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Slavoj Žižek’s Film Criticism on Film, Charlie Kaufman’s Autocritique

Slavoj Žižek’s Film Criticism on Film, Charlie Kaufman’s Autocritique (photo)

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With the exception of Godard’s largely-unseen (on these shores) “Histoire(s) du Cinéma,” Sophie Fiennes’ and Slavoj Žižek’s “The Pervert’s Guide to Cinema” (2006) might be the greatest piece of film-criticism-on-film ever made. That’s not saying a pantload, of course; despite the obvious potentialities and the seductive pleasure to be had in perusing film history in powerhouse visual swatches, it’s not even a subgenre, beyond the boosterism of promotional docs and Todd McCarthy’s “Visions of Light.” The “video essays” by critic Kevin B. Lee constitute a pioneering version of the idea, despite the entire corpus being dropped for a while from YouTube thanks to copyright protests. Otherwise, the closest we have is the now ubiquitous audio commentary track that accompanies virtually every movie on DVD, the likes of which are sometimes sublime (when they’re performed by spirited critics and scholars, mostly, like Žižek’s on “Children of Men”) and often unendurable (with the glaring exception of Martin Scorsese, directors can rarely speak cogently about their own work). Either way, audio tracks are restricted to running the whole course of a single uninterrupted feature. What Fiennes and Žižek have dared to do is simply illustrate what amounts to a semi-interactive lecture on Lacanian psychoanalytic theory illustrated with film clips — which sounds dull, but Žižek, Slovenian lisp-monster that he is, is world-renowned for a reason: he’s a terrific communicator, popularizer and provocateur as well as an interpretive idea volcano.

“Lacan” is never mentioned in this three-part, 2.5-hour tour through popular cinema, but Freud certainly is, and the inexperienced would do well to see it twice and assume that virtually every utterance out of Žižek’s spittle-firing mouth is a concept worthy of another half-hour of exegesis. A good liberal arts bachelor’s degree grasp of Freudian psychoanalysis is pretty much essential, but otherwise you just need eyes: Žižek’s hand-holding walks through entire chunks of “Blue Velvet,” “Psycho,” “Vertigo,” “The Matrix,” “The Great Dictator” and “The Conversation” are never less than a blast, because Fiennes contrives (through clever set-building and Remko Schnorr’s digital cinematography) to place the always anxious, always splenetic Žižek literally within the films’ scenes, watching Isabella Rossellini’s demi-rape in “Blue Velvet” from the couch, or the writhings of Linda Blair from the corner of the arctic bedroom in “The Exorcist,” and often talking over the action.

The subject here, for the most part, is sex, but Žižek’s approach is refreshingly untheory-like: instead of the non-canonical, abstruse, navel-gazing insularity of most theory, we’re presented with formulations that extend and heighten the meanings of the films, and the achievements of the filmmakers (whom Žižek, rather un-post-structuralistically, gives full credit for the Freudian manifestations in their work). That is, the films aren’t simply cult-stud specimens without authors, but cataracts 03102009_ZizekGuide2.jpgof desire and fear that illuminate our own relationship with sex and its discontentments. Except perhaps when he’s pointing out how Gene Hackman in “The Conversation” seems to be literally examining the scene of the murder from “Psycho” (a painfully obvious inter-film connection I never noticed before), Žižek is all about how the films literally and profoundly “teach us lessons,” symbolically, about desire, about subjectivity, about the strange but universal need for sexual fantasy (and how it’s expressed as the voyeurism of cinema-watching), about our conflicted relationship with the sexual significance of various body parts.

Unlike most theory, “Pervert’s Guide” relates directly to our pleasure in watching movies, and to our ideas about our own behavior. Of course, a percentage of what Žižek says is half-conceived and presumptuous, as when he declares that women’s sexual pleasure only comes after the fact, in contemplation of the act. But his juicy bon mots are always challenging (“I want a third pill!” he declares, in view of “The Matrix”‘s inadequate dichotomy between illusion and reality). At the very least, those of us who’ve only seen “Vertigo” or “Lost Highway” or Tarkovsky’s “Solaris” once long ago will be inspired with a convert’s fervor to sit down and reevaluate them with new eyes.

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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Breaking News

From Canada With Love

Baroness von Sketch Show premieres this summer on IFC.

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Breaking news that (finally) isn’t apocalyptic!

IFC announced today that it acquired acclaimed Canadian comedy series Baroness von Sketch Show, slated to make its US of A premiere this summer. And yes, it’s important to note that it’s a Canadian sketch comedy series, because Canada is currently a shining beacon of civilization in the western hemisphere, and Baroness von Sketch Show reflects that light in every way possible.

The series is fronted entirely by women, which isn’t unusual in the sketch comedy world but is quite rare in the televised sketch comedy world. Punchy, smart, and provocative, each episode of Baroness von Sketch Show touches upon outrageous-yet-relatable real world subjects in ways both unexpected and deeply satisfying: soccer moms, awkward office birthday parties, being over 40 in a gym locker room…dry shampoo…

Indiewire called it “The Best Comedy You’ve Never Seen” and The National Post said that it’s “the funniest thing on Canadian television since Kids In The Hall.” And that’s saying a lot, because Canadians are goddamn hilarious.

Get a good taste of BVSS in the following sketch, which envisions a future Global Summit run entirely by women. It’s a future we’re personally ready for.

Baroness Von Sketch Show premieres later this summer on IFC.

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