DID YOU READ

The Five Best Films Based on Comedy Sketches

The Five Best Films Based on Comedy Sketches (photo)

Posted by on

Stretching a brief comedy sketch into an 80-plus minute feature is not a task for the timid, as the process of fleshing out quick, self-contained bits is rife with inherent risks — the two main ones being that such an endeavor usually makes little sense and can spoil the original joke. Yet despite these pitfalls, a select few have succeeded where so many others fail, managing to retain the core aspects of their source material while creating developed narratives that expand upon their original conceits in ways that are smart and silly. While only two of the below five might actually qualify as “classic” (though feel free to argue otherwise), our choices for the five best films born from TV sketches all show a willingness to push boundaries and indulge in random flights of fancy in the service of goofy humor, a daring that can be attributed to inspired comedians recognizing, and cannily playing to, the strengths of their signature characters. [The five worst films based on comedy sketches can be found here.]

“Wayne’s World” (1992)

The most profitable “SNL” spin-off to date (a title that the forthcoming “MacGruber” film should find difficult to wrestle away unless its title character can create $121 million from whole cloth), “Wayne’s World” can credit much of its success to the film’s canny scripting, which stays true to its characters’ slacker-catchphrase essence via a conventional fame-corrupts-rock ‘n’ roll narrative. Following the improbable rise to stardom of cable access TV doofuses Wayne (Mike Myers) and Garth (Dana Carvey), the film – helmed by rock expert Penelope Spheeris, she of “The Decline of Western Civilization I” and “II” – delivers the duo’s every trademark quip but, more crucially, couches its familiar elements in a story of selling out that, given Wayne and Garth’s fondness for all things loud and metal-y, makes ideal sense. Some of its familiar jokes have aged better than others – on the negative side, “Shwing!”; on the positive side, “That’s what she said” – but the “anything goes” energy of “Wayne’s World” remains endearing, and helped pave the way for both Myers’ subsequent “Austin Powers” larks as well as the absurdist works of Will Ferrell.

“The Blues Brothers” (1980)

The finest “Saturday Night Live” sketch yet to hit the silver screen, “The Blues Brothers” has a hook that few other sketches did — music. By being both comedic characters and actual, semi-serious performers, John Belushi and Dan Aykroyd’s Jake and Elwood Blues are conceived in two dimensions rather than sketch comedy characters’ typical one, though the success of their big-screen venture also has much to do with the fact that the Blues aren’t simply built around a single, oft-repeated punchline. Further aiding their cinematic cause is John Landis, whose staging of numerous, full-throttle car chases strikes the right balance between thrilling and ridiculous, as well as a gaggle of cameos from R&B stars (James Brown, Ray Charles, Aretha Franklin) that both legitimize the protagonists’ musical reputations and imbue the proceedings with actual soul. While some might argue that Carrie Fisher is far less funny than she believes herself to be, “The Blues Brothers” otherwise holds up smashingly, serving as the model by which all other sketch comedy films should be judged.

09012009_OfficeSpace.jpg“Office Space” (1999)

Few think of Mike Judge’s cult classic as a film based on a sketch, but that’s likely because they – along with many, many others – stopped watching “Saturday Night Live” during its weak mid-’90s period. Nonetheless, the origins of Judge’s scathingly pinpoint workplace comedy are a series of “SNL” cartoons based around Milton, the weird, anti-social cubicle jockey played in the film by Stephen Root, and his insufferable slow-talking boss Bill Lumbergh, iconically embodied in the film by Gary Cole. In giving his cartoon the feature treatment, Judge takes the unconventional route by placing his central character on the periphery and focusing the action around new characters, though the real subject of his film aren’t the people, but the office itself – the rows of identical walled-off desks, the frustrating communal fax and copiers, the unbalanced and tense employer/employee dynamics. As its continued relevance and popularity proves, it’s a petty, enervating, soul-crushing setting about which Judge knows plenty.

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet