DID YOU READ

Álex de la Iglesia Puzzles Over “The Oxford Murders”

Álex de la Iglesia Puzzles Over “The Oxford Murders” (photo)

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Álex de la Iglesia always has to be the odd man out. At the American Cinematheque’s Recent Spanish Cinema series the other week, de la Iglesia’s thriller “The Oxford Murders” was the lone English-language film shown, serving as a linguistic break from Goya winners like Jose Luis Cuerda’s “The Blind Sunflowers” and Agustín Díaz Yanes’ “Just Walking.” The film’s also a departure from the wild comedies de la Iglesia has become known for, like the cutthroat salesman competition comedy “El Crimen Ferpecto” and the theme park-set spaghetti western “800 Bullets.” (If you haven’t seen either, we won’t be offended if you run out to rent them now.)

Thanks to the questionable state of “Oxford”‘s one-time American distributor ThinkFilm, the screening was one of few opportunities to see the Elijah Wood-John Hurt thriller on a U.S. big screen — according to de la Iglesia, the film will be going direct to DVD. And while reaction from parts of the world where the film did get a theatrical release was mixed, “The Oxford Murders” is an undeniable reaffirmation of de la Iglesia’s status as one of the world’s most inventive filmmakers, both visually (exemplified by a particularly breathtaking tracking shot of the streets of London) and as a storyteller (demonstrated by his application of philosophy to Guillermo Martínez’s literally by-the-numbers tale of a professor and a student who go after a serial killer guided by mathematics).

During his excursion in Los Angeles, I sat down with de la Iglesia to talk about this film and his next (“The Yellow M”), philosophy and dismembering fellow director Alex Cox.

How did you become interested in adapting Guillermo Martínez’s book for the screen?

It’s strange because at the beginning, I read a bad review in a Spanish newspaper, so I remembered thinking, “Maybe it’s a good novel.” [laughs] And I read it and my first idea was it’s impossible to make a movie with this novel because it’s only mental, there’s no action. Everything happens in the brain. Maybe one year later, Gerardo [Herrero], my producer, called me and told me, “I read the novel, I loved the novel, I bought the novel. It’s the Guillermo Martinez novel. What do you think?” And suddenly I felt that this was a challenge for me. How can I tell the story visually? It was a real exciting exercise for me and an English movie with English actors — it was like an exam. [laughs] Can I do it in a real way? Can I make a British movie? I enjoyed doing it and I think the results are really positive.

This film is also a departure from the dark comedies you’ve made with a far more serious tone and a darker color palate. Did that make it more challenging?

06162009_oxfordmurder9.jpgThat was my idea, to make something different. I don’t like the filmmakers who become [set in their ways]. I really wanted to do something different, but when you see the movie, suddenly you feel that it’s not so different than the other ones. The plot [of “The Oxford Murders”] is very similar to “800 Bullets.” You have a child that suddenly goes to a strange place, trying to find his father, and his grandfather helps him, trying to find his own past. In “The Oxford Murders,” it’s the same thing: a young guy goes to London, a strange place like [the theme park] in “800 Bullets,” and in this place finds some kind of master, some kind of Gandalf, who helps him and trains him to know something about life. It’s really similar.

Since “The Oxford Murders” takes place on a college campus, it seems like you were finally able to make use of your degree in philosophy, which is particularly evident in the opening scene where Elijah Wood’s character Martin confronts John Hurt’s professor Arthur Seldom over Ludwig Wittgenstein’s philosophy of mathematics and language. Was that also part of the film’s appeal?

Well, in the script, we changed mathematics for philosophy, so [the characters] are talking about philosophers. In the novel, Guillermo talks about Wittgenstein, but we wanted to make the part bigger because for me, he’s the great thinker. I remember studying philosophy and not understanding anything about [Wittgenstein’s sole book] “Tractatus.” I read it when I was 18 years old. And Wittgenstein worked on “Tractatus” when he was in the first World War, not in the middle of battle, but in the trenches. So Wittgenstein is perfect to understand the plot in the story [about the imprecision of applying logic to reality], as is [German theoretical physicist Werner] Heisenberg. Heisenberg says that it’s impossible to understand a phenomenon because when you study the phenomenon, you change the object, the position, the way the electrons work. So it’s like Elijah’s character. [SPOILER AHEAD!] [By his mere presence,] Elijah changed the phenomenon, changed the murders. Not only changed, but provokes the murders, so he’s a killer because he’s trying to study, trying to know what happened in this house with his grandmother and his sister. It’s so beautiful.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.