DID YOU READ

Getting in the Act: 11 Novelists Who Found Their Way Into the Script

Getting in the Act: 11 Novelists Who Found Their Way Into the Script (photo)

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Rock stars want to be movie stars and movie stars want to be rock stars; models want to be designers and designers want to tooth-tug Keira Knightley’s ear on the cover of Vanity Fair. These are known facts, demonstrable often to a shudder-inducing degree. What to make, though, of the latent career ambitions suggested by the humble novelist’s propensity for cameos? Do they all want to be comedians? Professional winkers? Or just slightly richer?

From Saul Bellow playing the “Man in Hallway” in an adaptation of his novel “Seize the Day” 30 years after it had been first published to Michael Chabon taking abuse in a bookstore in the upcoming adaptation of his 1988 novel, “The Mysteries of Pittsburgh,” many authors can’t resist the idea of essentially walking into their own novel when put to celluloid. Below are a few of those, and a few more whose motivations are more elusive.

02162009_twilight.jpgFilm: “Twilight” (2008)
Author Appearance: Stephenie Meyer

In this information-obsessed era, much of the appeal of a cameo — its element of surprise — has been lost to the need to know now, before, first. And so well before the film came out — days after the scene was shot, in fact — news of crazy-selling author Stephenie Meyer’s cameo in the adaptation of the first installment in her vampire chronicles was all over the internet. Early reports suggested that Meyer’s cameo would consist of the author ordering a vegetarian plate in a coffee shop scene (in her books, there are also vegetarian vampires) and that set off a “controversy” that no doubt lit up a thousand Tumblrs, but by the time it hit theaters, her screen time was reduced to a silent sit at a lunch counter. Too shy to go along with director Catherine Hardwicke’s wish that she have a line, Meyer regrets doing it at all: “It was not my idea to do the cameo,” she said in retrospect. “They talked me into it. They thought it would be, you know, cute for the fans because most of them would recognize me. I was thinking it was going to be more like a ‘Where’s Waldo?’ thing. Like I walk by for one second in a crowd and if they can find me, cool. That’s the one scene in the movie I would happily cut — the first five seconds, and the one that I had to watch like, I mean like this [covering her eyes], ‘Ah, is it over yet?’ It was really hard for me.”

02192009_AnnieHall_TrumanCa.jpgFilm: “Annie Hall” (1977)
Author Appearance: Truman Capote

“Oh, there goes the winner of the Truman Capote contest,” Alvy Singer (Woody Allen) says to Annie (Diane Keaton) during a Central Park-set scene in “Annie Hall.” However, this being Central Park, it really was Truman Capote, just passing through, in an uncredited cameo. By 1977, the literary set had all but abandoned Capote — “Answered Prayers,” his long-awaited follow-up to “In Cold Blood” was excerpted in Esquire, in 1975 and 76, to disappointing reviews. But the Studio 54 crowd embraced him for what he was: a gadfly par excellence. Late in life, Capote was best known for knowing everyone, and seemingly being everywhere; that he should wander through an Allen film seems like a knowing nod in ubiquity’s direction. In the ’60s, Capote was close with it-girl Mia Farrow, who attended his famous Black and White Ball, but the Allen connect may have come through Keaton, whose Hollywood home she rented in 1976. “She never bothered to change her number,” Capote said. “I would have the most intimate conversations with the people who called her. ‘Well, Diane’s not here right now, would you like to leave a message?’ Then the person would go into a deep psychoanalysis of Woody Allen. Ho, ho, ho.”

02192009_Backtoschool_KurtV.jpgFilm: “Back to School” (1986)
Author Appearance: Kurt Vonnegut

Taking the cameo to its most comfortable register — the absurd — is Kurt Vonnegut’s appearance in the 1986 Rodney Dangerfield comedy “Back to School.” As nouveau riche buffoon Thornton Melon, Dangerfield is, well, back at school, and when he is assigned an English paper on Vonnegut, he hires the man himself to help him with it. Vonnegut has just one line of introduction, although when the resultant paper gets an F (shades of the famous Marshall McLuhan cameo in “Annie Hall”) with his teacher (Sally Kellerman) fuming, “Whoever did write this doesn’t know the first thing about Kurt Vonnegut,” the “Slaughterhouse Five” author gets an irate call from Dangerfield, who threatens to go with Robert Ludlum next time. Interestingly, Keith Gordon, who played Dangerfield’s son in the film, went on to direct a number of films, including “The Singing Detective,” “A Midnight Clear,” and an adaptation of Vonnegut’s novel “Mother Night” in 1996.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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