DID YOU READ

The Wizard of Ozploitation

The Wizard of Ozploitation (photo)

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We had someone else in mind for the role, and she elected not to do it because her mother thought BMX riding was a working-class fad, and she didn’t want her nice middle-class daughter in such a film. So we were auditioning others, and then Nicole came in, did a magnificent reading, and one of the producers said to me, “But you can’t cast her, she’s taller than the two guys.” Who cares? Just look at her, she’s luminous! You see the size of that hair in the picture on the blog! Now that hair, which looks like some sort of enormous Afro, that’s the size it is because there’s a backdraft blowing. Her hair wasn’t really that large and poofy. The two improv comics I cast as the crooks — John Ley and David Argue — would refer to her as “The Mop” or “The Beanpole.” [laughs] We all loved her.

Which of your movies would you say are the most undervalued?

I’d certainly say “The Siege of Firebase Gloria” is the most neglected. It’s highly valued by those who have seen it. It’s Quentin’s favorite film of mine. It’s even appreciated by Vietnam veterans who say it really captured a lot of their experience in the ’68 Tet Offensive. “Dead End Drive-In” was totally dismissed critically in Australia at the time of its release, and given a premiere at a theater that was still under construction. It got critical acclaim in America, but then, naturally, like a lot of New World [Pictures] pickups, it vanished. Luckily, it’s been rediscovered with a new DVD transfer from Anchor Bay. So those are two.

I’ve made 38 crimes against cinema, and I’m about to do 39. It really depends on your viewpoint. People either get the wry underbelly of my genre work, which is not necessarily just self-referential, [or they don’t]. For those who do, there’s maybe a few more nuggets of gold [among] the formulaic movies that others might be able to see. I also have an affection for “Tyrannosaurus Azteca,” which is a camp dinosaur picture that the SciFi Channel repeated 20 times since its premiere last year.

You’ve directed sequels based on films you had no involvement in, such as the upcoming “Porky’s: The College Years.” Is it challenging or liberating to work with previously established properties?

I always put my own spin on things. When I was asked to make “Night of the Demons 2,” I wanted to make it more outrageously funny than number one. I’m a little peeved that no one asked me to make the recent remake of “Night of the Demons.” Maybe I could’ve brought a certain something to that with $5 million dollars instead of, like, $1.4 million, which is what I had to make “Night of the Demons 2.” It had, amongst its stars, Christine Taylor, who was unknown at the time, but then developed a nice career and is now married to Ben Stiller. She’s a great comedienne.

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The “Leprechaun” pictures, that’s an interesting story. Basically, the producers] had a disappointment with number two. It hadn’t done the numbers that they wanted, so they were just going to make a three-part franchise, and that would be it. They said, “Look, set it in Vegas, shoot it at the Ambassador Hotel in L.A.,” and we ended up [shooting part of the film] without permits in Vegas to pepper it with the leprechaun in real Vegas backgrounds. We tried to do 14 days, plus our one guerrilla day, with seven people, avoiding the cops in Vegas. It turned out to be the bestselling direct-to-video of 1995. So they said, “You gotta make another one,” so we made “Leprechaun in Space,” which is an even broader, wilder pastiche than number three. I don’t know which of the two you prefer — opinion divides.

“Not Quite Hollywood: The Wild, Untold Story of Ozploitation!” opens in New York and Los Angeles on July 31st.

[Additional photos: “BMX Bandits,” Nilsen Premiere, 1983; “Leprechaun 3,” Trimark Pictures, 1995]

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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