles. (Imagine Gerard Butler doing “Citizen Kane” with that strange not-quite-American accent from “The Ugly Truth” and you have a decent approximation.) It’s hard to imagine this Welles making any money in radio; he’s so swamped with alcohol that he slurs every syllable he utters. Macfadyen’s Welles is like something out of one of the period’s screwball comedies: boisterous, rowdy, quick-witted, and frequently tipsy. It’s a fun performance, but it doesn’t exactly scream Orson Welles (at least not the Welles of this particular period) to the point where you wonder, given Robbins’ willingness to fictionalize other parts of the story (John Turturro’s character, for instance, is a fabrication), why he didn’t just change the character’s name from Welles and let Macfadyen go really crazy.

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Christian McKay in “Me and Orson Welles” (2009)

Directed by Richard Linklater

The Film is… a coming-of-age story about a high-school-aged theater enthusiast named Richard Samuels (Zac Efron) who stumbles into a small role in the Mercury Theatre’s 1937 production of “Julius Caesar.”

Orson Welles is portrayed as… a brilliant scoundrel. As described by one of his employees (Claire Danes), Welles is “very competitive, very self-centered, and very brilliant.” “And,” she warns, “the rule with Orson is you don’t criticize him. Ever.” He’s basically the Don Corleone of Depression-era Broadway: favoring those he loves with warmth and generosity and ruining the lives of those who dare to cross him. During his stint at the Mercury, Richard sees many sides of Welles’ persona: his improvisational brilliance, his unwavering directorial vision, his ravenous womanizing, and his dangerous temper. The rest of the “Caesar” cast and crew are often seen waiting around for Welles while he’s darting from one radio appearance to the next. But when he arrives, he is always worth the wait.

Christian McKay is… uncanny. He’s larger than life, but never cartoonish. He’s simultaneously charismatic and repulsive. He’s equally convincing whether Welles is sweet-talking a pretty girl or browbeating an argumentative stagehand. Watching McKay in the role, it is easy to see how Welles commanded so much attention; whenever McKay enters a scene, you can’t take your eyes off him. It’s said that Welles fired the actor who previously played Richard’s part in “Julius Caesar” because Welles feared being upstaged. McKay never has to share his character’s concern. He’s so good he comes dangerously close to rendering the film’s title half untrue.

[Additional photos: “The Night That Panicked America,” Paramount Television, 1975; “Malice in Wonderland,” Incorporated Television Company, 1985; “Heavenly Creatures,” Miramax, 1994; “Ed Wood,” Touchstone Pictures, 1994; “RKO 281,” HBO, 1999; “Cradle Will Rock,” Touchstone Pictures, 1999; and “Me and Orson Welles,” Freestyle Releasing, 2009]

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Bill Hader as Stefon Breaking Character

The Break-Up

Watch Bill Hader and Other SNL Favorites Break Character

Catch Bill Hader on the new season of Documentary Now! premiering September 14th at 10P on IFC.

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Photo Credit: NBC/YouTube

Aw, Friday. A day of happy hours that begin at 4PM and “too rotten to miss” movies like Bill & Ted’s Bogus Journey on IFC’s Rotten Fridays. A truly magical day where the possibilities are endless and the regrets are just around the corner. So as we partake in the pre-weekend, sit back and enjoy another gaggle of funny videos to run out the clock.

From a despondent croissant to unintended giggling on SNL, here are the five best videos of the week.

1. SNL Cast Breaks Up

Saturday Night Live head honcho Lorne Michaels famously decries ad-libbing during the live runs — though with hilarious folks like Will Ferrell and Documentary Now!‘s Bill Hader, there are bound to be some unscripted moments that cause the cast to lose it during a sketch. Some of the greatest SNL moments involve the players or guests breaking character, as this compilation clearly shows. (Fortunately, the shame of ruining the scene has been replaced by video viralbility.)


2. Croissant Man

Pity the breakfast pastry, for its existential ennui is too much for this world. In this short courtesy of the NY Television Festival, our favorite light and flakey morning pal waxes melodramatically to his therapist and compatriots regarding the hopeless, Sartre-level gloom that hangs over every search for Life’s purpose. (Click here to see more great shorts from the NYTVF.)


3. That Time Ray Charles Beat Willie Nelson in Chess

For your guaranteed smile of the day, here’s the tale of a game of chess between crooners Ray Charles and Willie Nelson. Turns out ol’ Ray was a bona fide chess master on par with Bobby Fischer — or maybe he was just good at evening the field by making them play in the dark. As Willie puts it, “He kicked my ass three games in a row!”


