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DID YOU READ

So sex doesn’t sell, after all?

So sex doesn’t sell, after all? (photo)

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When’s the last time you saw a big studio movie that had a sex scene? A real one — you know, one with something more graphic than what you’d fine in “Sex And The City”?

Off the top of my head, there’s “A History of Violence,” and then Keira Knightley seems pretty into getting naked, but I know for a fact no one saw “Domino” but me. But yeah, the whole idea that Americans are more down with violence than sex in their movies hardly seems worth repeating.

So what to make of a new study that analyzed 914 films released widely between 2001 and 2005 and concluded “sex and nudity do not, on the average, boost box office performance, earn critical acclaim or win major awards”? The study, which ran in the November issue of Psychology of Aesthetics, Creativity and the Arts, is titled “Sex Doesn’t Sell — Nor Impress.”

There’s an odd tone to the quotes run in Miller-McCune. Researcher Dean Keith Siminton suggests that “sex is cheap with respect to production costs. Female actors can be hired for less than male actors, and can be urged (i.e. coerced?) into displaying more sexual nudity/activity; and for various reasons, sex scenes may be less expensive to shoot. And yet, mainstream cinema still can’t get an additional buck out of the practice.”

I’m no research scientist, but I do know enough about the basic ideas behind causation and correlation to feel like this is kind of specious. Sex and casual nudity are exceedingly rare these days. A little Megan Fox cleavage to lighten things up? Sure — as in the good old advertising days, to sell a car you need a pretty girl — but not even “Jennifer’s Body” (which is all about sex) was going to go there.

On the arthouse side, there have definitely been sex-filled failures. But it’s possible that “9 Songs” flopped because no one wanted to watch a relation boiled down to just fucking and murky show-attendance, and that “Lust, Caution” flopped because no one had the energy for nearly three hours of WWII China sex and intrigue. Meanwhile, the “Sex and the City” movie was very popular indeed, “graphic nudity” and all. And it doesn’t get any more real than that title. So now what?

11232009_clashofthetitans.jpgIt’s true that the ’60s sexual revolution hung over into the ’70s and ’80s on screen with a lot of casual, incidental nudity brightening up PG movies for pre-pubescent boys everywhere (see “Logan’s Run,” “16 Candles,” hell, “Clash of the Titans”) and no one seemed to get too hung up about it. It’s equally true that, for whatever reason, that’s something most families wouldn’t put up with these days.

But it’s also true that much of the internet revolves around the promise of sexual content — think of blogs, with their after-the-jump teases about scandals and sex tapes, or the coy “lifestyle” stories on newspaper websites desperate for hits. And, of course, there’s the ever-enduring porn industry.

Maybe it’s really not true that “sex sells” — but wink-wink raunch totally does. What does that mean? It means that you can’t really draw conclusions from a climate where most movies involving sex scenes are inevitably up to something “serious,” and therefore commercially doomed from the start.

[Photo: “Sex and the City,” Warner Bros., 2008; “Clash of the Titans,” MGM, 1981]

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.