DID YOU READ

Getting in the Act: 11 Novelists Who Found Their Way Into the Script

Getting in the Act: 11 Novelists Who Found Their Way Into the Script (photo)

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Rock stars want to be movie stars and movie stars want to be rock stars; models want to be designers and designers want to tooth-tug Keira Knightley’s ear on the cover of Vanity Fair. These are known facts, demonstrable often to a shudder-inducing degree. What to make, though, of the latent career ambitions suggested by the humble novelist’s propensity for cameos? Do they all want to be comedians? Professional winkers? Or just slightly richer?

From Saul Bellow playing the “Man in Hallway” in an adaptation of his novel “Seize the Day” 30 years after it had been first published to Michael Chabon taking abuse in a bookstore in the upcoming adaptation of his 1988 novel, “The Mysteries of Pittsburgh,” many authors can’t resist the idea of essentially walking into their own novel when put to celluloid. Below are a few of those, and a few more whose motivations are more elusive.

02162009_twilight.jpgFilm: “Twilight” (2008)
Author Appearance: Stephenie Meyer

In this information-obsessed era, much of the appeal of a cameo — its element of surprise — has been lost to the need to know now, before, first. And so well before the film came out — days after the scene was shot, in fact — news of crazy-selling author Stephenie Meyer’s cameo in the adaptation of the first installment in her vampire chronicles was all over the internet. Early reports suggested that Meyer’s cameo would consist of the author ordering a vegetarian plate in a coffee shop scene (in her books, there are also vegetarian vampires) and that set off a “controversy” that no doubt lit up a thousand Tumblrs, but by the time it hit theaters, her screen time was reduced to a silent sit at a lunch counter. Too shy to go along with director Catherine Hardwicke’s wish that she have a line, Meyer regrets doing it at all: “It was not my idea to do the cameo,” she said in retrospect. “They talked me into it. They thought it would be, you know, cute for the fans because most of them would recognize me. I was thinking it was going to be more like a ‘Where’s Waldo?’ thing. Like I walk by for one second in a crowd and if they can find me, cool. That’s the one scene in the movie I would happily cut — the first five seconds, and the one that I had to watch like, I mean like this [covering her eyes], ‘Ah, is it over yet?’ It was really hard for me.”

02192009_AnnieHall_TrumanCa.jpgFilm: “Annie Hall” (1977)
Author Appearance: Truman Capote

“Oh, there goes the winner of the Truman Capote contest,” Alvy Singer (Woody Allen) says to Annie (Diane Keaton) during a Central Park-set scene in “Annie Hall.” However, this being Central Park, it really was Truman Capote, just passing through, in an uncredited cameo. By 1977, the literary set had all but abandoned Capote — “Answered Prayers,” his long-awaited follow-up to “In Cold Blood” was excerpted in Esquire, in 1975 and 76, to disappointing reviews. But the Studio 54 crowd embraced him for what he was: a gadfly par excellence. Late in life, Capote was best known for knowing everyone, and seemingly being everywhere; that he should wander through an Allen film seems like a knowing nod in ubiquity’s direction. In the ’60s, Capote was close with it-girl Mia Farrow, who attended his famous Black and White Ball, but the Allen connect may have come through Keaton, whose Hollywood home she rented in 1976. “She never bothered to change her number,” Capote said. “I would have the most intimate conversations with the people who called her. ‘Well, Diane’s not here right now, would you like to leave a message?’ Then the person would go into a deep psychoanalysis of Woody Allen. Ho, ho, ho.”

02192009_Backtoschool_KurtV.jpgFilm: “Back to School” (1986)
Author Appearance: Kurt Vonnegut

Taking the cameo to its most comfortable register — the absurd — is Kurt Vonnegut’s appearance in the 1986 Rodney Dangerfield comedy “Back to School.” As nouveau riche buffoon Thornton Melon, Dangerfield is, well, back at school, and when he is assigned an English paper on Vonnegut, he hires the man himself to help him with it. Vonnegut has just one line of introduction, although when the resultant paper gets an F (shades of the famous Marshall McLuhan cameo in “Annie Hall”) with his teacher (Sally Kellerman) fuming, “Whoever did write this doesn’t know the first thing about Kurt Vonnegut,” the “Slaughterhouse Five” author gets an irate call from Dangerfield, who threatens to go with Robert Ludlum next time. Interestingly, Keith Gordon, who played Dangerfield’s son in the film, went on to direct a number of films, including “The Singing Detective,” “A Midnight Clear,” and an adaptation of Vonnegut’s novel “Mother Night” in 1996.

Underworld

Under Your Spell

10 Otherworldly Romances That’ll Melt Your Heart

Spend Valentine's Day weekend with IFC's Underworld movie marathon.