4. Why Jump Scares Suck

Ever since primitive man leapt out of a bush to scare his friend, jump scares have been employed as a cheap and easy way to jolt your audience. As YouTuber Jack Nugent explains in the latest Now You See It video, it’s far more difficult to instill a growing sense of dread and suspense than just simply having a cat screech across the foreground of a dimly lit basement.


5. Best Supporting Weirdo

“Here’s to the crazy ones,” Steve Jobs famously said, paying homage to the oddballs and misfits who stand out from the pack and, more often than not, define their surroundings. In this rapid-fire supercut, some of our favorite nutjobs (like Beetlejuice, Cameron Frye and Death) are paid homage for keeping pop culture protagonists on edge and the audience entertained.

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Rotten Journey

5 Reasons Bill and Ted’s Bogus Journey Is Too Rotten to Miss

Have an excellent time with Bill & Ted's Bogus Journey tonight at 8P during IFC's Rotten Fridays.

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Photo Credit: Orion Pictures/Everett Collection

We live in an age of unimaginative sequels. Filmmakers know the easiest way to cash in is to trot out the same plot and characters and hope we don’t notice. Which is why what we need now more than ever is Bill & Ted’s Bogus Journey, airing tonight at 8P as part of IFC’s Rotten Fridays.

Sure, the 1991 sequel to Bill & Ted’s Excellent Adventure (coincidentally airing on IFC tonight at 6P before Bogus Journey) scored a meager 54% on the Rotten Tomatoes. (Even before the “Tomatometer” was a thing, Bogus Journey was the definition of a lackluster sequel.) But its mix of head-scratching craziness (Robots! Aliens! William Sadler as Death!) and solid gags (“You sunk my Battleship!”) have earned the flick a cult following among fans of oddball sequels. Before you tune in tonight, check out some reasons why Bill & Ted’s Bogus Journey earns the coveted title of being one of IFC and Rotten Tomatoes’ movies that are “too rotten to miss.”

5. It’s Visually Most Triumphant.

Bogus Journey
Orion Pictures

The first movie may be a classic, but there’s no doubt the look of this scorned sequel took things to a whole other level. Instead of resting on Excellent Adventure‘s laurels, new director Peter Hewitt decided to go for broke creatively, offering up a vivid visual style that highlighted the film’s themes of life, death, failure and regret. While it may not be the popular opinion, there’s no doubt that as pure eye candy Bogus blew the first flick out of the water. Just ask Michael Wilmington, who wrote in the Los Angeles Times that “Bogus Journey is better than the original: more imaginative, more opulent, wilder and freer, more excitingly visualized.” Righteous review, dude!


4. Evil Bill and Ted Robots? Excellent!

Bogus Journey robots
Orion Pictures/Everett Collection

Bill and Ted have to be two of the most loveable doofuses to ever grace the silver screen, so it shouldn’t come as a shock that seeing them go full-on bad guy is a real treat. The evil robot clones of Bill and Ted still have their sleepy-eyed, stoner outlook on life — they just also happen to be bad to the bone. This fun twist brings new life to the franchise, another example of how screenwriters Chris Matheson and Ed Solomon really mixed things up. Plus, they rock!


3. Bill and Ted Go To Hell. Outstanding!

Bogus Journey
Orion Pictures

If Tim Burton ever directed a Freddy Krueger movie, it might end up looking something like Bill and Ted’s journey to Hell. While the sequence is righteously funny — with an unending descent into Hades going from terrifying to boring in the blink of an eye — it also has a dark, nightmarish quality that’s like an M.C Escher painting that knows your deepest, darkest secrets. Alex Winter’s turn as young Bill’s toothless “Granny Preston” wanting a kiss still gives us nightmares.


2. The Grim Reaper is Bodacious.

Bogus Journey
Orion Pictures

William Sadler, who’s played everything from a badass terrorist in Die Hard 2 to a loveable convict in The Shawshank Redemption, kills it as, well, Death. Heavily influence by Ingmar Bergman’s The Seventh Seal, Sadler plays the Grim Reaper as a stoic force of nature who learns to loosen up thanks to some righteous new friends. The scene where Bill and Ted best him in a batch of board games may seem a bit broad at first blush, but what are Ted “Theodore” Logan and Bill S. Preston, Esq. supposed to do? Play chess?


