DID YOU READ

In the Realm of Pornography?

In the Realm of Pornography? (photo)

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The Criterion Collection version of Nagisa Oshima’s controversial “In the Realm of the Senses” that came to DVD and Blu-ray this week is listed on Criterion’s web site as running 108 minutes long. That number corresponds with the length of the film’s “original version” given by IMDb, though the site also lists a 109-minute version from the U.K., a 107-minute version from Australia, and a 98-minute version from Argentina. There seems to be a different cut for every country that’s willing to show the film (unlike its native Japan, where it remains banned). The movie is almost an indecency Rorschach test — it’d be fascinating, if a little horrifying, to compare all the different cuts side-by-side, to see what each culture found unacceptable by its moral standards. (By the way, IMDb does not mention a 95-minute cut, which is the length of the film on the previous DVD edition from Fox Lorber that’s currently available from Netflix).

So what’s the big deal? Oshima’s film was made in 1976, relatively late in the decade’s wave of art films that dared to explore sexuality seriously — “Last Tango in Paris” and its notorious butter scene, for instance, came out four years earlier. One key difference, though, between “Senses” and most of its predecessors, was its degree of explicitness. Some of the sexual acts between stars Eiko Matsuda and Tatsuya Fuji were simulated, but some were not. Nowadays, unsimulated sexual activity between actors in a non-pornographic movie isn’t all that uncommon; in just the last few years, the technique’s been employed in films like “The Brown Bunny,” “9 Songs,” “Shortbus,” “Ken Park” and “Anatomy of Hell.” But back in 1976, the line between pornography and art films with real sex was a bit fuzzier; or at the very least, the fact that there could be a distinction between pornography and an art film with real sex was a serious discussion.

The inexorable march of time and the accumulated effect of several decades’ worth of subsequent envelope-pushing cinema has neutered the impact of “Senses,” at least on a graphic level. Some of it remains skeezy — personally speaking, I do not need to see a woman stick an egg in her vagina, but maybe that’s just me — yet little of it remains offensive. What ability the film has today to shock audiences has as much to do with the emotional implications of the story as its more detailed imagery.

04282009_RealmoftheSenses2.jpgMatsuda plays Sada Abe, a former prostitute who’s become a servant to a hotel owner named Kichizo Ishida, played by Fuji. The two begin sneaking around behind Ishida’s wife’s back, and their affair quickly escalates in intensity. Their passion moves swiftly from all-consuming to self-destructive: hitting each other during sex leads to erotic asphyxiation, which leads to the film’s infamous finale, where Abe, after choking Ishida to death, severs his penis and writes “Sada & Kichi The Two Of Us Forever” on his lifeless chest in his own blood.

The story only becomes more unsettling when you discover it’s based on a true-life case that took places in Japan decades before Lorena Bobbitt’s name became a setup and punchline unto itself. The very last line of narration from “In the Realm of the Senses” tells us Abe’s final fate and informs the audience that “it happened in 1936.” And indeed it did — as in the film, the real-life Abe and Ishida embarked on a sexually adventurous affair that concluded with Ishida’s mid-coitus murder and castration.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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