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Reinventing the Superhero for Bollywood

Reinventing the Superhero for Bollywood (photo)

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The highest grossing movie in Hindi film history is 2008’s “Ghajini,” the story of an amnesiac who carries out his revenge against the people who killed his beloved with the help of an elaborate system of Polaroid pictures and tattoos. Sound familiar? “Ghajini” is actually a quasi-remake of Christopher Nolan’s “Memento,” one of Bollywood’s many unauthorized, Indianized editions of Hollywood films, which include everything from “Jagged Edge” to “Powder” to “Fight Club.” Being a huge nerd, my first thought when I discovered the American influence on Indian cinema was: what does a Bollywood superhero look like? Turns out the characters themselves closely resemble their American counterparts, though their movies bear some striking differences.

In India, superhero flicks are also very much masala films, which freely combine various (and, for Western audiences, incongruous) genres in the fashion of the blend of spices from which the term comes. Tragedy and comedy commingle in a world that can be a broad farce in one scene and a violent thriller the next, with those signature musical numbers thrown in. The motivation’s the same as the one that drives most Hollywood tentpole filmmaking: to create a movie that caters to the widest possible audience. But where Hollywood tends to go for broad appeal by smoothing out any and all idiosyncrasies in their product, a good masala film revels in quirkiness — each movie literally tries to be everything for everyone.

Take, for example, “Mr. India” (1987) one of the earliest and most endearingly popular superhero films. Faster than a speeding bullet, the opening careens through enough genres for five movies: police and government officials discuss a crime wave, a cartoonishly evil supervillain announces plans to destroy India, a professor teaches his class about the theoretical possibility of turning a man invisible, a poor violinist cares for a house full of orphaned children and a frustrated newspaper editor yells at a reporter. The main character is actually Arun, a violinist (played by “Slumdog Millionaire”‘s Anil Kapoor), who, as it turns out, is the son of the professor’s colleague who actually invented a bracelet that could turn the person wearing it invisible, and who, as it turns out, lives on the very plot of land that the supervillain Mogambo (“Indiana Jones and the Temple of Doom”‘s Amrish Puri) needs to take over the entire country, which, as it turns out, also happens to be the spot where the troubled reporter (Sridevi) winds up living as a boarder, despite the fact that she hates kids and Arun’s house is full of them. Gah, even just typing it, I’m out of breath.

As a hero, Mr. India fits into the Spider-Man mold: a scientific experiment grants an average Joe with a mess of responsibility the power to do something about it. In this case, Arun acquires his father’s long lost invisibility device, declares himself “Mr. India” and sets out to stop Mogambo from stealing his land and ruining his country. Like Spider-Man — and the rest of the heroes we’ll discuss in this piece, not to mention most superheroes in general — he’s driven by father issues; losing his father at a young age inspired Arun to become the caretaker for as many orphans as he could rescue from the streets of Bombay.

07102009_Mr_India.jpgThat army of wretchedly adorable tots highlight just how wildly the tone can shift in a masala film. In America, any movie with a dozen sprightly kids riding bicycles built for 12 and singing songs would get auto-categorized as a movie for children. But “Mr. India” has some content clearly aimed at adult audiences, including gruesome fates for several characters and a shockingly sensual musical number between an invisible Kapoor and rain-soaked Sridevi that culminates in a roll in the hay both literal and figurative. Credit director Shekhar Kapur, who went on to direct “Elizabeth” and “The Four Feathers,” for blending all the disparate elements into a satisfying meal.

Interestingly, beyond his bedazzled invisibility bracelet, Arun has no special crime-fighting costume. While this might make him the first superhero in international history to defeat his archenemy while wearing a sport coat and rumpled fedora, the unusual sartorial choice carries its own thematic weight. As it develops, Mr. India’s battle with Mogambo takes shape as a metaphorical class war, with the villain representing a greedy, exploitative upper class as the hero proudly announces himself to be “an ordinary Indian.” Dressing their Mr. India in indistinct clothes only emphasizes his status as a regular guy fighting the good fight.

