DID YOU READ

Reinventing the Superhero for Bollywood

Reinventing the Superhero for Bollywood (photo)

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The highest grossing movie in Hindi film history is 2008’s “Ghajini,” the story of an amnesiac who carries out his revenge against the people who killed his beloved with the help of an elaborate system of Polaroid pictures and tattoos. Sound familiar? “Ghajini” is actually a quasi-remake of Christopher Nolan’s “Memento,” one of Bollywood’s many unauthorized, Indianized editions of Hollywood films, which include everything from “Jagged Edge” to “Powder” to “Fight Club.” Being a huge nerd, my first thought when I discovered the American influence on Indian cinema was: what does a Bollywood superhero look like? Turns out the characters themselves closely resemble their American counterparts, though their movies bear some striking differences.

In India, superhero flicks are also very much masala films, which freely combine various (and, for Western audiences, incongruous) genres in the fashion of the blend of spices from which the term comes. Tragedy and comedy commingle in a world that can be a broad farce in one scene and a violent thriller the next, with those signature musical numbers thrown in. The motivation’s the same as the one that drives most Hollywood tentpole filmmaking: to create a movie that caters to the widest possible audience. But where Hollywood tends to go for broad appeal by smoothing out any and all idiosyncrasies in their product, a good masala film revels in quirkiness — each movie literally tries to be everything for everyone.

Take, for example, “Mr. India” (1987) one of the earliest and most endearingly popular superhero films. Faster than a speeding bullet, the opening careens through enough genres for five movies: police and government officials discuss a crime wave, a cartoonishly evil supervillain announces plans to destroy India, a professor teaches his class about the theoretical possibility of turning a man invisible, a poor violinist cares for a house full of orphaned children and a frustrated newspaper editor yells at a reporter. The main character is actually Arun, a violinist (played by “Slumdog Millionaire”‘s Anil Kapoor), who, as it turns out, is the son of the professor’s colleague who actually invented a bracelet that could turn the person wearing it invisible, and who, as it turns out, lives on the very plot of land that the supervillain Mogambo (“Indiana Jones and the Temple of Doom”‘s Amrish Puri) needs to take over the entire country, which, as it turns out, also happens to be the spot where the troubled reporter (Sridevi) winds up living as a boarder, despite the fact that she hates kids and Arun’s house is full of them. Gah, even just typing it, I’m out of breath.

As a hero, Mr. India fits into the Spider-Man mold: a scientific experiment grants an average Joe with a mess of responsibility the power to do something about it. In this case, Arun acquires his father’s long lost invisibility device, declares himself “Mr. India” and sets out to stop Mogambo from stealing his land and ruining his country. Like Spider-Man — and the rest of the heroes we’ll discuss in this piece, not to mention most superheroes in general — he’s driven by father issues; losing his father at a young age inspired Arun to become the caretaker for as many orphans as he could rescue from the streets of Bombay.

07102009_Mr_India.jpgThat army of wretchedly adorable tots highlight just how wildly the tone can shift in a masala film. In America, any movie with a dozen sprightly kids riding bicycles built for 12 and singing songs would get auto-categorized as a movie for children. But “Mr. India” has some content clearly aimed at adult audiences, including gruesome fates for several characters and a shockingly sensual musical number between an invisible Kapoor and rain-soaked Sridevi that culminates in a roll in the hay both literal and figurative. Credit director Shekhar Kapur, who went on to direct “Elizabeth” and “The Four Feathers,” for blending all the disparate elements into a satisfying meal.

Interestingly, beyond his bedazzled invisibility bracelet, Arun has no special crime-fighting costume. While this might make him the first superhero in international history to defeat his archenemy while wearing a sport coat and rumpled fedora, the unusual sartorial choice carries its own thematic weight. As it develops, Mr. India’s battle with Mogambo takes shape as a metaphorical class war, with the villain representing a greedy, exploitative upper class as the hero proudly announces himself to be “an ordinary Indian.” Dressing their Mr. India in indistinct clothes only emphasizes his status as a regular guy fighting the good fight.

The following year, Bollywood offered a more traditionally attired (though similarly opinionated) superhero, the title character of “Shahenshah” (1988), played by Amitabh Bachchan. By day, he’s Vijay, a bumbling police inspector. By night, he’s Shahenshah (which means “king of kings” or “emperor”), a brutally serious vigilante who corrects the corrupt Indian judicial system’s oversights. If you’ve ever called B.S. on Lois Lane not recognizing Superman once he dons a pair of glasses, you’ll love Shahenshah, who goes the whole nine yards to fully disguise his secret identity, including a gray wig and spirit gum beard to go along with his leather and chainmail getup. It’s a realistic and clever way to hide his face — one I’m surprised that American comics haven’t adopted. Shahenshah’s even got a signature weapon: the noose that his father used many years earlier to hang himself. Seriously: Shahenshah is hardcore. Do not mess.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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