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Patton Oswalt: A “Fan” for All Seasons

Patton Oswalt: A “Fan” for All Seasons (photo)

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One of the most irreverent, quick-witted and prolific stand-up comedians working today, Patton Oswalt is instantly recognizable from his TV appearances (“The King of Queens,” “The United States of Tara”), voiceover work (“Ratatouille”) and cameo roles in movies (“Observe and Report,” “Starsky and Hutch”). So the most surprising fact about Oswalt’s first film leading role is that it’s far too unsettling to be called a comedy. “Big Fan” marks the directorial debut of Robert Siegel, the Oscar-nominated screenwriter of last year’s “The Wrestler.” A convincingly sincere Oswalt stars as Paul Aufiero, a sad-sack Staten Island parking lot attendant who obsessively follows the New York Giants, and spends his free time writing triumphant rants about his beloved footballers to be unloaded on a sports radio call-in show. Oswalt has joked that the movie should be called “Fattsy Driver,” but the more accurate Scorsese reference is “The King of Comedy,” as Paul becomes dangerously fanatical about his favorite linebacker. In town to promote the film and his new comedy album “My Weakness is Strong,” Oswalt sat down with me at a midtown Manhattan pub to talk about comic books, why Staten Island isn’t entirely depressing and the last time he got his ass kicked.

So you’re a comedian doing drama, working with a former Onion writer now recognized for drama, and you’re shooting this quick and dirty little indie. How unusual was this project?

[laughs] Quick and dirty is correct! What was challenging was the lack of any kind of facilities. You change your clothes in the back of the van, you stay in the car with the heater on to stay warm, or we’re all on location at someone’s house. Because I’m such a film buff, [I had] that nerdy exhilaration: “This is what it probably was like to do ‘Mean Streets’ or ‘The Rain People’ or all these early movies when they had no fucking money.” It was all “Quick, grab the shot before we get arrested,” or “Call your friend tomorrow, we got a mock-up. Doesn’t he have a room that’s really white? We’ll make it look like a hospital. Fuck, what are we going to do?” It was all [about] who can pitch in where, and I loved that kind of moviemaking, where we used the world around us, rather than depend on sets.

Do you get pampered working on studio projects?

Well, there’s a level of comfort from being on a much bigger budget thing. Something like this, it didn’t take you long to get into the character: “What is the effect of staying in this room my whole life done to me?” I’ve been here for eight hours, and it really is starting to affect my worldview, and pissing me off a bit. There’s something beautiful about that.

The film was shot all over Staten Island. Is there any place more depressing?

It’s not that the place itself is depressing. There’s just been no effort towards any kind of design or aesthetics. It’s like that Oscar Wilde quote — “Why are Americans so violent?” He goes: “Well, you guys have such ugly wallpaper.” That sounds funny, but there’s something psychological to it. If you surround people with ugliness, then they’re going to be in a bad mood all the time. But a lot of the [restaurants] were all family-run, so that part still had a lot of humanity to it. It had this cool dichotomy that I loved.

I know you’re not a sports fanatic, so let’s talk comic books. What’s the most obsessive thing you’ve done in the name of comic collecting?

I don’t collect them, but I do read them, so I do get very obsessive. I want my new comics on a Wednesday. I fucking want them. I’ve gotten in cabs and driven to the outskirts of Las Vegas to find a comic book store on a Wednesday, so that I’ve got my pile. But I’m not obsessed with the characters — I very much follow the writers and artists that I like: the Luna brothers; everything Ed Brubaker, Brian K. Vaughan, Daniel Way or Matt Fraction does; or Warren Ellis, his 19 titles a week. [laughs] That stuff jazzes me up. The things I love… I try to have them enhance my life, not replace my life.

08252009_BigFan3.jpgSo what’s the through line of your taste? What appeals to you in modern comics?

The only genre I have left is just “good.” I tend to trust writers, and I also read reviews. When people say, “Oh, there’s this new writer, you should really check him out. He’s doing something great,” that’s what I follow. I don’t sit there and go, “I like robots. I like werewolves.” It doesn’t matter. Dave Mazzucchelli has this new one — “Asterios Polyp,” about an aging architect — that I could not put down. At the same time, Darwyn Cooke adapted Richard Stark’s “The Hunter,” and I could not put that down. I just like good stuff.

Besides being obsessive, your character Paul’s fandom is communal. Do you have any hobbies you share with a collective of friends?

There’s nothing I meet up for anymore. It’s all solitary. I’m so busy working, writing and performing that I don’t have time. Going to see movies with friends, and sitting and arguing about them afterward, that’s still an abiding passion. But I wouldn’t say that that’s a hobby-like meeting — tt’s just me and my friends going to see movies.

From my limited exposure to your onscreen buddy Kevin Corrigan, he seems like a real-life eccentric.

That’s really how he is. He’s not “Oh, I better put on the weirdo character now.” It’s just the way he interacts with the world and the way his thoughts come out of him. You realize he’s moving at a different and random speed. That’s what gives him his genius.

In so many ways, Paul just wants to be left alone. Being in the limelight now more than ever, is there anything you want to be left alone about?

Not really. I’ll discuss anything with anyone. There’s nothing I feel like I have to hide, or just… [in a whiny voice] “Oh, guys, just leave me alone.” I don’t believe in guilty pleasures. If you like it, don’t be guilty about that.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.