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Fall Indie Film Preview

Fall Indie Film Preview (photo)

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October 9th

An Education

“An Education”

The Cast: Peter Sarsgaard, Carey Mulligan, Alfred Molina, Emma Thompson, Dominic Cooper, Rosamund Pike, Cara Seymour, Sally Hawkins, Olivia Williams
Director: Lone Scherfig
Fest Cred: Sundance, Berlinale, Sydney
The Gist: Already tipped to be an awards season darling, “Wilbur Wants to Kill Himself” director Scherfig and “High Fidelity” author Hornby’s adaptation of Lynn Barber’s memoir of growing up in 1960s London stars Carey Mulligan as a middle-class teen who abandons plans to attend Oxford when she falls for an older man (Sarsgaard) who promises her much more, but may not be all that he appears. However, audiences at Sundance decided “An Education” was the real deal, bestowing an Audience Award to the film.

“Araya”
Director: Margot Benacerraf
The Gist: Venenzuelan female filmmaker Benacerraf’s 1959 classic will receive its first stateside release nearly a half-century after sharing the Cannes International Critics Prize with “Hiroshima, Mon Amor,” courtesy of a Milestone Films restoration. The film centers on three families who live in the Araya Peninsula and work hard to make ends meet as their community suffers from growing industrialization.

“Bronson”
The Cast: Tom Hardy, Matt King, Kelly Adams, Katy Barker
Writer/Director: Nicolas Winding Refn
Fest Cred: Sundance, Glasgow, Seattle, Los Angeles, Karlovy Vary
The Gist: “The Pusher Trilogy” director Winding Refn constrains his considerable skill for manic action to only one film this time around, but spares no energy in bringing the life story of England’s most terrifying prisoner Charles Bronson (a.k.a. Mickey Peterson), who spent 30 years of his 34-year sentence in solitary confinement. However, audiences and critics haven’t complained about spending time with him as played by “Layer Cake” star Tom Hardy, who added on 42 pounds for the part.

“Disengagement”
The Cast: Juliette Binoche, Liron Levo, Jeanne Moreau, Barbara Hendricks, Hiam Abbass
Director: Amos Gitai
Fest Cred: Venice, Toronto
The Gist: Juliette Binoche stars as a woman whose father’s recent death leads her to travel to Israel with her stepbrother in search of her daughter who she gave up for adoption two decades earlier, only to get tangled in the dangerous Israeli disengagement of 2005 when they attempt to travel to Gaza.

“From Mexico With Love”
The Cast: Kuno Becker, Bruce McGill, Steven Bauer, Angélica Aragón
Director: Jimmy Nickerson
Fest Cred: San Diego Latino
The Gist: A veteran stunt coordinator on such films as “Fight Club” and “Rocky,” Nickerson turns his attention to a drama that stars Becker as a migrant worker who learns he can make the big bucks in boxing and gets taken under the wing of an old-time trainer (McGill), who becomes weary when a promoter (Bauer) comes calling with a big payday.

“Good Hair”
Director: Jeff Stilson
Fest Cred: Sundance
The Gist: At the request of one of his daughters, Chris Rock gets to the roots of African-American hair, interviewing everyone from Maya Angelou to Al Sharpton to Ice-T about their own follicles and opinions about relaxers, weaves and natural curls. The doc spans from Atlanta, with its annual hair-care convention, to India, where women’s shorn hair can make a mint as future extensions overseas.

“Night of the Demons”
The Cast: Edward Furlong, Shannon Elizabeth, Monica Keena, Diora Baird, Bobbi Sue Luther, John F. Beach
Director: Adam Gierasch
Fest Cred: Film4 FrightFest
The Gist: Remade from the 1988 gorefest, “Autopsy” director Gierasch gives Elizabeth, Keena and Baird plenty to scream about by placing them in a haunted New Orleans mansion where they’ve come to party, only to discover after the cops have come and gone that their locked in with ancient demons.

“Trucker”
The Cast: Michelle Monaghan, Joey Lauren Adams, Jimmy Bennett, Benjamin Bratt, Nathan Fillion, Mika Boorem
Writer/Director: James Mottern
Fest Cred: Tribeca, Vail, Austin
The Gist: After premiering at Tribeca ’08, Mottern’s directorial debut will come to a screen near you, featuring a sharp performance from star Monaghan as a single mom who is forced (somewhat) to change her hard living ways when a son she gave up long ago reappears in her life after her ex’s (Bratt) health starts to fail.

“Whip It”
The Cast: Ellen Page, Drew Barrymore, Juliette Lewis, Alia Shawkat, Kristen Wiig, Marcia Gay Harden, Zoe Bell, Ari Graynor, Eve
Director: Drew Barrymore
The Gist: For a well-regarded screenplay that made the 2007 Black List (the industry’s tally of best unproduced scripts in any given year), Barrymore finally steps up to the director’s chair to helm this comedy starring Page as a beauty pageant contestant in a small Texas town who finds real joy in taking down competitors as part of a female roller derby team, much to the dismay of her mother (Harden). Eve, Wiig, “Death Proof” star Bell and Barrymore herself join Page on the track.

“The Yes Men Fix the World”
Directors: Andy Bichlbaum, Mike Bonanno and Kurt Engfehr
Fest Cred: Sundance, Berlinale, Buenos Aires, Hot Docs, Seattle
The Gist: A sequel of sorts to Chris Smith’s 2003 doc on the mischievous corporate anarchist duo, Bichlbaum and Bonanno (with the help of Engfehr) take matters into their own hands this time around, filming themselves in what’s best described as a “screwball comedy about the end of the world,” pulling pranks like posing as Dow Chemical spokespeople who accept full responsibility for the Bhopal Catastrophe on BBC Television (bringing down the company’s stock price) or printing an issue of the New York Times with only good news.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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