The following year, Bollywood offered a more traditionally attired (though similarly opinionated) superhero, the title character of “Shahenshah” (1988), played by Amitabh Bachchan. By day, he’s Vijay, a bumbling police inspector. By night, he’s Shahenshah (which means “king of kings” or “emperor”), a brutally serious vigilante who corrects the corrupt Indian judicial system’s oversights. If you’ve ever called B.S. on Lois Lane not recognizing Superman once he dons a pair of glasses, you’ll love Shahenshah, who goes the whole nine yards to fully disguise his secret identity, including a gray wig and spirit gum beard to go along with his leather and chainmail getup. It’s a realistic and clever way to hide his face — one I’m surprised that American comics haven’t adopted. Shahenshah’s even got a signature weapon: the noose that his father used many years earlier to hang himself. Seriously: Shahenshah is hardcore. Do not mess.

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Inauguration Alternative

Bill Murray On Repeat

It's a movie "Murray-thon" all-day Friday on IFC.

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Photo Credit: Everett Collection, GIFs courtesy of GIPHY

Democrats, Republicans and Millennials agree: 2017 is shaping up to be a spectacle — a spectacle that really kicks into high gear this Friday with the presidential inauguration. Not only will the new POTUS swear in, but all the Country’s highest offices will be filled. It’s a daunting prospect, and to feel a little anxious about it is only normal. But if your anxiety is snowballing into panic, we have a solution:
Bill Murray.

He’s the human embodiment of a mental “Happy Place”, and there’s really no problem he can’t solve. So, with that in mind, how about we all set aside reality for a moment and let Bill take the pain away by imagining a top-shelf White House cabinet filled exclusively by his signature characters. Here are a few hypothetical appointments for your consideration…

Secretary of Defense:
Bill Murray from Stripes

His incompetence is balanced by charm, and dumb luck is inexplicably on his side. America could do worse.

Secretary of State:
Bill Murray from Lost In Translation

A seasoned globetrotter steeped in regional traditions who has the respect of the whole wide world. And he kills Costello in karaoke, which is very important.

Press Secretary:
Bill Murray from Ghostbusters

“Cats and dogs, living together. Mass hysteria.” Dude knows how to brief a room.

Secretary of Health and Human Services:
Bill Murray from What About Bob.

A doctor-approved people person who knows that progress is measured in baby steps.

Secretary of Energy:
Bill Murray from Groundhog Day

Let’s be honest, this world is going to need a lot of do-overs.

Feeling better? Hold on to that bliss. And enjoy a healthy alternative to the inauguration brouhaha with multiple Murrays all Friday long in an IFC movie marathon including Kingpin, Zombieland, Ghostbusters, and Ghostbusters II.

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Home Run

Hank Azaria Gets Thrown A Curve Ball

Brockmire Premieres April 5 at 10P

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Photo Credit: Everett Collection

Unless you’ve somehow missed every episode of the Simpsons since 1989, then surely you know that Hank Azaria is one of the most important character actors of our time. He’s so prolific and his voice is so dynamic that he’s responsible for more iconic personalities than most folks realize. Basically, he’s the great and powerful Oz — except that when you pull back the curtain the truth is actually more impressive. And now Hank is coming to IFC to bring yet another character to the TV pop culture hive mind in the new series Brockmire. Check out the trailer below.

Based on the following Funny or Die short and co-starring Amanda Peet, Brockmire follows the story of imploded major league sportscaster Jim Brockmire as he tries to resurrect his career by calling plays for a floundering minor league team in a podunk town.

The series is written by Joel Church-Cooper (Undateable) and produced by Funny or Die’s Mike Farah and Joe Farrell, meaning that there’s funny in front of the camera, funny behind the camera–funny all around. Sounds like a ball to us.

Brockmire premieres April 5 at 10P on IFC.

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Car Notes

Portlandia On People Who Can’t Park

Portlandia returns tonight at 10P on IFC.

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If flagrant bad parking takes nerve, then retaliatory note writing takes neuroses. Watch Fred and Carrie take passive aggression to next level in Car Notes, the new Portlandia web series presented by Subaru. The first episode is yours right here and now, and you can see every installment of Car Notes anytime online, on the IFC app and on demand.

Portlandia returns tonight at 10P on IFC.

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