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The Cinema Eye Honors Salute Documentaries (Especially Waltz with Bashir)

The Cinema Eye Honors Salute Documentaries (Especially Waltz with Bashir) (photo)

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Lou Reed was in the audience of last night’s Cinema Eye Honors, accompanying wife Laurie Anderson, who introduced the award for music competition. Morgan Spurlock, Albert Maysles, Chris Hegedus and DA Pennebaker also took the stage as presenters. If reconciling an award ceremony’s needs for glitz and celebrity with the unfussy world of documentary film doesn’t seem like the simplest of tasks, the Cinema Eyes are doing an able job of it, moving uptown to posher confines of the Times Center for their second year.

A self-described commemoration of the “craft and artistry of nonfiction filmmaking,” the Honors are, as co-chair Thom Powers suggested, “not just about celebration, they’re about vindication.” And in a testament to that spirit, Ari Folman’s “Waltz with Bashir,” ineligible for a doc Oscar nomination due to its release date, was the biggest winner of the night, pulling in four wins, including Outstanding Achievement in Direction. A self-effacing David Polansky, art director for the film, was there to accept the awards, even though, as he put it, he only made the drawings.

James Marsh of “Man on Wire” won the big prize of the night, calling up to the stage his sprightly high wire subject Philippe Petit, who refrained from repeating his Academy Award trick of balancing the trophy on his nose, this one being a lot pointier. Pennebaker, who handed off the award, mused, “When I started making films, there was no equipment to even do it with…when I see this marvelous sea of filmmaking, in all kinds of ways, it makes me feel that it was all worthwhile.”

A complete list of winners is below:

Outstanding Achievement in NonFiction Feature Filmmaking
“Man on Wire,” directed by James Marsh; produced by Simon Chinn

03302009_cinemaeye2.jpgOutstanding Achievement in Direction
Ari Folman for “Waltz with Bashir”

Outstanding Achievement in Production
Simon Chinn for “Man on Wire”

Outstanding Achievement in Cinematography
Peter Zeitlinger for “Encounters at the End of the World”

Outstanding Achievement in Editing
Jinx Godfrey for “Man on Wire”

Outstanding Achievement in Graphic Design and Animation
Yoni Goldman & David Polonsky for “Waltz with Bashir”

Outstanding Achievement in Music Composition
Max Richter for “Waltz with Bashir”

Outstanding Achievement in International Feature
“Waltz with Bashir,” directed by Ari Folman; produced by Ari Folman, Serge Lalou, Gerhard Meixner, Yael Nahlieli & Roman Paul

Outstanding Achievement in Debut Feature
“Up the Yangtze,” directed by Yung Chang

Audience Choice Award
“Up the Yangtze,” directed by Yung Chang

[Additional photo: Cinema Eye co-chair AJ Schnack with P.O.V. series producer Yance Ford, making an entrance in authentic Mardi Gras garb]


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.