This browser is supported only in Windows 10 and above.

DID YOU READ

Astra Taylor Explains the “Examined Life”

Astra Taylor Explains the “Examined Life” (photo)

Posted by on

To say that the films of 29-year-old documentarian Astra Taylor are thought-provoking is not such a lofty compliment; it’s literally the goal she has in marrying cinema with philosophy. 2005’s “Žižek!” trailed Slovenian psychoanalyst, philosopher and cultural critic Slavoj Žižek around the world as he expounded on ideology and made eccentric observations on love, revolution and his own self-critique. Taylor’s latest feature, “Examined Life,” is no less absorbing, an intelligent yet accessible anthology of ideas that sees eight highly influential thinkers of our time (including Avital Ronell, Peter Singer, Michael Hardt — and yes, the wild and wooly Žižek) pontificating while taking walks through modern culture. Kwame Anthony Appiah talks cosmopolitanism from inside an airport, Žižek dissects ecology while digging through a garbage facility and Cornel West compares philosophy to jazz and blues while being driven around the streets of Manhattan by the director herself. When Taylor and I met up over coffee in Williamsburg, Brooklyn, we discussed the possibility of chatting in the car in which West was filmed, but it was unfortunately being used to sing in by her husband, Jeff Mangum (reclusive frontman of the influential ’90s indie-pop band Neutral Milk Hotel), who also contributed some sounds to the film’s score.

I’m fascinated by your restraint in the film, since you occasionally appear onscreen, but with a far more passive voice than your subjects.

Every time you put yourself in a film you risk things [being] pointlessly narcissistic. Why make something autobiographical that doesn’t need to be? In this project, I perceive myself as an inquisitive voice that’s not necessarily so much identified with Astra as an individual, but taking on the perspective I want the audience to have: questioning but not attacking, and not arguing for its own sake. A lot of philosophy is based on argumentation, so I wanted to break philosophy out of that habit for a bit, give some space to listen, and try to get to the heart of people’s perspectives. It’s something I’m so ambivalent towards — my presence in the film. I haven’t reconciled to it.

Is it seeing yourself on camera that you’re uncomfortable with, as plenty of people are themselves?

No, it’s just when people insert themselves, it’s often gratuitous. At the same time, I made a pact with some of the philosophers in the film that if they were going to appear, I would appear — namely Avital Ronell, Judith Butler and my sister Sunaura. So I already had a certain responsibility to be a presence because their participation was contingent on that. Perhaps it’s more honest because it’s not an objective portrait of philosophy today as you might discover in philosophy departments. It’s absolutely not that. This is a film that focuses on ethics, human vulnerability and interdependence. These are things I’m interested in, so they’re highly personal, I suppose.

02192009_examinedlife.photo.jpgSo let’s get personal. What’s your philosophy on philosophy? Why is it so important to you?

This project is sort of appropriate to my personality. Even as a kid, I was always wrestling with the world. I had this magazine [as a child], “Kids and Animal Rights and the Environment.” I was already reading Peter Singer’s “Animal Liberation” and different books, especially on animal rights, which brings you into ethics and moral issues. My question at that time was: What are the mechanisms through which adults brainwash children into eating other animals? [laughs] How is this reinforced in culture, and the bullshit children’s books you get about the happy farm? I was investigating ideology, so that’s the motivation. I have some sort of vision of a more just world in my mind. I’m wondering why other people don’t agree with me, and why my values seem so out of step. This is the thing about being raised in a strange bohemian family; you’re out of step with everyone else, and you wonder, “Why are we so odd?”

It’s just something I’ve always done and gotten enjoyment out of. Questioning things, thinking about how we ought to live, how we could arrange society in a more equitable way. I also have a strong educational philosophy that’s rooted in my experience of being “unschooled,” being home-schooled but with no curriculum, no schedule. Your parents don’t play the role of teachers but maybe facilitators. When you’re unschooled, the world is your classroom, and it’s all about experiential learning: by doing, at your own pace, and on your own time.

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.