DID YOU READ

Family Values

Family Values (photo)

Posted by on

A chamber piece resolutely devoid of flash and glitter, “Summer Hours” isn’t a film one would have anticipated from the director of such disparate provocations as “Irma Vep,” “Clean,” Demonlover” and “Boarding Gate.” Then again, Olivier Assayas’ new release is subtly provocative in its own right. Its willingness to lay out ideas about art and life in the age of globalization makes it his biggest dare yet. What distinguishes this Assayas movie from the others is the manner with which it sustains an unspoiled blend of the intimately emotional with the unequivocally intellectual. The cumulative strengths of “Summer Hours” as a philosophic elegy and a generational saga are powerful enough to throw everything else Assayas has done in illuminated relief.

The movie’s first summer dream is an idyllic one, with children playing on the grounds of an old country house whose widowed owner Hélène (Edith Scob) is celebrating her 75th birthday with her brood of three accomplished 40-something offspring. The light surrounding the party is festive and bright, but shadows seep in from the edges. Hélène knows — or, at least, suspects — that this may be her last birthday, and she’s intent on making sure the house’s 19th century art treasures, most of which (lithographs, glassware, furniture, original Corot paintings) belonged to her distinguished uncle, will be cared for in her absence.

Eldest son Frédéric (Charles Berling), an economics professor, regards each artifact with the mildest impatience. He’s taking it for granted that the house and its contents will always be in the family, no matter what happens to his mother. But it becomes all too clear, after Hélène’s death, just how perishable those dreams are. His sister Adrienne (Juliette Binoche) is a fashion designer with more at stake in America and Japan than in France, while younger brother Jérémie (Jérémie Renier) chooses to raise his family close to his shoe business in China. It’s left to Frédéric, the only one staying close to home, to decide what to do with Hélène’s stuff, and what he does is bring in appraisers and auctioneers to, piece by piece, yard by yard, disperse a rich family legacy.

05132009summerhours.jpgAssayas clearly shares Frédéric’s disdain for the economic forces that erode collective memories and transform art into commodity. But there’s nothing programmatic or (obviously) ideological in his approach. He doesn’t condemn Frédéric’s sibs for the life choices they make any more than he chastises their own children for all but bypassing the craftsmanship of their ancestors. Indeed, the writer/director’s melancholy resignation with culture’s casual dismantling arouses far deeper emotions than could be summoned with a more open attack on corporate culture; though a few zingers are fired here and there by Frédéric and Adrienne, mostly at Jérémie’s labor practices. But even they yield to what’s become the mantra of 21st century progress: It is what it is and what can you do, anyway? Making a movie about it all seems to be one answer — and Assayas has made one of the most haunting, probing, and (in the end) tentatively hopeful one could possibly imagine.

The world at large seems divided in two camps — those who dug Rian Johnson’s 2005 debut feature, “Brick,” for its cunning appropriation of ’20s pulp-magazine tropes for a contemporary teen crime thriller and those who thought the whole exercise was too coy and airless for its own good. I was — and remain — very much in the former constituency. Subletting Dashiell Hammett’s argot without sounding like a scratchy 78 RPM record is one thing, but using it to effectively bend the suburban high school subgenre without losing hold on plausibility is quite a larger thing. Risky, for sure, and you wouldn’t want to see it done again any time soon. But “Brick” had enough assurance going for it at the jump to make one wonder (avidly, avidly) what its writer/director would try next.

Watch More
Tony-Hale-Joes-Pub-3

Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

Posted by on
Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

Watch More
CBB_519_tout_1

It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

Posted by on

After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

Watch More
Watch-IFC

Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

Posted by on

This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

sweatsgiving
It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

Watch More
Powered by ZergNet