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Slavoj Žižek’s Film Criticism on Film, Charlie Kaufman’s Autocritique

Slavoj Žižek’s Film Criticism on Film, Charlie Kaufman’s Autocritique (photo)

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With the exception of Godard’s largely-unseen (on these shores) “Histoire(s) du Cinéma,” Sophie Fiennes’ and Slavoj Žižek’s “The Pervert’s Guide to Cinema” (2006) might be the greatest piece of film-criticism-on-film ever made. That’s not saying a pantload, of course; despite the obvious potentialities and the seductive pleasure to be had in perusing film history in powerhouse visual swatches, it’s not even a subgenre, beyond the boosterism of promotional docs and Todd McCarthy’s “Visions of Light.” The “video essays” by critic Kevin B. Lee constitute a pioneering version of the idea, despite the entire corpus being dropped for a while from YouTube thanks to copyright protests. Otherwise, the closest we have is the now ubiquitous audio commentary track that accompanies virtually every movie on DVD, the likes of which are sometimes sublime (when they’re performed by spirited critics and scholars, mostly, like Žižek’s on “Children of Men”) and often unendurable (with the glaring exception of Martin Scorsese, directors can rarely speak cogently about their own work). Either way, audio tracks are restricted to running the whole course of a single uninterrupted feature. What Fiennes and Žižek have dared to do is simply illustrate what amounts to a semi-interactive lecture on Lacanian psychoanalytic theory illustrated with film clips — which sounds dull, but Žižek, Slovenian lisp-monster that he is, is world-renowned for a reason: he’s a terrific communicator, popularizer and provocateur as well as an interpretive idea volcano.

“Lacan” is never mentioned in this three-part, 2.5-hour tour through popular cinema, but Freud certainly is, and the inexperienced would do well to see it twice and assume that virtually every utterance out of Žižek’s spittle-firing mouth is a concept worthy of another half-hour of exegesis. A good liberal arts bachelor’s degree grasp of Freudian psychoanalysis is pretty much essential, but otherwise you just need eyes: Žižek’s hand-holding walks through entire chunks of “Blue Velvet,” “Psycho,” “Vertigo,” “The Matrix,” “The Great Dictator” and “The Conversation” are never less than a blast, because Fiennes contrives (through clever set-building and Remko Schnorr’s digital cinematography) to place the always anxious, always splenetic Žižek literally within the films’ scenes, watching Isabella Rossellini’s demi-rape in “Blue Velvet” from the couch, or the writhings of Linda Blair from the corner of the arctic bedroom in “The Exorcist,” and often talking over the action.

The subject here, for the most part, is sex, but Žižek’s approach is refreshingly untheory-like: instead of the non-canonical, abstruse, navel-gazing insularity of most theory, we’re presented with formulations that extend and heighten the meanings of the films, and the achievements of the filmmakers (whom Žižek, rather un-post-structuralistically, gives full credit for the Freudian manifestations in their work). That is, the films aren’t simply cult-stud specimens without authors, but cataracts 03102009_ZizekGuide2.jpgof desire and fear that illuminate our own relationship with sex and its discontentments. Except perhaps when he’s pointing out how Gene Hackman in “The Conversation” seems to be literally examining the scene of the murder from “Psycho” (a painfully obvious inter-film connection I never noticed before), Žižek is all about how the films literally and profoundly “teach us lessons,” symbolically, about desire, about subjectivity, about the strange but universal need for sexual fantasy (and how it’s expressed as the voyeurism of cinema-watching), about our conflicted relationship with the sexual significance of various body parts.

Unlike most theory, “Pervert’s Guide” relates directly to our pleasure in watching movies, and to our ideas about our own behavior. Of course, a percentage of what Žižek says is half-conceived and presumptuous, as when he declares that women’s sexual pleasure only comes after the fact, in contemplation of the act. But his juicy bon mots are always challenging (“I want a third pill!” he declares, in view of “The Matrix”‘s inadequate dichotomy between illusion and reality). At the very least, those of us who’ve only seen “Vertigo” or “Lost Highway” or Tarkovsky’s “Solaris” once long ago will be inspired with a convert’s fervor to sit down and reevaluate them with new eyes.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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