DID YOU READ

Sacha Gervasi Lifts “Anvil”

Sacha Gervasi Lifts “Anvil” (photo)

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The story of “Anvil! The Story of Anvil” began in a London rock club in the early ’80s, where a teenage metal devotee named Sacha Gervasi first saw Canadian rockers Anvil. After the show, Gervasi went backstage and met the band, striking up a friendship with Anvil’s lead singer and guitarist Steve “Lips” Kudlow and drummer Robb Reiner. Eventually, Lips and Robb invited the then-15-year-old to be a roadie on their North American tour the next summer. Asked what a documentary on his relationship with the band during that period might have looked like, Gervasi replies, “That would have been amazing. People would not have believed it. My 17th birthday party: Angus Young of AC/DC, Kelly Johnson from Girlschool, Lemmy from Motörhead. I was hanging out with these guys! I was this young precocious public school boy who was into heavy metal.”

The precocious public school boy lost touch with the band, but years later, Gervasi looked up Anvil, and discovered that Lips and Robb had continued to record and tour together, despite the fact that rock stardom had eluded them. Eventually, Gervasi became convinced he needed to capture their struggle on film, a project he believed in so strongly that he sunk his own money into it. His documentary follows Lips, Robb and their bandmates on a journey that’s both hilarious and touching. Early sequences follow the group on a disastrously Spinal Tap-ish tour of Europe, where they play 10,000-seat venues to audiences of 175, and where, after a particularly bad gig, Robb notes of Anvil’s travel woes, “I can sum it up in one word… two words… three words: We don’t have good management.”

But “Anvil!” is ultimately a genuinely moving tribute to a remarkable friendship between a couple of guys who’ve never given up their dreams. And after decades in the musical desert, the band — thanks to the escalating buzz surrounding the film — is suddenly in high demand. I spoke with Gervasi just before he, Lips and Robb headed off to a GQ photo shoot; Gervasi was also trying to figure out how to make time for the guys to appear the following morning on “The Opie & Anthony Show.” For the director, this was the whole point. “I wanted to do a good thing for these guys,” he says. “And it’s amazing. When your heart’s in the right place, you can’t really fail.”

The movie begins with metal heavyweights like Metallica’s Lars Ulrich and Anthrax’s Scott Ian talking about the band. You ask all of them why Anvil didn’t make it, and no one seems to have a good answer. I’m wondering why you think they never became superstars.

I think it was a combination of things. Anvil is notoriously too early or too late. In this case, they were too early. In 1982, they came out with “Metal on Metal” and while they were figuring out what direction to go in, they signed with this big manager named David Krebs, who managed AC/DC, The Scorpions and Bon Jovi. He was saying, “You shouldn’t be doing the hard stuff like ‘Metal on Metal’ or ‘666!’ You should be focusing on being like Bon Jovi.” The biggest manager in the business is telling them that if they want to be huge, this is what they should be doing. Meanwhile, Metallica, who were listening to [Canadian speed metal bands] Exciter and Anvil, took all of that and went bang! And while Anvil was arguing amongst themselves, I think there was a window that they missed. That’s my personal theory.

04072009_anvil4.jpgAt a certain point, you lost contact with the band. Was the idea of making a documentary about Anvil what brought you guys back together?

Not at all. In the summer of 2005, Anvil just came into my mind one night. I remember I was at the beach, just hanging out and listening to Metallica and I thought “That sounds so much like Anvil!” And I was like “What happened to them?”

I went online and discovered that the band had never quit. And I was like, “How is it possible that they didn’t make it and they didn’t kill each other?” I discovered ten albums I’d never heard of and saw photos from a show at the Horseshoe Tavern the week before. I was fascinated.

I wrote to the web site and got an e-mail back from Lips a week later. He was in L.A. It was as if the 20 years went by [snaps fingers] like that. I took him to my mentor, [screenwriter] Steve Zallian’s house — he was the one who introduced me to Steven Spielberg [who directed Gervasi’s screenplay for “The Terminal”]. I remember sitting in Steve’s kitchen and looking through the window at Lips explaining speed metal to Steve’s wife Elizabeth. I said to Steve, “He’s never given up. Why? Wouldn’t you just give up? He still believes he can make it.” It just suddenly hit me: It’s a movie.

“Anvil!” includes many obvious references to “Spinal Tap.” The one big difference — besides the fact that “Spinal Tap” is a fake documentary and yours is real — is that the director of “Spinal Tap” appears onscreen to lead us through the film. Did you ever consider putting yourself into “Anvil!” in a similar role?

I did. In an earlier version, I thought we’d just do “Spinal Tap” and we’ll freak people out because it’s real. So we did a version where I narrated. But the movie’s about these two guys. And by removing myself entirely, it just became obvious that that was what the film was. I just felt like it was an unnecessary filter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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