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(Almost) Everybody Loves Chris Rock

(Almost) Everybody Loves Chris Rock (photo)

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When Chris Rock’s young daughter asked him one day why she didn’t have “good hair,” the comedian extraordinaire began thinking about the issues surrounding African-American women and their tresses — or rather, their painstakingly and expensively straightened or even artificial hair. Directed by Rock’s Emmy-winning collaborator Jeff Stilson (“The Chris Rock Show”), the hilarious and occasionally horrifying new doc “Good Hair” investigates beauty salon culture and the lengths black women go to for the sake of self-esteem and societal pressures.

Rock himself acts as our guide, interviewing scientists about the toxicity of sodium hydroxide relaxers, schoolteachers and other working-class people who overspend on weaves (hair that comes from heads in India, another stop on Rock’s journey), and celebrities like Ice-T, Maya Angelou and the man who modeled his mane after his buddy James Brown’s: Reverend Al Sharpton. Framing the whole investigation is a stop in Atlanta for the Bronner Bros. Hair Show, an annual trade industry event whose headline attraction is a wild, avant-coiffure showdown between the top stylists of black hair. I sat down with Rock and his small entourage (his make-up woman was applying powder that can’t be appreciated here!) to talk ‘dos, don’ts and the $5 million lawsuit against the movie that was reported mere hours before our chat.

Are you tired of talking about yourself today?

You know what, doing press for this movie isn’t that bad because it’s not talking about me that much. The topic’s actually bigger than me. Even the stuff I’m in, it’s just me, so it’s not like I have to make up this bullshit talk about a character: “What would the character do?” [laughs]

Then let’s talk “Good Hair.” You’ve obviously been familiar with African-American hair your whole life, so what specifically did you learn from this project?

What did I learn? The money aspect of it, especially when you’re talking about someone without money, how much they spend on their hair was mind-boggling. You know that relaxer burns, but you didn’t know it could eat through a can. Little stuff like that.

The film could be called an exposé. What do you hope audiences will take from this?

Art, to me, is a break from reality. I never looked at art as changing reality, [unless there’s] an accumulative effect. If there were nine of these movies, I guess it might change something, but I don’t know. What I look for is for people to laugh and have a good time, and hopefully, they’ll remember the last time they laughed at me. “Hey, I laughed at him before! This guy really makes me laugh.” This is what I hope to achieve. [laughs]

10082009_chrisrock4.jpgIt is funny when you point out the ridiculousness, but you also bring up significant issues since many people will spend their last dollar to not have “bad hair.” Could that be considered an addiction?

I think the whole country has an addiction, spending beyond their means. That’s quite evident by what’s been going on the last few years, with this housing stuff and what-not. Hair is not exempt from that. You could do an exposé on TVs and the amount sold to people that couldn’t afford them last year. Did you need the flat screen? Americans have an addiction of too much anything, and hair is just one of those things.

You still point to the possibility of a cultural reversal. In the ’70s, Pam Grier made natural hair cool and sexy, but now celebrities like Beyoncé have their fashion product deals, which perpetuate the problem. Would it take role models like her going natural to create a sea change?

Halle Berry was pretty natural, and that didn’t seem to affect anything. I don’t know, things are just a style. Natural will be back, because everything comes back. It’s just not coming back right now. I keep saying this movie will end weaves and relaxers like “We Are the World” ended world hunger. You make an attempt.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.