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What “Inglourious Basterds” Owes to History

What “Inglourious Basterds” Owes to History (photo)

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[Spoilers ahead for those who haven’t seen “Inglourious Basterds.”]

There have been two moments in film this year that have moved me to my cine-loving core. Both involved individuals stirred by the power of image, art and mythology. And both illustrated a personal investment for each character (some, real-life characters), revealing a potent significance and identification — something that ascended beyond mere fandom. Simple and yet complex, these moments were meaningful to these people.

One, occurred in Michael Mann’s “Public Enemies.” Watching John Dillinger (played by Johnny Depp) fatefully sitting inside the Biograph watching Clark Gable as Blackie, essentially playing a version of Johnny (John Dillinger) in “Manhattan Melodrama,” the look on J.D.’s face was gripping. And not only because we know what’s going to happen to the legendary gangster once he steps out of that theater, but for all of the imagined ideas going through Dillinger’s head at that moment. How could he not think of his girl (or any girl he’d like to sleep with that night) while basking in the gorgeousness of Myrna Loy? How could he not ponder the picture’s ending? And how could he not get a kick out of the very idea, that he, the most popular American criminal at that time, was watching the most beloved Hollywood movie star at that moment? An Icon for an icon. And then, as he exists the theater, a cowardly tooth for a tooth.

And then there’s the moment in the movie of discussion here, Quentin Tarantino’s “Inglourious Basterds,” a moment that, given all of the controversy surrounding the picture’s violence, is one filled with human empathy and, as Tarantino said, tragedy that’s closer to “Romeo and Juliet.” It’s when theater owner Shosanna (Mélanie Laurent), a French Jew seeking vengeance for the execution of her family, agrees to hold the premiere of war hero Fredrick Zoller’s (Daniel Brühl) picture “Nation’s Pride.” Readying for her spectacular final act, in which the movie will cut to her giant, beautiful face declaring that all of the Nazis in attendance (including Goebbels and Hitler) are going to die (“look deep in the face of the Jew who’s going to do it”), Shosanna is abruptly interrupted by Zoller himself. Ducking out of his own movie because he doesn’t like watching violence, the young, smitten man comes on strong, and in order to defend herself and complete her mission, she shoots him.

But then… she glances at his movie from the projection booth. While all of the Nazi top brass have been gleefully enjoying the blood-soaked antics of Zoller, Shosanna responds to an intimate moment. Her face softens as Zoller, in beautiful black and white, takes a breather from the carnage and appears quite emotional and even, a bit tortured. Acting? Perhaps. But ever the cinema lover, it’s upon watching his face on screen (not writhing on the floor) that she walks towards his half-dead body, emotional about what she’s done. And like John Dillinger, just that act of taking in a movie facilitates her own demise. Zoller shoots her.

But unlike John Dillinger, she gets the final payback — and through her own movie. With help from her black lover Marcel (Jacky Ido), she takes down the “despicable German swine” Bill Epton-style: “Burn, baby, burn.”

09012009_Inglourious4.jpgIs Tarantino glamorizing violence here? To be blunt about it, hell, yes, he is. Should we feel guilty about it? To be even blunter, fuck no.

And I’m not simply being flip with this declaration. I’m not trying to trivialize the real-life atrocities that occurred under Hitler during World War II (or under President Truman for that matter, let’s not forget Hiroshima, Nagasaki and Japanese internment camps). And neither is Tarantino, who though never shy about expressing pro-vigilance in real life (and that’s his own business, frankly), crafts a movie that delivers both pulpy satisfaction and a complicated look at how we process violence — historical, personal or otherwise. All of his pictures, from “Reservoir Dogs” to “Jackie Brown” to “Kill Bill” to “Basterds,” have revealed the filmmaker’s interest in the grandeur and meaning of violence, aesthetically and thematically. And many filmmakers, from Cecil B. DeMille to Samuel Fuller to Sam Peckinpah to Stanley Kubrick have crafted works of violent beauty. But that was the past, and as controversial as “The Wild Bunch” or “A Clockwork Orange” were in their day, most critics find these pictures acceptable — classics — working on a different level. Enough has been written. Not so with Tarantino. And so the reaction? Outrage!

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SAG Life

Rappers Act Up

Watch the Yo! IFC Acts Movie Marathon Memorial Day Weekend.

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Photo Credit: Courtesy of the Everett Collection (and the '90s)

Memorial Day weekend: how to celebrate? Nothing quite says “screw spring—let’s do summer” like blockbuster movies starring rappers who ditched lucrative music careers in order to become actors. It happened a lot, remember? Especially in and around the ’90s. Will Smith, Eminem, Ice Cube, Ice-T, Marky Mark Wahlberg, Ludacris…icons with the hubris to try the silver screen instead and have it totally work out.

But what if more rappers had made the leap? That’s a rhetorical question—movies (and life) would’ve been better, obviously. To prove it, here are some movies that would’ve been more memorable with rappers.

The Godfather

Starring Biggie, not Brando.
Godfather-BIG

Charlie And The Chocolate Factory

Only Coolio could improve upon Gene Wilder’s performance.
Coolio-Wonka

Billy Elliot

Billy Elliot, with a dose of Missy Elliott.
Missy-Billy-Elliott

Robin Hood: Prince of Thieves

Low hanging fruit, Hollywood.
Robin-Hood-and-Lil-Jon

And of course…

Kanye-of-The-Lambs

See NONE of those movies and a whole bunch of real ones this Memorial Day weekend on IFC’s rapper-filled movie marathon.

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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GIFs by Giphy

“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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GIFs via Giphy

The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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