1. The Dudes Truly Become Wyld Stallyns.

Bogus Journey Wyld Stallyns
Orion Pictures

One of the few shortcomings from the most unrivaled first film is that we never really get to see the boys become rock legends. Thanks to some time traveling shortcuts — and a 16-month sabbatical of guitar lessons and baby making — Bogus Journey ends with the Wyld Stallyns finally living up to their righteous reputation, ready to make the music that will put an end to war and poverty and align the planets into universal harmony. Also, it’s excellent for dancing.

Catch Bill & Ted’s Bogus Journey this Friday at 8P on IFC’s Rotten Fridays!

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Choose or Lose

The Funniest Political Comedies From the ’90s

Documentary Now! tackles '90s politics with "The Bunker," premiering September 14th at 10P on IFC.

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Photo Credit: 20th Century Fox/Everett Collection

While this election season seems like the greatest source of political comedy ever, it’s got nothing on the ’90s. During the original recipe Clinton Era, there were a large number of films that shined a light on the dark humor of politics.

As we gear up for the September 14th premiere of “The Bunker,” the season premiere episode of Documentary Now! that takes a look back at the tumultuous 1992 Ohio Governor race, let’s flashback to a simpler time when Donald Trump was just a rich guy happy to be in Home Alone 2. It was the time of flannel shirts, Beavis and Butt-head and politicians with their heads up their own butts. Grab some Crystal Pepsi and check out the funniest political comedies of the ’90s.

10. My Fellow Americans (1996)

Legendary actors James Garner and Jack Lemmon play two politically opposite ex-Presidents thrust together in an attempt to prove that the current President (played by Dan Aykroyd) is behind a bribery scandal that Lemmon’s Pres. Kramer is being framed for. My Fellow Americans was supposed to star Lemmon and his Grumpy Old Men costar Walter Matthau, who backed out of the project due to health problems. As great a duo as they were, James Garner seemed like the perfect choice for Pres. Douglas — with his natural Southern charm, his character is like an older Bill Clinton.


9. The Distinguished Gentleman (1992)

The Distinguished Gentleman might be the last movie you would shout out if you were ever on Family Feud and “Eddie Murphy movies” was a category, but it’s still a fun comedy with Eddie bringing the cool factor that made him a huge star in the ’80s. Here Murphy plays a con man who decides to run for a Florida Congressional seat because he shares the same name as the congressman in his district up for re-election who just died of a heart attack. After getting the backing of a Florida seniors organization (the Silver Foxes), Murphy’s appropriately named Thomas Jefferson Johnson runs as the “name you know” and ends up winning. He starts out buying into the idea of “playing the game” in order to get paid by lobbyists but eventually ends up changing his con-man ways. Hey, it’s a ’90s Eddie Murphy comedy. Things tended to work out in Eddie’s favor.


8. Black Sheep (1996)

The second buddy road trip comedy starring Chris Farley and David Spade suffers from being compared to the much funnier Tommy Boy, but there are still some hilarious moments here. Farley, in one of his final roles, plays Mike Donnelly, a well-meaning but goofy mess who manages to repeatedly muck up his brother’s campaign for Governor. Casting Tim Matheson, of Animal House fame, as the smarter and handsomer brother was a great choice and Farley and Spade get into plenty of shenanigans including encountering Gary Busey as a crazed Vietnam Vet. The scene where Farley takes the stage at a “Rock the Vote” concert will have you snorting Crystal Pepsi out of your nose.


7. The American President (1995)

Before he created The West Wing, Aaron Sorkin honed his presidential speech writing skills with the screenplay for The American President, a romantic comedy where Michael Douglas’ single Prez romances Annette Bening’s plucky environmental lobbyist. Directed by rom-com master Rob Reiner, the movie is loaded with sweet and funny moments, like when Pres. Shepherd (Douglas) calls Sydney (Bening) to ask her out the first time and she hangs up thinking it’s a prank call. We even get a sneak peek of President Bartlett, as Martin Sheen turns up as Shepherd’s no-nonsense his Chief-of-Staff. Sorkin claims he wrote the screenplay during a time when he smoked a crack. If that’s the case, every screenwriter should be give that method a try.


