DID YOU READ

Getting in the Act: 11 Novelists Who Found Their Way Into the Script

Getting in the Act: 11 Novelists Who Found Their Way Into the Script (photo)

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Rock stars want to be movie stars and movie stars want to be rock stars; models want to be designers and designers want to tooth-tug Keira Knightley’s ear on the cover of Vanity Fair. These are known facts, demonstrable often to a shudder-inducing degree. What to make, though, of the latent career ambitions suggested by the humble novelist’s propensity for cameos? Do they all want to be comedians? Professional winkers? Or just slightly richer?

From Saul Bellow playing the “Man in Hallway” in an adaptation of his novel “Seize the Day” 30 years after it had been first published to Michael Chabon taking abuse in a bookstore in the upcoming adaptation of his 1988 novel, “The Mysteries of Pittsburgh,” many authors can’t resist the idea of essentially walking into their own novel when put to celluloid. Below are a few of those, and a few more whose motivations are more elusive.

02162009_twilight.jpgFilm: “Twilight” (2008)
Author Appearance: Stephenie Meyer

In this information-obsessed era, much of the appeal of a cameo — its element of surprise — has been lost to the need to know now, before, first. And so well before the film came out — days after the scene was shot, in fact — news of crazy-selling author Stephenie Meyer’s cameo in the adaptation of the first installment in her vampire chronicles was all over the internet. Early reports suggested that Meyer’s cameo would consist of the author ordering a vegetarian plate in a coffee shop scene (in her books, there are also vegetarian vampires) and that set off a “controversy” that no doubt lit up a thousand Tumblrs, but by the time it hit theaters, her screen time was reduced to a silent sit at a lunch counter. Too shy to go along with director Catherine Hardwicke’s wish that she have a line, Meyer regrets doing it at all: “It was not my idea to do the cameo,” she said in retrospect. “They talked me into it. They thought it would be, you know, cute for the fans because most of them would recognize me. I was thinking it was going to be more like a ‘Where’s Waldo?’ thing. Like I walk by for one second in a crowd and if they can find me, cool. That’s the one scene in the movie I would happily cut — the first five seconds, and the one that I had to watch like, I mean like this [covering her eyes], ‘Ah, is it over yet?’ It was really hard for me.”

02192009_AnnieHall_TrumanCa.jpgFilm: “Annie Hall” (1977)
Author Appearance: Truman Capote

“Oh, there goes the winner of the Truman Capote contest,” Alvy Singer (Woody Allen) says to Annie (Diane Keaton) during a Central Park-set scene in “Annie Hall.” However, this being Central Park, it really was Truman Capote, just passing through, in an uncredited cameo. By 1977, the literary set had all but abandoned Capote — “Answered Prayers,” his long-awaited follow-up to “In Cold Blood” was excerpted in Esquire, in 1975 and 76, to disappointing reviews. But the Studio 54 crowd embraced him for what he was: a gadfly par excellence. Late in life, Capote was best known for knowing everyone, and seemingly being everywhere; that he should wander through an Allen film seems like a knowing nod in ubiquity’s direction. In the ’60s, Capote was close with it-girl Mia Farrow, who attended his famous Black and White Ball, but the Allen connect may have come through Keaton, whose Hollywood home she rented in 1976. “She never bothered to change her number,” Capote said. “I would have the most intimate conversations with the people who called her. ‘Well, Diane’s not here right now, would you like to leave a message?’ Then the person would go into a deep psychoanalysis of Woody Allen. Ho, ho, ho.”

02192009_Backtoschool_KurtV.jpgFilm: “Back to School” (1986)
Author Appearance: Kurt Vonnegut

Taking the cameo to its most comfortable register — the absurd — is Kurt Vonnegut’s appearance in the 1986 Rodney Dangerfield comedy “Back to School.” As nouveau riche buffoon Thornton Melon, Dangerfield is, well, back at school, and when he is assigned an English paper on Vonnegut, he hires the man himself to help him with it. Vonnegut has just one line of introduction, although when the resultant paper gets an F (shades of the famous Marshall McLuhan cameo in “Annie Hall”) with his teacher (Sally Kellerman) fuming, “Whoever did write this doesn’t know the first thing about Kurt Vonnegut,” the “Slaughterhouse Five” author gets an irate call from Dangerfield, who threatens to go with Robert Ludlum next time. Interestingly, Keith Gordon, who played Dangerfield’s son in the film, went on to direct a number of films, including “The Singing Detective,” “A Midnight Clear,” and an adaptation of Vonnegut’s novel “Mother Night” in 1996.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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