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Cheryl Hines Gets Serious

Cheryl Hines Gets Serious (photo)

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Of the half-dozen scripts that actress/writer/director Adrienne Shelly completed before her tragic death in 2006, “Serious Moonlight” isn’t the obvious choice for first posthumous film to be made from her work. Produced by her husband Andy Ostroy, who’s committed to making all of her scripts into films, it’s a dissection of how a marriage can go wrong between a long-wedded couple (Meg Ryan and Timothy Hutton). After her breakthrough film as a director, the sweet-natured “Waitress,” “Serious Moonlight” is decidedly sour: Ryan’s long-suffering Louise takes her husband hostage by duct-taping him to a toilet; while a subplot involving home invasion might feel too close for comfort to those who know the details of Shelly’s murder. Yet in spite of those peculiarities, there is something all too perfect about “Serious Moonlight” as a showcase for Shelly’s idiosyncratic and wistful point of view. Its director, Cheryl Hines, took on the unenviable task of stepping in for her late friend and “Waitress” co-star to make her feature directorial debut. Shortly before the film premiered at the Tribeca Film Festival, Hines talked about making “Moonlight” her own and how she finally gets why the pies got so much attention in “Waitress.”

After you finished “Waitress,” had you kept in touch with Adrienne?

Adrienne and I had kept in touch since “Waitress.” We had talked and e-mailed each other back and forth, but I didn’t know anything about the project until [producers] Andy Ostroy and Michael Roiff called me and asked if I was interested in directing.

Did it sound like a fun opportunity or did panic immediately set in?

A little of both. First I thought, “Why me?” And then when I read the script, I understood it, because Adrienne had a specific way of writing and she had a specific tone to her voice with a balance with comedy and drama. I really appreciate that, so that’s why I think Andy and Michael came to me and that’s certainly what drew me to it.

When you’re brought into a situation like this where you want to honor her and at the same time make your own directorial debut, how much do you want to make the film your own?

I think as a director you have to make it your own. It’d be a mistake to approach a project with the idea of “I’m going to do this the way I think somebody else would,” because then you’d never be clear on your idea. So I approached the project with the idea that I’m going to tell the story the best way I know how to tell it. I think that’s what Adrienne would want.

There’s one scene online between Meg Ryan and Kristen Bell, and there does seem to be that unusual tone where it’s funny, but it’s also like “am I supposed to be laughing at this?” Was it tricky to nail that tone down as a director?

For me, it wasn’t hard finding the right tone. That’s why I wanted to do this project — like you’re saying, it’s not a traditional comedy. Everything isn’t funny in this film. [laughs] There’re some really dramatic moments, and it’s not a broad comedy. The comedy that’s there is nuanced and it’s subtle.

As an actress, you’ve worked with so many directors with a distinctive style over the years. Did you find some of those influences creeping into your work?

Absolutely. When I was working with Barry Sonnenfeld, I’d watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it’s not just about getting the joke, but getting a reaction to the joke. That’s the laugh — it’s somebody’s else’s reaction to the joke. So there have been little pearls of wisdom along my path that I’ve been keeping with me.

I figure you might say to yourself making this, “Oh, that’s why Adrienne was spending so much time shooting those pies in ‘Waitress.'”

That’s so true. It is so true! I was thinking that the other day, about those pies and the different colors, and at the time, I thought, “This is insane. Why do these pies look like this?” [laughs] Pies in real life don’t look this color! And then when you see the film, you realize it’s all intentional. I understand it now.

“Serious Moonlight” does not yet have distribution, but will play once more on April 30th during the Tribeca Film Festival.

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The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Uncle-Buck

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…