DID YOU READ

Werner Herzog and Abel Ferrara want to know who’s “Bad.”

Werner Herzog and Abel Ferrara want to know who’s “Bad.” (photo)

Posted by on

So the long-awaited “Bad Lieutenant: Port of Call New Orleans” — the Werner Herzog movie whose absurdist trailer has been an Internet favorite for months now — is finally dropping at the Venice and Telluride festivals and, predictably, people are generally underwhelmed. This is what happens when people more familiar with Herzog’s reputation than his frequently uneven work get something less consistently outrageous than they expected and — okay, maybe it’s not all that. (Though I doubt it.)

As a result, the media narrative is shifting back one last time to the Herzog-Abel Ferrara feud. You know the deal: Ferrara is angry about the remake of his 1992 crime story, the disrespect shown to his creative labors and — most importantly — that he didn’t get paid very much for the rights and had no say in it. Herzog, for his part, thought it was hilarious and claimed never to have seen the original film or even know who Ferrara is, comparing him to Don Quixote. And now Ferrara and Herzog are together at Venice together, and Herzog is, for once, erring on the side of restraint: “I hope that he will see my film while he is here,” he announced yesterday. (And apparently he knows something of Ferrara’s reputation, since he suggested sorting it out over whiskey.)

Let’s just say this story is stupid and leave it at that. I’m not really surprised that when it’s time to go potentially mano-a-mano, Herzog wants to make things right; he’s not lacking in bravery (and, in an unlikely fight, our money would be on the robust Herzog over the, uh, erratic Ferrara), but he doesn’t seem mean-spirited. And continually using Ferrara as grist for easy press-pleasing quotes just seems rude. The truth is that Ferrara probably wouldn’t care at all if he’d: a) been paid however much he believes he was deserved to be paid (which would never happen) or b) Herzog hadn’t, conversely, made much more than Ferrara did for the first film. (So Ferrara claims anyway.)

But the other thing is, Ferrara has to be wondering why Herzog still has a financially viable career and he doesn’t. Ferrara played by the rules: when there was a market for movies that were arty as long as they were exploitation-y, he made “Ms .45.” When it seemed like a good idea to do a big-budget studio movie, he made “Body Snatchers.” In a time when every movie sells easier if it has a “name,” he roped in Willem Dafoe and Bob Hoskins to star in “Go Go Tales” and still can’t get distribution. Meanwhile, the patently wacky, often unsummarizable Herzog makes one movie a year, except for when he skips a year and then puts out two. Where’s the justice? Play by the rules, get screwed; follow a muse literally no one else fully understands, and voila! — success. I can’t answer it, but I suspect there’s more behind Ferrara’s grumblings than simple proprietary pride.

[Harvey Keitel in “Bad Lieutenant,” Bad Lieutenant Productions, 1992]

Watch More
carnotes3_thumbnail

Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

Posted by on

It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

Watch More
MAT_101_blog

Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

Posted by on

This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

Watch More
Quirks_106_MPX-1920×1080

Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

Posted by on

The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

Watch More
Powered by ZergNet