DID YOU READ

Armond White and the art of trolling.

Armond White and the art of trolling. (photo)

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There are really two kinds of people who care about constantly controversial New York Press critic Armond White. There are those who care about keeping up with film criticism regardless of what the movie is; White’s a veteran critic, a member of the New York Film Critics Circle, etc. He is Important, and you read him. And then there’s the rabid geek who lurks on Rotten Tomatoes, waiting for someone to challenge his or her (or, c’mon, his) sense of priorities.

Like “The 700 Club” and Glenn Beck, White’s work is reliably, pleasurably insane on a week-to-week basis; the volume of the outcry it provokes depends on who’s paying attention. And because the fanboys have a higher web presence than anyone else, it’s no surprise White’s distinctive take on “District 9” has them up in arms. For veteran readers, it’s business as usual: invocations of superior precedents (his beloved Steven Spielberg, natch), dismissive references to movies most people enjoyed as obviously stupid (“Children Of Men”), loving references to movies that annoyed most people (“Indiana Jones And The Crystal Skull”), a Morrissey reference, and… scene. White’s main point — a not unreasonable one, for a change of pace — is that Neill Blomkamp’s apartheid allegory is poorly conceived and trivializes what it seeks to examine. It’s arguable, but at least it is, in fact, arguable.

Roger Ebert saw it that way initially when he wrote “In Defense Of Armond White” — a needed defense, considering Armond’s review stands at 497 comments and counting at Rotten Tomatoes, all of them negative and some of them straight-up racist. Tackling head-on “White’s reputation as a critic who ‘doesn’t like anything,’ ” he harrumphed that “it would be more accurate to say he dislikes a great many films approved of by fanboys.” Ebert likes “District 9,”, but agrees with the legitimate grounds for disliking it. But he backtracked when he saw a chart someone had prepared for the angry hordes, dividing up good and bad movies according to White, and noting that critical darlings “A Christmas Tale” and “The Assassination Of Jesse James By The Coward Robert Ford” fell under the “Bad movies” category, while first up under “Good movies” was “Transformers 2.”

Well, that was all Ebert needed. In his perpetual war against Michael Bay’s sequel, his mortal cinematic enemy, he was forced to retract and qualify: “It is baffling to me that a critic could praise ‘Transformers 2’ but not ‘Synecdoche, NY.’ […] I am forced to conclude that White is, as charged, a troll. A smart and knowing one, but a troll.” Personally, I’ve never doubted White’s sincerity. His most annoying tic is the one in which he reviews two movies in a week, using one as a stick with which to club the other. There’s no measured middle ground, just ecstasy and agony; this means that he’s occasionally forced to rhapsodize about, say, “Transporter 3.”

White has to enjoy his position as a bomb-thrower, but that doesn’t mean he’s kidding; one does not, generally, build an over two decade career on a desire to publish the print equivalent of “LULZ.” White is many things — most of them annoying — but he’s not a troll. And “Transformers 2” shouldn’t change that anymore than, say, the fact that Ebert gave three and a half stars to Ice Age: Dawn Of The Dinosaurs”. You know?

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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