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Fall Indie Film Preview

Fall Indie Film Preview (photo)

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October 9th

An Education

“An Education”

The Cast: Peter Sarsgaard, Carey Mulligan, Alfred Molina, Emma Thompson, Dominic Cooper, Rosamund Pike, Cara Seymour, Sally Hawkins, Olivia Williams
Director: Lone Scherfig
Fest Cred: Sundance, Berlinale, Sydney
The Gist: Already tipped to be an awards season darling, “Wilbur Wants to Kill Himself” director Scherfig and “High Fidelity” author Hornby’s adaptation of Lynn Barber’s memoir of growing up in 1960s London stars Carey Mulligan as a middle-class teen who abandons plans to attend Oxford when she falls for an older man (Sarsgaard) who promises her much more, but may not be all that he appears. However, audiences at Sundance decided “An Education” was the real deal, bestowing an Audience Award to the film.

“Araya”
Director: Margot Benacerraf
The Gist: Venenzuelan female filmmaker Benacerraf’s 1959 classic will receive its first stateside release nearly a half-century after sharing the Cannes International Critics Prize with “Hiroshima, Mon Amor,” courtesy of a Milestone Films restoration. The film centers on three families who live in the Araya Peninsula and work hard to make ends meet as their community suffers from growing industrialization.

“Bronson”
The Cast: Tom Hardy, Matt King, Kelly Adams, Katy Barker
Writer/Director: Nicolas Winding Refn
Fest Cred: Sundance, Glasgow, Seattle, Los Angeles, Karlovy Vary
The Gist: “The Pusher Trilogy” director Winding Refn constrains his considerable skill for manic action to only one film this time around, but spares no energy in bringing the life story of England’s most terrifying prisoner Charles Bronson (a.k.a. Mickey Peterson), who spent 30 years of his 34-year sentence in solitary confinement. However, audiences and critics haven’t complained about spending time with him as played by “Layer Cake” star Tom Hardy, who added on 42 pounds for the part.

“Disengagement”
The Cast: Juliette Binoche, Liron Levo, Jeanne Moreau, Barbara Hendricks, Hiam Abbass
Director: Amos Gitai
Fest Cred: Venice, Toronto
The Gist: Juliette Binoche stars as a woman whose father’s recent death leads her to travel to Israel with her stepbrother in search of her daughter who she gave up for adoption two decades earlier, only to get tangled in the dangerous Israeli disengagement of 2005 when they attempt to travel to Gaza.

“From Mexico With Love”
The Cast: Kuno Becker, Bruce McGill, Steven Bauer, Angélica Aragón
Director: Jimmy Nickerson
Fest Cred: San Diego Latino
The Gist: A veteran stunt coordinator on such films as “Fight Club” and “Rocky,” Nickerson turns his attention to a drama that stars Becker as a migrant worker who learns he can make the big bucks in boxing and gets taken under the wing of an old-time trainer (McGill), who becomes weary when a promoter (Bauer) comes calling with a big payday.

“Good Hair”
Director: Jeff Stilson
Fest Cred: Sundance
The Gist: At the request of one of his daughters, Chris Rock gets to the roots of African-American hair, interviewing everyone from Maya Angelou to Al Sharpton to Ice-T about their own follicles and opinions about relaxers, weaves and natural curls. The doc spans from Atlanta, with its annual hair-care convention, to India, where women’s shorn hair can make a mint as future extensions overseas.

“Night of the Demons”
The Cast: Edward Furlong, Shannon Elizabeth, Monica Keena, Diora Baird, Bobbi Sue Luther, John F. Beach
Director: Adam Gierasch
Fest Cred: Film4 FrightFest
The Gist: Remade from the 1988 gorefest, “Autopsy” director Gierasch gives Elizabeth, Keena and Baird plenty to scream about by placing them in a haunted New Orleans mansion where they’ve come to party, only to discover after the cops have come and gone that their locked in with ancient demons.

“Trucker”
The Cast: Michelle Monaghan, Joey Lauren Adams, Jimmy Bennett, Benjamin Bratt, Nathan Fillion, Mika Boorem
Writer/Director: James Mottern
Fest Cred: Tribeca, Vail, Austin
The Gist: After premiering at Tribeca ’08, Mottern’s directorial debut will come to a screen near you, featuring a sharp performance from star Monaghan as a single mom who is forced (somewhat) to change her hard living ways when a son she gave up long ago reappears in her life after her ex’s (Bratt) health starts to fail.

“Whip It”
The Cast: Ellen Page, Drew Barrymore, Juliette Lewis, Alia Shawkat, Kristen Wiig, Marcia Gay Harden, Zoe Bell, Ari Graynor, Eve
Director: Drew Barrymore
The Gist: For a well-regarded screenplay that made the 2007 Black List (the industry’s tally of best unproduced scripts in any given year), Barrymore finally steps up to the director’s chair to helm this comedy starring Page as a beauty pageant contestant in a small Texas town who finds real joy in taking down competitors as part of a female roller derby team, much to the dismay of her mother (Harden). Eve, Wiig, “Death Proof” star Bell and Barrymore herself join Page on the track.

“The Yes Men Fix the World”
Directors: Andy Bichlbaum, Mike Bonanno and Kurt Engfehr
Fest Cred: Sundance, Berlinale, Buenos Aires, Hot Docs, Seattle
The Gist: A sequel of sorts to Chris Smith’s 2003 doc on the mischievous corporate anarchist duo, Bichlbaum and Bonanno (with the help of Engfehr) take matters into their own hands this time around, filming themselves in what’s best described as a “screwball comedy about the end of the world,” pulling pranks like posing as Dow Chemical spokespeople who accept full responsibility for the Bhopal Catastrophe on BBC Television (bringing down the company’s stock price) or printing an issue of the New York Times with only good news.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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