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Down From “The Wire”: TV’s Most Talented Cast Makes Its Way to the Movies

Down From “The Wire”: TV’s Most Talented Cast Makes Its Way to the Movies (photo)

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On his DVD commentary for the pilot episode of his television show “The Wire,” creator David Simon describes the series’ objective. “It seems to be a cop show,” he says. “But we were actually trying to mask something different within a cop show…It’s about how institutions have an effect on individuals and how… you are ultimately compromised and must contend with whatever institution you have committed to.” The milieu of Simon’s marvelous serial was the working classes of Baltimore: the cops, drug dealers, lawyers, public school teachers, longshoremen and so on. But since “The Wire” went off the air after five seasons on HBO, the struggles of most of the show’s incredibly talented cast within the institution of Hollywood has only served to prove the universality of Simon’s theme.

Granted, it’s only been a year. But so far, the show’s veterans have been popping up in films that have only served to illuminate the depressing gulf between the level at which Simon and company were operating at and the one at which most of mainstream Hollywood does. Granted, “The Wire” had 60 hours to develop its characters to a typical movie’s 90 minutes. But when an actor from the show appears in a mainstream film in a role similar to the one they portrayed in “The Wire,” the contrast is often shocking.

04232009_JamieHector.jpgConsider, for example, the effect of putting Jamie Hector into one scene of “Max Payne.” Over the course of the final three seasons of “The Wire,” Hector played one of the series’ main antagonists, a brash and ambitious young drug dealer named Marlo Stanfield. Stanfield distinguishes himself from his peers with his intelligence and cold-blooded brutality, and Hector distinguished himself as an actor with his icy intensity and withering glare. In “Max Payne,” Hector plays a brash young drug dealer named Lincoln, though that’s where the similarities to Marlo end.

Mark Wahlberg’s title character comes to Lincoln looking for information; Hector plays the scene seated behind a desk covered in assault weapons, punctuating his dialogue with exaggerated gestures with a knife and sheath he holds in each hand. The scene, though a bit over the top, isn’t entirely out of context for the video game-inspired world of “Max Payne,” but when compared with “The Wire”‘s verisimilitude, the results are almost laughable. That’s no fault of Hector’s, of course, and at the very least, the scene proves he’s a genuine actor; Hector is so good as Marlo — so unrelentingly cold and hard — that you might have mistaken him for one of the numerous members of “The Wire” cast, like Felicia “Snoop” Pearson, who are survivors of Baltimore’s real drug war and who are playing fictionalized versions of their own lives. Hector most recently appeared in a multi-part guest spot on the NBC series “Heroes.”

04232009_MichaelkWilliams.jpgTelevision actors often struggle to shed the small-screen identities they become associated with — think of the struggles of the “Friends” cast as they moved into the world of film. But the cast of “The Wire” were so good at their jobs that they’ve made their post-series careers that much more difficult. Personally speaking, I have real trouble watching Michael K. Williams in films without thinking of his incredible performance as Omar Little, inner city Baltimore’s answer to Robin Hood, a principled gangster who only steals from other gangsters and whose exploits have lent him near-mythic status: kids on street corners in Baltimore “play Omar” the way kids in the suburbs might play “Power Rangers.”

Williams, who has a distinctive scar bisecting his face, brings palpable ferocity and a convincing air of invincibility to the part — after a few seasons, he’s convinced the audience he’s unkillable, just like he’s convinced the rest of Baltimore. Which is why it’s so hard — almost painful — to see Williams in a role like the one he tackled in Spike Lee’s “Miracle At St. Anna.” He appears in beginning of the World War II flashback, as a terrified Buffalo Soldier who repeatedly screams “Kill me now!” as his unit trudges into an ambush where he’s promptly granted his wish. Williams imbues his brief appearance with all the emotion he can muster, but playing such a pathetic creature seems like conduct unbecoming the man who brought to life one of the greatest badasses in television history. Hopefully, Williams’ role in the upcoming adaptation of Cormac McCarthy’s novel “The Road” takes better advantage of his gifts.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….


IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.


IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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