DID YOU READ

Fall Indie Film Preview

Fall Indie Film Preview (photo)

Posted by on

Select a monthAugust | September | October
Select a week2nd | 9th | 16th | 23rd | 30th

October 9th

An Education

“An Education”

The Cast: Peter Sarsgaard, Carey Mulligan, Alfred Molina, Emma Thompson, Dominic Cooper, Rosamund Pike, Cara Seymour, Sally Hawkins, Olivia Williams
Director: Lone Scherfig
Fest Cred: Sundance, Berlinale, Sydney
The Gist: Already tipped to be an awards season darling, “Wilbur Wants to Kill Himself” director Scherfig and “High Fidelity” author Hornby’s adaptation of Lynn Barber’s memoir of growing up in 1960s London stars Carey Mulligan as a middle-class teen who abandons plans to attend Oxford when she falls for an older man (Sarsgaard) who promises her much more, but may not be all that he appears. However, audiences at Sundance decided “An Education” was the real deal, bestowing an Audience Award to the film.

“Araya”
Director: Margot Benacerraf
The Gist: Venenzuelan female filmmaker Benacerraf’s 1959 classic will receive its first stateside release nearly a half-century after sharing the Cannes International Critics Prize with “Hiroshima, Mon Amor,” courtesy of a Milestone Films restoration. The film centers on three families who live in the Araya Peninsula and work hard to make ends meet as their community suffers from growing industrialization.

“Bronson”
The Cast: Tom Hardy, Matt King, Kelly Adams, Katy Barker
Writer/Director: Nicolas Winding Refn
Fest Cred: Sundance, Glasgow, Seattle, Los Angeles, Karlovy Vary
The Gist: “The Pusher Trilogy” director Winding Refn constrains his considerable skill for manic action to only one film this time around, but spares no energy in bringing the life story of England’s most terrifying prisoner Charles Bronson (a.k.a. Mickey Peterson), who spent 30 years of his 34-year sentence in solitary confinement. However, audiences and critics haven’t complained about spending time with him as played by “Layer Cake” star Tom Hardy, who added on 42 pounds for the part.

“Disengagement”
The Cast: Juliette Binoche, Liron Levo, Jeanne Moreau, Barbara Hendricks, Hiam Abbass
Director: Amos Gitai
Fest Cred: Venice, Toronto
The Gist: Juliette Binoche stars as a woman whose father’s recent death leads her to travel to Israel with her stepbrother in search of her daughter who she gave up for adoption two decades earlier, only to get tangled in the dangerous Israeli disengagement of 2005 when they attempt to travel to Gaza.

“From Mexico With Love”
The Cast: Kuno Becker, Bruce McGill, Steven Bauer, Angélica Aragón
Director: Jimmy Nickerson
Fest Cred: San Diego Latino
The Gist: A veteran stunt coordinator on such films as “Fight Club” and “Rocky,” Nickerson turns his attention to a drama that stars Becker as a migrant worker who learns he can make the big bucks in boxing and gets taken under the wing of an old-time trainer (McGill), who becomes weary when a promoter (Bauer) comes calling with a big payday.

“Good Hair”
Director: Jeff Stilson
Fest Cred: Sundance
The Gist: At the request of one of his daughters, Chris Rock gets to the roots of African-American hair, interviewing everyone from Maya Angelou to Al Sharpton to Ice-T about their own follicles and opinions about relaxers, weaves and natural curls. The doc spans from Atlanta, with its annual hair-care convention, to India, where women’s shorn hair can make a mint as future extensions overseas.

“Night of the Demons”
The Cast: Edward Furlong, Shannon Elizabeth, Monica Keena, Diora Baird, Bobbi Sue Luther, John F. Beach
Director: Adam Gierasch
Fest Cred: Film4 FrightFest
The Gist: Remade from the 1988 gorefest, “Autopsy” director Gierasch gives Elizabeth, Keena and Baird plenty to scream about by placing them in a haunted New Orleans mansion where they’ve come to party, only to discover after the cops have come and gone that their locked in with ancient demons.

“Trucker”
The Cast: Michelle Monaghan, Joey Lauren Adams, Jimmy Bennett, Benjamin Bratt, Nathan Fillion, Mika Boorem
Writer/Director: James Mottern
Fest Cred: Tribeca, Vail, Austin
The Gist: After premiering at Tribeca ’08, Mottern’s directorial debut will come to a screen near you, featuring a sharp performance from star Monaghan as a single mom who is forced (somewhat) to change her hard living ways when a son she gave up long ago reappears in her life after her ex’s (Bratt) health starts to fail.

“Whip It”
The Cast: Ellen Page, Drew Barrymore, Juliette Lewis, Alia Shawkat, Kristen Wiig, Marcia Gay Harden, Zoe Bell, Ari Graynor, Eve
Director: Drew Barrymore
The Gist: For a well-regarded screenplay that made the 2007 Black List (the industry’s tally of best unproduced scripts in any given year), Barrymore finally steps up to the director’s chair to helm this comedy starring Page as a beauty pageant contestant in a small Texas town who finds real joy in taking down competitors as part of a female roller derby team, much to the dismay of her mother (Harden). Eve, Wiig, “Death Proof” star Bell and Barrymore herself join Page on the track.

“The Yes Men Fix the World”
Directors: Andy Bichlbaum, Mike Bonanno and Kurt Engfehr
Fest Cred: Sundance, Berlinale, Buenos Aires, Hot Docs, Seattle
The Gist: A sequel of sorts to Chris Smith’s 2003 doc on the mischievous corporate anarchist duo, Bichlbaum and Bonanno (with the help of Engfehr) take matters into their own hands this time around, filming themselves in what’s best described as a “screwball comedy about the end of the world,” pulling pranks like posing as Dow Chemical spokespeople who accept full responsibility for the Bhopal Catastrophe on BBC Television (bringing down the company’s stock price) or printing an issue of the New York Times with only good news.

Continue to October 16th »

« Back to October 2nd

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

PL_409_MPX-1920×1080

Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

Posted by on
GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

via GIPHY

Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

via GIPHY

Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

via GIPHY

Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

via GIPHY

Self Defense

You can’t throw a download like a ninja star. Think about it.

via GIPHY

If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.