DID YOU READ

The Porn Star Turned Movie Star

The Porn Star Turned Movie Star (photo)

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Plenty of adult film stars have gone mainstream, from the late Marilyn Chambers (“Rabid”) to Ginger Lynn Allen (“The Devil’s Rejects”), and even Traci Lords (whose long-time public resentment over being labeled an ex-porn star probably isn’t helped by her supporting bit in “Zack and Miri Make a Porno”). However, sleepy-eyed sex starlet Sasha Grey — already one of the hottest properties in her biz today — may have trumped her predecessors with the central role in a penetrating, thrilling Steven Soderbergh drama that played Sundance. Shot cheaply and quickly last October with no other professional actors and a largely improvised script, “The Girlfriend Experience” follows Manhattan escort Christine, a.k.a. “Chelsea” (Grey) as she tries to juggle her job and a relationship with physical trainer Chris (Chris Santos). By phone, Grey thankfully didn’t charge me by the minute as we talked about her “Girlfriend” experience, how she first became a cinephile, the dangers of social networking, and a professional rumor that’s not quite true. Don’t worry, this one’s safe for work.

Could you give a quick-and-dirty walkthrough of your “Girlfriend Experience” experience, along with any expectations you might’ve had?

Going into the film, I didn’t really know what to expect because the shooting style was so experimental. I wrote a character backstory — I condensed that – and would ask Steven: “Is it okay to use this, and adapt these personality traits into the person?” The casting director Carmen [Cuba] actually sent us links to blogs, all written anonymously by these escorts. I read those, and Steven and I met up with two escorts. We interviewed both of them, and a lot of the idiosyncratic behavior of Christine or Chelsea was taken from these two women. [As for] actually shooting with [Soderbergh], he’s so quiet and intimate, yet methodical at the same time. You can see and feel the wheels turning inside his head. He says so little, yet everything he says has a lot of impact on each scene.

I was told that you were the only person who was allowed to see Brian Koppelman and David Levien’s script, since so much of the film relies on improvisation.

I’m not sure. [laughs] I didn’t get an outline until the evening before we started shooting because they wanted some of the situations and reactions to be natural and not forced. Sometimes we’d get on set and we had an outline. We knew what the scene would be, but what was said and happened was constantly evolving every day and in every scene.

05202009_GirlfriendExp2.jpgOverall, was there a noticeable change in the process by the end of production?

The most noticeable thing for me was that I was relaxing. [laughs] Sometimes you get in front of a camera and you premeditate all these things you want to say within a scene, but you kind of freeze up. It’s a hard feeling to articulate to somebody. I mean, naturally, yes, I’m comfortable in front of a camera — but I [had to become] comfortable performing, I guess you could say, as an actor, not as me having sex on camera. Obviously, that’s a big difference.

In the film, you play an escort with a boyfriend, and in real life, you’re engaged. Is that a tricky dynamic to be in a long-term relationship when you’re having sex with other people for money?

I’d say the first three months were the hardest because, and you can ask my fiancée this as well, it was less about having sex with other people and more about spending time with multiple people, if that makes any sense. It’s like, I’m not going to get home at five o’clock, we’re not going to eat dinner at six o’clock, because it’s entertainment, so things can run over, or you get home early. So it was getting used to a very different way of living for both of us. Now it’s very natural, and because we’re both very liberal people, the sex part comes easily and is not so difficult to deal with. In Chelsea, or Christine, and Chris’ case, she’s constantly coming face-to-face with emotional circumstances with her clients, whereas I go to an adult set, and I’m not there to pretend to be somebody’s girlfriend. We all know why we’re there, and it’s very upfront and honest.

Porn stars don’t typically have career longevity. Do you have something like a five-year or ten-year plan that involves a different professional path?

Yes, I just started my own production company called Grey Art, and I’ll be shooting my directorial debut in the next two weeks. It’ll come out in June, actually. It’s called “The F&%k Junkie.” I’m working on my web site, sashagrey.com — I’ll be performing and directing on there as well. I’ve been working towards directing in the adult industry for quite some time, and I’ve finally found the right way to do it. I’m also working on music, a sex philosophy book, a graphic novel, and I have an adult toy novelty line. I’ve never really limited myself to just one thing.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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