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Meeting Mr. or Ms. Wrong

Meeting Mr. or Ms. Wrong (photo)

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IFC.com’s newest web series “Like So Many Things…” premieres today, and co-creators Marin Gazzaniga and Anslem Richardson offer up their thoughts on the best films about romances that are anything but easy.

“Now it isn’t that I don’t like you, Susan, because, after all, in moments of quiet, I’m strangely drawn toward you, but, well, there haven’t been any quiet moments.”
       — “Bringing Up Baby”

Meeting Mr./Ms. Wrong movies come in many varieties. There are the star-crossed lovers who are kept apart by outside forces (“Romeo and Juliet”). Or the couple whose hate for each other is only masking the sparks of true passion (just about any Katherine Hepburn and Spencer Tracy movie). Then there’s the man or woman who’s certain that someone is their one and only, but has to spend the course of the film convincing that person that it’s true (“Bringing Up Baby”). Why is it so appealing to watch couples who shouldn’t work either figure out that, against all odds, they do, or, well, fail miserably?

      Jeanne: “Ca va pas, t’as des problemes, hein?”
      Paul: “There’s some butter in the kitchen…”
      Jeanne: “So you hear… What did you answer?”
      Paul: “Go get the butter.”
         –“Last Tango in Paris”

We founded ThisThing Films together, and we’re opposites in many ways: black/white, male/female, self-assured/self-deprecating… umbrella drinks/tequila shots. And in making our series “Like So Many Things…”, we started with two characters who shouldn’t work but who, for whatever reasons, try like hell anyway. Here are both of our top five films where opposites attract, proving, once again, the yin/yang of creative collaboration.


Hers

05192009_BringingpBaby2.jpg1. “Bringing Up Baby” (1938)
Directed by Howard Hawks

The supposedly ditzy socialite, who knows exactly what she’s doing, goes after the supposedly brilliant paleontologist, who hasn’t got a clue. This may be the best opposites-attract movie ever. Plus, is there anything better than the single take of Cary Grant trying to get Katharine Hepburn to realize the back of her dress is gone? Scorsese’s Copacabana shot in “Goodfellas” is cool, sure, but I’ll take break-neck dialogue and technical comedy in front of the camera over Steadycam shots anytime.

05192009_RomeoandJuliet.jpg2. “Romeo and Juliet” (1968)
Directed by Franco Zeffirelli

Maybe it’s because I was about 13 when a racy English teacher made us stay after school and watch this, but I’ve never seen better love at first sight than Olivia Hussey and Leonard Whiting. The mother of all meeting Mr. Wrong movies, Franco Zeffirelli’s take on the young lovers set the standard for all cinematic depictions of young, passionate, and forbidden love.

05192009_farfromheaven.jpg3. “Far From Heaven” (2002)
Directed by Todd Haynes

This is really a Romeo and Juliet story, only it’s societal norms and racism that keep Cathy Whitaker (Julianne Moore) and Raymond Deagan (Dennis Haysbert) apart, not family loyalties. The love is sweet, the unfulfillment tragic. Even though it’s Meeting Mr. Wrong with a message, Haynes manages to keep the moralizing secondary to the longing. And a lot of the longing comes from wanting those clothes — in those colors.

05192009_EternalSunshine.jpg4. “Eternal Sunshine of the Spotless Mind” (2004)
Directed by Michel Gondry

In a mind-bending story of a mismatched pair who have tried and failed to make it work, this movie pushes the romantic question of whether true love can overcome all obstacles. Joel (Jim Carrey) and Clementine (Kate Winslet) have had their memories of each other erased, but Joel realizes too late he doesn’t want to lose Clementine and struggles vainly to keep little pieces of her hidden in his brain where they can’t be found. In a bit of inspired casting against type, Carrey is reserved, for once, and Winslet plays the loose cannon.

05192009_SomethingWild.jpg5. “Something Wild” (1986)
Directed by Jonathan Demme

Charlie (Jeff Daniels) gets his tie loosened by Lulu (Melanie Griffith) when she hijacks his day and takes him on a road trip. Charlie falls for the wild gal while being forced to pose as a suitable suitor to her parents. But it’s when Ray Liotta shows up as Lulu’s estranged ex-husband that we realize who the real Mr. Wrong is. The dark twist reminds us that not all bad boys are charming, and attraction isn’t always romantic.

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

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Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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