This browser is supported only in Windows 10 and above.

DID YOU READ

Sacha Gervasi Lifts “Anvil”

Sacha Gervasi Lifts “Anvil” (photo)

Posted by on

The story of “Anvil! The Story of Anvil” began in a London rock club in the early ’80s, where a teenage metal devotee named Sacha Gervasi first saw Canadian rockers Anvil. After the show, Gervasi went backstage and met the band, striking up a friendship with Anvil’s lead singer and guitarist Steve “Lips” Kudlow and drummer Robb Reiner. Eventually, Lips and Robb invited the then-15-year-old to be a roadie on their North American tour the next summer. Asked what a documentary on his relationship with the band during that period might have looked like, Gervasi replies, “That would have been amazing. People would not have believed it. My 17th birthday party: Angus Young of AC/DC, Kelly Johnson from Girlschool, Lemmy from Motörhead. I was hanging out with these guys! I was this young precocious public school boy who was into heavy metal.”

The precocious public school boy lost touch with the band, but years later, Gervasi looked up Anvil, and discovered that Lips and Robb had continued to record and tour together, despite the fact that rock stardom had eluded them. Eventually, Gervasi became convinced he needed to capture their struggle on film, a project he believed in so strongly that he sunk his own money into it. His documentary follows Lips, Robb and their bandmates on a journey that’s both hilarious and touching. Early sequences follow the group on a disastrously Spinal Tap-ish tour of Europe, where they play 10,000-seat venues to audiences of 175, and where, after a particularly bad gig, Robb notes of Anvil’s travel woes, “I can sum it up in one word… two words… three words: We don’t have good management.”

But “Anvil!” is ultimately a genuinely moving tribute to a remarkable friendship between a couple of guys who’ve never given up their dreams. And after decades in the musical desert, the band — thanks to the escalating buzz surrounding the film — is suddenly in high demand. I spoke with Gervasi just before he, Lips and Robb headed off to a GQ photo shoot; Gervasi was also trying to figure out how to make time for the guys to appear the following morning on “The Opie & Anthony Show.” For the director, this was the whole point. “I wanted to do a good thing for these guys,” he says. “And it’s amazing. When your heart’s in the right place, you can’t really fail.”

The movie begins with metal heavyweights like Metallica’s Lars Ulrich and Anthrax’s Scott Ian talking about the band. You ask all of them why Anvil didn’t make it, and no one seems to have a good answer. I’m wondering why you think they never became superstars.

I think it was a combination of things. Anvil is notoriously too early or too late. In this case, they were too early. In 1982, they came out with “Metal on Metal” and while they were figuring out what direction to go in, they signed with this big manager named David Krebs, who managed AC/DC, The Scorpions and Bon Jovi. He was saying, “You shouldn’t be doing the hard stuff like ‘Metal on Metal’ or ‘666!’ You should be focusing on being like Bon Jovi.” The biggest manager in the business is telling them that if they want to be huge, this is what they should be doing. Meanwhile, Metallica, who were listening to [Canadian speed metal bands] Exciter and Anvil, took all of that and went bang! And while Anvil was arguing amongst themselves, I think there was a window that they missed. That’s my personal theory.

04072009_anvil4.jpgAt a certain point, you lost contact with the band. Was the idea of making a documentary about Anvil what brought you guys back together?

Not at all. In the summer of 2005, Anvil just came into my mind one night. I remember I was at the beach, just hanging out and listening to Metallica and I thought “That sounds so much like Anvil!” And I was like “What happened to them?”

I went online and discovered that the band had never quit. And I was like, “How is it possible that they didn’t make it and they didn’t kill each other?” I discovered ten albums I’d never heard of and saw photos from a show at the Horseshoe Tavern the week before. I was fascinated.

I wrote to the web site and got an e-mail back from Lips a week later. He was in L.A. It was as if the 20 years went by [snaps fingers] like that. I took him to my mentor, [screenwriter] Steve Zallian’s house — he was the one who introduced me to Steven Spielberg [who directed Gervasi’s screenplay for “The Terminal”]. I remember sitting in Steve’s kitchen and looking through the window at Lips explaining speed metal to Steve’s wife Elizabeth. I said to Steve, “He’s never given up. Why? Wouldn’t you just give up? He still believes he can make it.” It just suddenly hit me: It’s a movie.

“Anvil!” includes many obvious references to “Spinal Tap.” The one big difference — besides the fact that “Spinal Tap” is a fake documentary and yours is real — is that the director of “Spinal Tap” appears onscreen to lead us through the film. Did you ever consider putting yourself into “Anvil!” in a similar role?

I did. In an earlier version, I thought we’d just do “Spinal Tap” and we’ll freak people out because it’s real. So we did a version where I narrated. But the movie’s about these two guys. And by removing myself entirely, it just became obvious that that was what the film was. I just felt like it was an unnecessary filter.

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.