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Fall Indie Film Preview

Fall Indie Film Preview (photo)

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October 9th

An Education

“An Education”

The Cast: Peter Sarsgaard, Carey Mulligan, Alfred Molina, Emma Thompson, Dominic Cooper, Rosamund Pike, Cara Seymour, Sally Hawkins, Olivia Williams
Director: Lone Scherfig
Fest Cred: Sundance, Berlinale, Sydney
The Gist: Already tipped to be an awards season darling, “Wilbur Wants to Kill Himself” director Scherfig and “High Fidelity” author Hornby’s adaptation of Lynn Barber’s memoir of growing up in 1960s London stars Carey Mulligan as a middle-class teen who abandons plans to attend Oxford when she falls for an older man (Sarsgaard) who promises her much more, but may not be all that he appears. However, audiences at Sundance decided “An Education” was the real deal, bestowing an Audience Award to the film.

“Araya”
Director: Margot Benacerraf
The Gist: Venenzuelan female filmmaker Benacerraf’s 1959 classic will receive its first stateside release nearly a half-century after sharing the Cannes International Critics Prize with “Hiroshima, Mon Amor,” courtesy of a Milestone Films restoration. The film centers on three families who live in the Araya Peninsula and work hard to make ends meet as their community suffers from growing industrialization.

“Bronson”
The Cast: Tom Hardy, Matt King, Kelly Adams, Katy Barker
Writer/Director: Nicolas Winding Refn
Fest Cred: Sundance, Glasgow, Seattle, Los Angeles, Karlovy Vary
The Gist: “The Pusher Trilogy” director Winding Refn constrains his considerable skill for manic action to only one film this time around, but spares no energy in bringing the life story of England’s most terrifying prisoner Charles Bronson (a.k.a. Mickey Peterson), who spent 30 years of his 34-year sentence in solitary confinement. However, audiences and critics haven’t complained about spending time with him as played by “Layer Cake” star Tom Hardy, who added on 42 pounds for the part.

“Disengagement”
The Cast: Juliette Binoche, Liron Levo, Jeanne Moreau, Barbara Hendricks, Hiam Abbass
Director: Amos Gitai
Fest Cred: Venice, Toronto
The Gist: Juliette Binoche stars as a woman whose father’s recent death leads her to travel to Israel with her stepbrother in search of her daughter who she gave up for adoption two decades earlier, only to get tangled in the dangerous Israeli disengagement of 2005 when they attempt to travel to Gaza.

“From Mexico With Love”
The Cast: Kuno Becker, Bruce McGill, Steven Bauer, Angélica Aragón
Director: Jimmy Nickerson
Fest Cred: San Diego Latino
The Gist: A veteran stunt coordinator on such films as “Fight Club” and “Rocky,” Nickerson turns his attention to a drama that stars Becker as a migrant worker who learns he can make the big bucks in boxing and gets taken under the wing of an old-time trainer (McGill), who becomes weary when a promoter (Bauer) comes calling with a big payday.

“Good Hair”
Director: Jeff Stilson
Fest Cred: Sundance
The Gist: At the request of one of his daughters, Chris Rock gets to the roots of African-American hair, interviewing everyone from Maya Angelou to Al Sharpton to Ice-T about their own follicles and opinions about relaxers, weaves and natural curls. The doc spans from Atlanta, with its annual hair-care convention, to India, where women’s shorn hair can make a mint as future extensions overseas.

“Night of the Demons”
The Cast: Edward Furlong, Shannon Elizabeth, Monica Keena, Diora Baird, Bobbi Sue Luther, John F. Beach
Director: Adam Gierasch
Fest Cred: Film4 FrightFest
The Gist: Remade from the 1988 gorefest, “Autopsy” director Gierasch gives Elizabeth, Keena and Baird plenty to scream about by placing them in a haunted New Orleans mansion where they’ve come to party, only to discover after the cops have come and gone that their locked in with ancient demons.

“Trucker”
The Cast: Michelle Monaghan, Joey Lauren Adams, Jimmy Bennett, Benjamin Bratt, Nathan Fillion, Mika Boorem
Writer/Director: James Mottern
Fest Cred: Tribeca, Vail, Austin
The Gist: After premiering at Tribeca ’08, Mottern’s directorial debut will come to a screen near you, featuring a sharp performance from star Monaghan as a single mom who is forced (somewhat) to change her hard living ways when a son she gave up long ago reappears in her life after her ex’s (Bratt) health starts to fail.

“Whip It”
The Cast: Ellen Page, Drew Barrymore, Juliette Lewis, Alia Shawkat, Kristen Wiig, Marcia Gay Harden, Zoe Bell, Ari Graynor, Eve
Director: Drew Barrymore
The Gist: For a well-regarded screenplay that made the 2007 Black List (the industry’s tally of best unproduced scripts in any given year), Barrymore finally steps up to the director’s chair to helm this comedy starring Page as a beauty pageant contestant in a small Texas town who finds real joy in taking down competitors as part of a female roller derby team, much to the dismay of her mother (Harden). Eve, Wiig, “Death Proof” star Bell and Barrymore herself join Page on the track.

“The Yes Men Fix the World”
Directors: Andy Bichlbaum, Mike Bonanno and Kurt Engfehr
Fest Cred: Sundance, Berlinale, Buenos Aires, Hot Docs, Seattle
The Gist: A sequel of sorts to Chris Smith’s 2003 doc on the mischievous corporate anarchist duo, Bichlbaum and Bonanno (with the help of Engfehr) take matters into their own hands this time around, filming themselves in what’s best described as a “screwball comedy about the end of the world,” pulling pranks like posing as Dow Chemical spokespeople who accept full responsibility for the Bhopal Catastrophe on BBC Television (bringing down the company’s stock price) or printing an issue of the New York Times with only good news.

Continue to October 16th »

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.