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Photo Credit: Screen Gems/courtesy Everett Collection

Romance takes many forms, and that is especially true when you have a thirst for blood or laser beams coming out of your eyes.  It doesn’t matter if you’re a werewolf, a superhero, a clone, a time-traveler, or a vampire, love is the one thing that infects us all.  Read on to find out why Romeo and Juliet have nothing on these supernatural star-crossed lovers, and be sure to catch IFC’s Underworld movie marathon this Valentine’s Day weekend.

1. Cyclops/Jean Grey/Wolverine, X-Men series

The X-Men franchise is rife with romance, but the steamiest “ménage à mutant” may just be the one between Jean Grey (Famke Janssen), Cyclops (James Marsden), and Wolverine (Hugh Jackman). Their triangle is a complicated one as Jean finds herself torn between the two very different men while also trying to control her darker side, the Phoenix. This leads to Jean killing Cyclops and eventually getting stabbed through her heart by Wolverine in X-Men: The Last Stand. Yikes!  Maybe they should change the name to Ex-Men instead?


2. Willow/Tara, Buffy the Vampire Slayer

Joss Whedon gave audiences some great romances on Buffy the Vampire Slayer — including the central triangle of Buffy, Angel, and Spike — but it was the love between witches Willow (Alyson Hannigan) and Tara (Amber Benson) that broke new ground for its sensitive and nuanced portrayal of a LGBT relationship.

Willow is smart and confident and isn’t even sure of her sexuality when she first meets Tara at college in a Wiccan campus group. As the two begin experimenting with spells, they realize they’re also falling for one another and become the show’s most enduring, happy couple. At least until Tara’s death in season six, a moment that still brings on the feels.


3. Selene/Michael, Underworld series

The Twilight gang pales in comparison (both literally and metaphorically) to the Lycans and Vampires of the stylish Underworld franchise. If you’re looking for an epic vampire/werewolf romance set amidst an epic vampire/werewolf war, Underworld handily delivers in the form of leather catsuited Selene (Kate Beckinsale) and shaggy blonde hunk Michael (a post-Felicity Scott Speedman). As they work together to stop the Vampire/Lycan war, they give into their passions while also kicking butt in skintight leather. Love at first bite indeed.


4. Spider-man/Mary Jane Watson, Spider-man

After rushing to the aid of beautiful girl-next-door Mary Jane Watson (Kirsten Dunst), the Amazing Spider-man is rewarded with an upside-down kiss that is still one of the most romantic moments in comic book movie history. For Peter Parker (Tobey Maguire), the shy, lovable dork beneath the mask, his rain-soaked makeout session is the culmination of years of unrequited love and one very powerful spider bite. As the films progress, Peter tries pushing MJ away in an attempt to protect her from his enemies, but their web of love is just too powerful. And you know, with great power, comes great responsibility.


5. Molly/Sam, Ghost

When it comes to supernatural romance, you really can’t beat Molly and Sam from the 1990 hit film Ghost. Demi Moore goes crazy for Swayze like the rest of us, and the pair make pottery sexier than it’s ever been.

When Sam is murdered, he’s forced to communicate through con artist turned real psychic, Oda Mae Brown (Whoopi Goldberg in her Academy Award-winning role) to warn Molly she is still in danger from his co-worker, Carl (a pre-Scandal Tony Goldwyn). Molly doesn’t believe Oda is telling the truth, so Sam proves it by sliding a penny up the wall and then possessing Oda so he and Molly can share one last romantic dance together (but not the dirty kind). We’d pay a penny for a dance with Patrick Swayze ANY day.


6. Cosima/Delphine, Orphan Black

It stands to reason there would be at least one complicated romance on a show about clones, and none more complicated than the one between clone Cosima (Tatiana Maslany) and Dr. Delphine Cormier (Evelyne Brochu) on BBC America’s hit drama Orphan Black.

Cosima is a PhD student focusing on evolutionary developmental biology at the University of Minnesota when she meets Delphine, a research associate from the nefarious Dyad Institute, posing as a fellow immunology student. The two fall in love, but their happiness is brief once Dyad and the other members of Clone Club get involved. Here’s hoping Cosima finds love in season four of Orphan Black. Girlfriend could use a break.


7. Aragorn/Arwen, Lord of the Rings

On a picturesque bridge in Rivendell amidst some stellar mood-lighting and dreamy Elvish language with English subtitles for us non-Middle Earthlings, Arwen (Liv Tyler) and Aragorn (Viggo Mortensen) bind their souls to one another, pledging to love each other no matter what befalls them.

Their courtship is a matter of contention with Arwen’s father, Elrond (Hugo Weaving), who doesn’t wish to see his daughter suffer over Aragorn’s future death. The two marry after the conclusion of the War of the Ring, with Aragorn assuming his throne as King of Gondor, and Arwen forgoing her immortality to become his Queen. Is it too much to assume they asked Frodo to be their wedding ring-bearer?


8. Lafayette/Jesus, True Blood

True Blood quickly became the go-to show for supernatural sex scenes featuring future Magic Mike strippers (Joe Manganiello) and pale Nordic men with washboard abs (Hi Alexander Skarsgård!), but honestly, there was a little something for everyone, including fan favorite Bon Temps medium, Lafayette Reynolds (Nelsan Ellis).

