DID YOU READ

What to Watch If Not Watching the “Watchmen”

What to Watch If Not Watching the “Watchmen” (photo)

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Some homegrown interloping mixes with a strong international showing this week to give an overall balance to what’s playing at your local multiplex. Comic book fans can salivate over “Watchmen,” arthouse fans can enjoy a Louis Garrel double bill, and a Four Horsemen of the Apocalypse-inspired serial killer movie bridges the gap.

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“12”
A best foreign language Oscar nominee from 2008, Russian director Nikita Mikhalkov’s interpretation of the Reginald Rose’s 1954 play “Twelve Angry Men” puts a contemporary political spin on this classic tale of passion and prejudice. Tasked with discerning the guilt of a young Chechen boy accused of brutally murdering his military officer father, Sergei Makovetsky plays the lone voice of dissent voting for acquittal. As the audience witnesses the boy’s unfortunate childhood in flashbacks, Makovetsky’s mysterious juror preaches rationality and reason as he attempts to convince a room full of his peers of the boy’s innocence one by one. In Russian with subtitles.
Opens in New York on Wednesday, March 4th.

“Everlasting Moments”
Swedish auteur Jan Troell returns with this studied piece of period miserablism, continuing his informal trilogy of films about turn of the century upheaval against the backdrop of the socialist revolution, beginning with 1966’s “Here’s Your Life” and 2001’s “As White as in Snow.” In a story inspired by his wife’s grandmother, Troell tells of Maria (Maria Heiskanen), who finds respite from her humdrum existence under the tutelage of the solicitous Sebastian (Jasper Christensen), a local photographer who encourages her to employ the camera she wins in a lottery as a tool of intellectual independence as she toils to raise her seven children and keep tabs on her boorish, womanizing husband (Mikael Persbrandt). In Swedish with subtitles.
Opens in limited release.

“Explicit Ills”
Premiering at last year’s SXSW Festival where it scooped a trio of awards, actor-turned-writer/director Mark Webber’s directorial debut is a disparate ensemble ramble through an impoverished South Philadelphia neighborhood that seems to genuinely have something to say. With a cast of largely unknown actors augmented by indie starlets such as Paul Dano and Rosario Dawson, Webber delves deep into modern life on the breadlines, orchestrating a multi-stranded story of those living a hand-to-mouth existence in South Philly where kindness and compassion often take the place of actual currency.
Opens in New York; expands to Los Angeles and Philadelphia on March 20th.

“Fados”
Born out of the immigrant slums of Lisbon in the early 19th century, Fado is a vigorous yet melancholic style of music reflecting struggle and promise that’s been dubbed the “Portuguese blues.” From the classical to the contemporary, from Reggae to hip-hop, Spanish helmer Carlos Saura traces the origins of the Fado (which literally translates to “destiny” or “fate”), exploring its development and continued legacy with his trademark fusion of music, dance and cinematic verve. In Portuguese with subtitles.
Opens in New York.

“Frontier of Dawn”
Veteran French helmer Philippe Garrel directs his son Louis in this throwback to the heyday of the French New Wave sprinkled with elements of the supernatural that charts the fine line between blissful intoxication and insanity. Garrel Junior stars as François, a young photographer left reeling following the suicide of Carole (Laura Smet), an actress with whom he had an affair. A year later, François is looking to marry and move on, but becomes plagued by visions of the ghostly Carole, beckoning him to join her in the land of the dead. In French with subtitles.
Opens in New York.

“The Horsemen”
Although some might have considered Jonas Åkerlund’s druggie drama “Spun” a horror film, the music video vet is applying his splice-a-second technique to a real gruesome thriller this time, starring Dennis Quaid as an embittered detective investigating a series of viciously elaborate slayings whose characteristics mirror the exploits of the fabled Four Horsemen of the Apocalypse. (Probably a compromise for a film with designs on “Se7en,” but having only the budget for two.) In what our own Matt Singer recently touted as one of the most anticipated performances of the spring, Ziyi Zhang co-stars as the mysterious woman suspected of masterminding the murders.
Opens in limited release.

“La Belle Personne”
Opening as the headliner for The Brooklyn Academy of Music Cinematik’s tribute to our sister company IFC Films, “Love Songs” director Christope Honoré helms this modern-day retelling of “La Princesse de Clèves,” the classic French novel of romance and scandal, which depicts the pain of growing up and the agony of unrequited love. Léa Seydoux stars as Junie, a troubled 16-year-old who catches the eye of all the boys at her new school and develops a friendship with Otto (Gregoire Leprince-Ringuet). But as Junie spurns Otto’s clumsy romantic advances, she cultivates a forbidden romance with her Italian teacher, Mr. Némours (Louis Garrel). In French with subtitles.
Opens in New York.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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