This browser is supported only in Windows 10 and above.


Pedro Almodóvar holds court.

Pedro Almodóvar holds court. (photo)

Posted by on

The latest film from Pedro Almodóvar, “Broken Embraces,” closes the New York Film Festival after coasting in on a wave of mediocre advance word. The most common complaint has been that Almodóvar is blatantly recycling himself, throwing around the same motifs as always (mothers and sons, melodrama, abuse) to lesser effect. But whatever, with Almodóvar and star Penélope Cruz in attendance, this was the conference with the most star power of the fest; multiple TV crews were on stand-by.

Speaking depending on his excitement level, alternately in Spanish and English, Almodóvar discussed the origins of his tale of a now-blind writer/director (Lluís Homar) and his torrid affair with Lena (Cruz), a muse struggling to get out of a relationship with an abusive business tycoon. It began with Almodóvar telling himself stories to amuse himself during frequent migraines; sitting in the dark, he came up with the blind director first. “At the beginning, this blind director was very sexually active,” Almodóvar explained. “The first sequence I thought about was that this man, physically, is very good, and he does the same things that he did when he could see. He’d get up, he’d go to the kiosk, buy the newspaper; he doesn’t read it, but it’s a habit that he doesn’t want to lose. And he goes to the same place to have some coffee, and perhaps he talks with people. And usually, on the way to his place, he tries to flirt with girls whose perfume he enjoys. It was actually kind of a pornographic film about a blind man and lots of girls.”

Another possibility that got discarded: “In front of his place, there is an academy of models, and then they are like the urban legend, that in the neighborhood there is a blind man who is the greatest fucker in the world. And some of them sometimes, when they go to the street, they fantasize about meeting this blind man. And, of course, many of them found him.”

The film-within-a-film the director on his muse are working on is “Girls and Suitcases,” a blatant rip-off of 1988’s “Women On the Verge of a Nervous Breakdown.” The reason isn’t a complicated meta-riff, but cheap pragmatism: “I wanted for them to make a comedy, just because the drama and the suffering that is in their lives will be more clear if in the background I put a comedy. I decided for ‘Women on the Verge’ because it was cheaper for me, and also easier because I could just adapt it without asking permission for anything.”

Another criticism coming up of this film is that Almodóvar’s been living the high life for so long there’s none of the messy, Bohemian vitality of his early work. Cruz inadvertently gave the haters some evidence when discussing her character’s loveless partnership with a wealthy man and how she came to be an actor both in her life and in art: “She would have been watching two or three movies every night, exploring that art. And then she’s forced to use that in her life, because she has no choice. She does it better than most people would, because that passion for acting and wanting to understand human behavior is there. Maybe if she could have chosen, she would have chosen to express all of that in her work and not having to lie or manipulate in her life.” Some of us might argue that having gold necklaces isn’t exactly a choice one is forced into: the little people sometimes have to live on their secretarial salaries. But hey, I’m not one to quibble: whatever Almodóvar’s indulgences, this is the first film of his I’ve enjoyed since 2002’s “Talk To Her.”

[Photo: Almodóvar and Cruz at the press conference. Photo courtesy of Jason Shawhan.]


Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

Posted by on

Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.


Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…


A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.