DID YOU READ

Jeff Daniels Has All the Answers

Jeff Daniels Has All the Answers (photo)

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You mentioned Michigan, which is where I was born. How did you end up in the Great Lake State?

It’s home. I grew up in Chelsea, my wife Kathleen grew up in Chelsea. After ten years in New York, we had a kid, and we wanted to raise them in a place that we understood. She’s surrounded by family on both sides, so when I’m using the airport to go to work, she’s got a place where she can raise the kids that is outside the industry.

That was the reason we went there, and it worked in ways that we didn’t know back then. The kids have seen the world, but from outside the industry looking into it. They went to London when we shot “101 Dalmatians,” and they got to meet Jim Carrey on the set of “Dumb and Dumber.” It’s been a great ride for them, but then they’re in the Midwest, where nobody’s famous. They understand. We did it family first, career second — a close second. It keeps you sane. You end up taking movies for the right reasons, instead of “I’m not famous enough this year. I need to do something that makes me more famous. I need to marry somebody who is famous.”

You must be a hometown hero.

I think, whether it’s Chelsea or it’s Michigan, they pull for me. I’m like the Detroit Tigers. They want me to win. The support is great.

What do you do when you’re not working on a movie?

I play a lot of guitar. I’ve been doing a lot of gigs the last seven or eight years. I did them initially to raise money for my theater company, but I really enjoy just walking out with a guitar, plugging it in front of 200 to 1000 people. I’m always working on improving the show and writing new songs. I just wrote a play for my theater company. And then I play golf, with friends of mine or my boys.

What instigated your relationship to music?

When I moved to New York in ’76, I was 21, and I bought a guitar just because I knew I’d be sitting around. I needed something to fill my time, and I wanted to learn how to play. I did a lot of musicals, and I still wanted music to be a part of my life.

I picked up the tab books of Stefan Grossman and Doc Watson, guys like that, and really started to understand how to fingerpick. Later on came the blues and the Delta blues. I went down to Clarksdale, Mississippi, made the pilgrimage to the crossroads, and Robert Johnson’s grave. I never kept a diary, but I would write these songs, and a lot of them are just godawful, but they went into the notebook. Nobody was going to see them. They were just for me.

Now, I write for that audience that’s going to be sitting there that night. I don’t write for Billboard or to sell songs to some country and western guy. I’m observational, then I try to turn it into something that the person sitting there can relate to. That’s where you get songs about road rage called “Have a Good Life (Then Die),” and dealing with the 800-pound gorilla in the room, “If William Shatner Can, I Can Too.” And getting shot and killed by Clint Eastwood, I drop some Hollywood stories in there and try to make it musical with “The Dirty Harry Blues.”

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You directed two movies, “Super Sucker” and the Michigan-themed “Escanaba in da Moonlight.” Is this a hat you’d like to wear again?

Nah, I didn’t like it. I’ve always been attracted to writing. I was interested in why Woody Allen was rewriting a scene in the middle of “The Purple Rose of Cairo” [and] Jim Brooks would rewrite little lines in “Terms [of Endearment].” I couldn’t care less about the camera or what kind of lens was on there: “What do you got on there, a 75? Why is that?” As I look back, I’ve always been interested in story structure, how to write well. Guys like Shelby Foote [or] Lanford Wilson. That’s been the driving force.

“The Answer Man” opens in limited release on July 24th.

[Additional photos: Lou Taylor Pucci and Jeff Daniels in “The Answer Man,” Magnolia Pictures, 2009; Jeff Daniels on the set of “Escanaba in da Moonlight,” Purple Rose Films, 2001]

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.