The Education of Nick Hornby

The Education of Nick Hornby (photo)

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You’d think that the coming-of-age tale about a girl in her teens had run out of juice. But then, along comes “An Education” to revitalize the genre. The darling of this year’s Sundance, which instantly put its radiant young star Carey Mulligan on the Oscar radar, “An Education” is based on journalist Lynn Barber’s tell-all piece about a youthful affair circa 1961, before “the ’60s” took hold. Directed by Lone Scherfig, the film, as promised by the title, recounts the sentimental education of 16-year-old Jenny, an excellent student enamored of all things French and impatient to tango with adult life. A romance with 30ish sophisticate David (Peter Sarsgaard) offers the glamor and culture missing from the drab world of her parents and the Twickenham ‘burbs, but risks derailing Jenny’s dream of a place at Oxford.

No small part of the film’s sparkle comes from the screenplay and witty, literate dialogue furnished by Nick Hornby. A bestselling novelist — with a second gig in the world of rock — Hornby is most visible stateside for the screen adaptations of his books “High Fidelity” and “About a Boy,” which take a comic but empathic look at the dilemmas of floundering manchildren. But in “An Education,” Hornby, a modest, forthcoming fellow, has had no trouble inhabiting the inner world of a teenage heroine who sounds both charmingly herself and like a voice from a vanished, straitlaced era when women faced limited options. From Barber’s original ten-page essay, Hornby has conjured an entire world. Adding a subtext of female empowerment, he also created such key characters as Peter’s glam friends (Dominic Cooper and Rosamund Pike), who seduce Jenny almost more than does Peter, while capturing the language and attitudes of a pocket in time before Carnaby Street and the Beatles blew it all wide open.

Coming-of-agers are like a tired old workhorse. What made you feel you could separate this film from the pack? Is that a mean question?

No, it’s not a mean question and I’m not sure [laughing] I ever felt I could do that. The beauty of the film is that everybody’s on top of their game, so you’ve got half a chance, whatever the material. We were helped immeasurably by Carey. She, by herself — the charm and maturity of her performance, helps to separate the film from the pack. And the setting felt sufficiently different so that it would not seem like something you’ve seen a million times before.

What attracted you to this project?

I found the original material — an essay in Granta — and told my wife [Amanda Posey, producer of “An Education”], “Look, there’s a film in here.” I liked it tonally — it was painful and funny — and I didn’t know much about that particular time, because it was the early 1960s and didn’t know the period’s underworld bohemia. The rest of Carey’s world I recognized, because it’s not so different from the way I grew up as a suburban kid who was frightened of missing out on the city. I feel a lot of identification with that character.

10072009_An-Education2.jpgIs this story and period going to speak to today’s audience?

You don’t have to have lived in that time to understand the dilemmas. In some ways, the rules of period drama help because there are boundaries placed on conduct that are clearer than they are now — it’s easier to see when characters are transgressing. And it seems to have spoken quite deeply to teen girls who have seen the movie. Just about every woman I know has come out with a story about a guy in a car looking to pick her up.

You found that literal a closeness?

Smart pretty girls of any generation, the story’s always the same.

I have a slight problem with David, Sarsgaard’s character. He was pretty smarmy, like when he asks to look at her topless. And at the screening I attended, the combination of his unattractive aspects plus the fact that he’s Jewish struck some viewers as anti-Semitic. Do you anticipate any flack over that?

That’s interesting. One of the things that is quite clear in [Barber’s] piece is that Britain was anti-Semitic at the time, and Peter’s an outsider and has to use whatever tools he has at his disposal. I hope the movie makes it clear that it’s other people’s reactions that are anti-Semitic. One of the things that drew me to the piece was there’s a charm in the guy, yet he’s clunky as well. So he wasn’t just a smooth predator.


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.