DID YOU READ

Astra Taylor Explains the “Examined Life”

Astra Taylor Explains the “Examined Life” (photo)

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To say that the films of 29-year-old documentarian Astra Taylor are thought-provoking is not such a lofty compliment; it’s literally the goal she has in marrying cinema with philosophy. 2005’s “Žižek!” trailed Slovenian psychoanalyst, philosopher and cultural critic Slavoj Žižek around the world as he expounded on ideology and made eccentric observations on love, revolution and his own self-critique. Taylor’s latest feature, “Examined Life,” is no less absorbing, an intelligent yet accessible anthology of ideas that sees eight highly influential thinkers of our time (including Avital Ronell, Peter Singer, Michael Hardt — and yes, the wild and wooly Žižek) pontificating while taking walks through modern culture. Kwame Anthony Appiah talks cosmopolitanism from inside an airport, Žižek dissects ecology while digging through a garbage facility and Cornel West compares philosophy to jazz and blues while being driven around the streets of Manhattan by the director herself. When Taylor and I met up over coffee in Williamsburg, Brooklyn, we discussed the possibility of chatting in the car in which West was filmed, but it was unfortunately being used to sing in by her husband, Jeff Mangum (reclusive frontman of the influential ’90s indie-pop band Neutral Milk Hotel), who also contributed some sounds to the film’s score.

I’m fascinated by your restraint in the film, since you occasionally appear onscreen, but with a far more passive voice than your subjects.

Every time you put yourself in a film you risk things [being] pointlessly narcissistic. Why make something autobiographical that doesn’t need to be? In this project, I perceive myself as an inquisitive voice that’s not necessarily so much identified with Astra as an individual, but taking on the perspective I want the audience to have: questioning but not attacking, and not arguing for its own sake. A lot of philosophy is based on argumentation, so I wanted to break philosophy out of that habit for a bit, give some space to listen, and try to get to the heart of people’s perspectives. It’s something I’m so ambivalent towards — my presence in the film. I haven’t reconciled to it.

Is it seeing yourself on camera that you’re uncomfortable with, as plenty of people are themselves?

No, it’s just when people insert themselves, it’s often gratuitous. At the same time, I made a pact with some of the philosophers in the film that if they were going to appear, I would appear — namely Avital Ronell, Judith Butler and my sister Sunaura. So I already had a certain responsibility to be a presence because their participation was contingent on that. Perhaps it’s more honest because it’s not an objective portrait of philosophy today as you might discover in philosophy departments. It’s absolutely not that. This is a film that focuses on ethics, human vulnerability and interdependence. These are things I’m interested in, so they’re highly personal, I suppose.

02192009_examinedlife.photo.jpgSo let’s get personal. What’s your philosophy on philosophy? Why is it so important to you?

This project is sort of appropriate to my personality. Even as a kid, I was always wrestling with the world. I had this magazine [as a child], “Kids and Animal Rights and the Environment.” I was already reading Peter Singer’s “Animal Liberation” and different books, especially on animal rights, which brings you into ethics and moral issues. My question at that time was: What are the mechanisms through which adults brainwash children into eating other animals? [laughs] How is this reinforced in culture, and the bullshit children’s books you get about the happy farm? I was investigating ideology, so that’s the motivation. I have some sort of vision of a more just world in my mind. I’m wondering why other people don’t agree with me, and why my values seem so out of step. This is the thing about being raised in a strange bohemian family; you’re out of step with everyone else, and you wonder, “Why are we so odd?”

It’s just something I’ve always done and gotten enjoyment out of. Questioning things, thinking about how we ought to live, how we could arrange society in a more equitable way. I also have a strong educational philosophy that’s rooted in my experience of being “unschooled,” being home-schooled but with no curriculum, no schedule. Your parents don’t play the role of teachers but maybe facilitators. When you’re unschooled, the world is your classroom, and it’s all about experiential learning: by doing, at your own pace, and on your own time.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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