In season three, Lafayette met his mother’s nurse, Jesus, and the two began a relationship. As they spend more time together and start doing V (short for Vampire Blood), they learn Jesus is descended from a long line of witches and that Lafayette himself has magical abilities. However, supernatural love is anything but simple, and after the pair join a coven, Lafayette becomes possessed by the dead spirit of its former leader. This relationship certainly puts a whole new spin on possessive love.


9. Nymphadora Tonks/Remus Lupin, Harry Potter series

There are lots of sad characters in the Harry Potter series, but Remus Lupin ranks among the saddest. He was bitten by a werewolf as a child, his best friend was murdered and his other best friend was wrongly imprisoned in Azkaban for it, then THAT best friend was killed by a Death Eater at the Ministry of Magic as Remus looked on. So when Lupin unexpectedly found himself in love with badass Auror and Metamorphmagus Nymphadora Tonks (she prefers to be called by her surname ONLY, thank you very much), pretty much everyone, including Lupin himself, was both elated and cautiously hopeful about their romance and eventual marriage.

Sadly, the pair met a tragic ending when both were killed by Death Eaters during the Battle of Hogwarts, leaving their son, Teddy, orphaned much like his godfather Harry Potter. Accio hankies!


10. The Doctor/Rose Tyler, Doctor Who

Speaking of wolves, Rose “Bad Wolf” Tyler (Billie Piper) captured the Doctor’s hearts from the moment he told her to “Run!” in the very first episode of the re-booted Doctor Who series. Their affection for one another grew steadily deeper during their travels in the TARDIS, whether they were stuck in 1950s London, facing down pure evil in the Satan Pit, or battling Cybermen.

But their relationship took a tragic turn during the season two finale episode, “Doomsday,” when the Tenth Doctor (David Tennant) and Rose found themselves separated in parallel universes with no way of being reunited (lest two universes collapse as a result of a paradox). A sobbing Rose told a holographic transmission of the Doctor she loved him, but before he could reply, the transmission cut out, leaving our beloved Time Lord (and most of the audience) with a tear-stained face and two broken hearts all alone in the TARDIS.

Carol Reed’s Comedy of Pre-Revolutionary Cuba, Plus “The Singing Revolution”

Carol Reed’s Comedy of Pre-Revolutionary Cuba, Plus “The Singing Revolution” (photo)

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Filmmaking is all about collaboration and fortuity, as much as we genuflect faithfully to the sacredness of the auteur. Take Carol Reed — a career that spanned almost four decades, encompassing 33 features, and yet only a few are memorable (not, God knows, his late-career Oscar-winner “Oliver!”). Essentially, Reed finds his way onto the pantheon’s higher shelves on the strength of only a handful of films, starting with the trio of startling, precise, infinitely rich features he made in the late ’40s, one after the other — “Odd Man Out” (1947), “The Fallen Idol” (1948) and “The Third Man” (1949) — and ending a little less auspiciously with “Our Man in Havana” (1959). The rogue factor here is that three out of the four were written by Graham Greene, whose particular ironic-tension story skills gave many a medium-boil filmmaker his best shot at sublimity. The first three — certainly one of film history’s loveliest and most fecund three-year sprees — have been hailed enough, but the last of the list, an outright Boulting-style comedy set in the Greene-ish world of pre-revolutionary Cuba, remains forgotten. So much so that its DVD release has been folded into the bizarre Sony marketing campaign dubbed “Martini Movies,” which in the current batch entail everything from Arch Oboler’s 1951 sci-fier “Five” to Richard Rush’s 1970 flower-power “Getting Straight,” and which slaps each individual film with its own customized martini recipe, printed right on the disc.

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Carol Cate Blanchett

Spirit Guide

Check Out the Spirit Award Nominees for Best Male and Female Leads

Catch the 2016 Spirit Awards live Feb. 27th at 5P ET/2P PT on IFC.

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Photo Credit: Wilson Webb/©Weinstein Company/Courtesy Everett Collection

From Jason Segel’s somber character study of author David Foster Wallace, to Brie Larson’s devastating portrayal of a mother in captivity, the 2016 Spirit Awards nominees for Best Male and Female Leads represent the finest in the year of film acting. Take a look at the Best Male and Female Leads in action, presented by Jaguar.

Best Male Lead 

Christopher Abbott, James White
Abraham Attah, Beasts of No Nation
Ben Mendelsohn, Mississippi Grind
Jason Segel, The End of the Tour
Koudous Seihon, Mediterranea

Watch more Male Lead nominee videos here.

Best Female Lead 

Cate Blanchett, Carol
Brie Larson, Room
Rooney Mara, Carol
Bel Powley, The Diary of A Teenage Girl
Kitana Kiki Rodriguez, Tangerine

Watch more Female Lead nominee videos here.

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