6. Wag the Dog (1997)

Before Dustin Hoffman joined Robert De Niro’s “circle of trust” in Meet the Fockers, the legendary actors co-starred in the David Mamet-scripted dark comedy Wag the Dog. You can’t capture the era of ’90s politics better than a film dealing with the cover-up of a Presidential sex scandal. Oddly, the movie actually came out before Monica Lewinsky and her dress entered the minds of Americans. Today, the plot of Wag the Dog might be an episode of Scandal, but if you look back to 1997, it was a biting political satire of what goes on behind-the-scenes of power and politics. De Niro plays D.C. spin-doctor Conrad Bean, who hires a Hollywood producer to stage a fake war in Albania as a distraction to help insure the President’s re-election. In a stellar cast that also includes Anne Heche and Woody Harrelson as a psychotic ex-soldier turned war hero, Hoffman stands out as a Hollywood bigwig who has a strong resemblance to Godfather producer Robert Evans. (Look for Bill Hader’s take on Evans in the new season of Documentary Now!.)


5. Bulworth (1998)

Warren Beatty was born with the looks of a guy who should run for Senate, and in Bulworth he plays a veteran senator who has lost his way and hires a hit man to kill him. Faced with his impending death, Senator Bulworth has an almost religious conversion to honesty and starts railing against the corruption of corporate money in politics. (We imagine Bernie Sanders has this one in his Netflix queue.) Like a lot of ’90s movies comedies, there is a gimmicky scene where Bulworth raps during a speech. Still, the film is so sharply written, the scene is both hilarious and a prescient look at the way white establishment types would go on to co-opt hip-hop culture.


4. Bob Roberts (1992)

If you love a good mockumentary with conservative folk songs (who doesn’t?), Bob Roberts is the movie for you. Tim Robbins wrote, directed and starred in this underrated comedy, which was inspired by a SNL sketch he had appeared in a few years earlier. Bob Roberts is a folk-singing, conservative self-made millionaire running for Congress in Pennsylvania who appears to be 100% All-American. Robbins is great at using his wholesome grin to mask the fact that his character is a drug smuggling tyrant with fits of rage. Look for everyone from Alan Rickman as Roberts’ campaign manager to a young Jack Black (see above) as a scarily enthusiastic fan.


3. Dick (1999)

Before the Watergate scandal informant was revealed, there were plenty of theories over the years as to who “Deep Throat” really was. The 1999 comedy Dick posits a possible alternate history of Nixon’s downfall as it follows two adorably upbeat and politically clueless teenage girls (energetically played by Kirsten Dunst and Michelle Williams) who randomly become “Tricky” Dick’s dog walkers after ending up meeting him on a White House field trip. Over the course of the rollicking disco-fied comedy the girls come in contact with every player in the infamous White House scandal, including a hilarious Woodward and Bernstein, played by Will Ferrell and Bruce McCulloch of Kids in the Hall fame. (The duo’s ’70s hair alone is worth watching for.) Dan Hedaya is perfectly cast as Nixon, showcasing a softer side of the infamous president after he unwittingly eats some pot cookies. An underrated comedy, Dick is a blast of ’70s fun and a great showcase for its cast of rising stars.


2. Dave (1993)

Dave is a classic everyman-turned-hero story with a winning Kevin Kline as an affable guy who just happens to be a dead-ringer for the leader of the free world. When Pres. Mitchell has a stroke while fooling around with his mistress, his Chief of Staff (Frank Langella) hatches a plan to temporarily have Kline’s Dave fill in for the President. Langella and Kline are great together, and the scene where Dave calls his accountant friend (played by Charles Grodin) to come over to the White House and balance the budget is just one of the sharp ways director Ivan Reitman and screenwriter Gary Ross (Big) poke fun at politics. Look for Sigourney Weaver, reteaming with Reitman after the Ghostbusters movies, as the First Lady who slowly begins to realize something is off about her Husband-in-Chief.


1. Election (1999)

If you think national politics is cutthroat, just wait until you meet high school president candidate Tracy Flick. Tracy, as played by Reese Witherspoon, is like a teenage version of Amy Poehler’s Leslie Knope, but without the likeable personality. Mathew Broderick hits all the right notes as the teacher who starts off being respected but finds his whole life falling apart while overseeing the election. A dark comedy that shows the downside of driven political candidates, Election is a film that remains topical with every new voting season.

Watch MTV’s Tabitha Soren covering the heated 1992 Ohio Governor race below. To find out who wins, catch the season premiere of Documentary Now! September 14th at 10P on IFC.

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