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Exclusive Music Video Premiere: LANDy’s “BFF!”

Exclusive Music Video Premiere: LANDy’s “BFF!” (photo)

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Adam Goldberg’s been a hero to the thinking man and woman since his role as the hilarious back seat misanthrope who ultimately just wanted to dance in “Dazed and Confused.” He acts, he writes, he directs, and with this long-in-coming foray into music as LANDy, he lays himself bare. The 18-track album “Eros and Omissions,” recorded with help from Steven Drozd of The Flaming Lips, Earlimart’s Aaron Espinoza and others, hits June 23rd. I got a chance to talk with Goldberg, after a bit of call juggling, about expressing himself through music, what’s on his mind, and the new video for the track “BFF!”, which you can watch below. A few confessions follow, but then, I think that’s just his nature.

Exclusive music video premiere — LANDy’s “BFF!”, from the new album “Eros and Omissions”:


How are you doing?

Ah, doing all right, been a little frantic. But ah, oy vey. Ignore… [he ignores another call] But, I’m good. I’m just frantic.

I might be a kindred spirit.

Yeah, what are you up to?

I’m calling this guy, Adam Goldberg.

Yeah, that would be enough to make me frantic.

Yeah, but let’s talk about LANDy. You started recording this yourself; this is a labor of love over years?

Yeah, with the caveat that it wasn’t begun with the intention of making a record, per se. The earliest recording dates back to the end of 2002. There were various points over the last few years where I said “Okay, this will be part of a record,” or “I will use these songs as a demo and try to get some sort of record deal.” The best example would have been me taking a trip to Oklahoma to record these songs with Steven [Drozd] which I felt were going to be the beginning of a proper record that I was going to make [in 2005]. But that never came to fruition. So I just continued to record stuff as always, really just for the pleasure of doing it.

I know you were collaborating with other people and even played in a band or two before that, but it was 2005 when you first knew you were working on something called LANDy?

It sort of begs the question, what is a record? Is a record something that you make with a band, the same three or four or five people, or is it with a variety of people over years? Is it under one roof? In the past, when I decided to write a script, I could sit down and do it and see it though, and make fairly difficult to make films in a relatively short time span, regardless of what their ultimate reception. I could get it out there, push it out into the world in some way. But here was something I was very passionate about that had grown much more habitual. I’d become overwhelmed by what it was I was supposed to do with [it all]. By the end of 2007 I had something like 25 songs in various forms and decided to take all this stuff to Aaron Espinoza to help me mix it, rerecord, and record few new songs. I guess you could say that’s the beginning of it becoming a record rather than merely a recording of experiences I’d had over the past few years.

I’ve had the pleasure of meeting Aaron Espinoza a few times, actually… he’s integral to a couple of the songs aside from the general production, isn’t he?

Sure — there were two songs I recorded from the ground up at his studio. One is the opening track, which was recorded almost on the fly, and then “BFF!” — we did that one from the ground up. He plays that guitar lick at the end of “BFF!” and shakers and tambourines and things all over the place. He only had so much latitude in mixing because a lot of stuff I had printed — when I first started mixing, I sort of realized [laughs] you print an effect and it was there forever.

06022009_landy2.jpgDid you have a hand in the “BFF!” video?

It was a collaborative process. Tim Cox, who I had done a movie with (“Miss Nobody”), pitched this idea that at the time was premature, nearly a year ago. I said “Let me think about it,” and he and I would send treatments back and forth, I was in New York at the time. The results are very much a product of these exchanges. He was all about what camera we were gonna use, and I had very specific visual frames of reference, like Julius Shulman photographs, and you know, this all sounds very pretentious… Some things are my ideas, some things are his ideas.

Is there a bit of fetishism going on there, or is that just me?

[laughs] During the shoot, I was like, “My God, this is a fetishist’s dream!” and actually made a concerted effort while editing to get more to the heart of what it’s about, which is a fairly literal though hyperbolized interpretation of the song. I had this concept rooted in sycophantism, doppelgangers, persona and identity confusion… But at the same time I thought it’s still a very colorful way of exhibiting this so that it doesn’t get too self important or maudlin.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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