DID YOU READ

Sundance 2009: “Moon.”

Sundance 2009: “Moon.” (photo)

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“Moon” has the serious/silly premise you’d expect from a ’70s sci-fi movie, the type that’s meant to make you gasp “Oh, the terrible inhumanity of it all. And yet… that could be us someday!” while not holding up to real examination. (In this case: how could it possibly not be more economical to just bring in workers from China?) But “Moon” also has Sam Rockwell, who gives such a funny, sad, tender performance that the film works as a drama about a man who, thanks to a mixture of high technology and corporate malfeasance, is forced to confront the wrathful person he used to be and the changed one into which he’s grown — to learn to embrace himself, sometimes literally.

Rockwell plays Sam Bell, an astronaut nearing the end of his three-year contract at a mining base on the far side of the moon. His only company is Gerty, a talking computer with a robotic arm and a window that displays its feelings via emoticon. Sam may watch a lot of old TV, but he obviously hasn’t seen many sci-fi films, or he would have never agreed to live in an all-white space station with an artificially intelligent computer (voiced by Kevin Spacey, even) by himself in the employ of an ominous multinational corporation. But the trouble that comes for Sam isn’t from an expected direction. I won’t give away the plot twist, which anyway isn’t hard to spot coming and arrives earlyish in the film, but it starts to look like Sam isn’t going to make it home to his wife and the child he’s never met, not in the way he’d always expected.

Directed by Duncan Jones, who once upon a time was inflicted by his father, David Bowie, with the name Zowie, “Moon” looks awfully good for an indie sci-fi film. The Sarang station that houses Sam is both antiseptic and scruffily lived-in; the lunar surface is desolate and monochromatic, disturbed by massive automated mining machines that plow along the surface, kicking up debris. Its the plot mechanisms that are faulty, but even those are forgettable enough as enablers of the films “Solaris”-lite ambitions, in which space is the place you go explore yourself. With Rockwell’s performance, “Moon” turns out to be warmer to the touch than it first appears.

“Moon” currently has no U.S. distribution. See all of IFC.com’s Sundance coverage here.

[Photo: “Moon,” Independent, 2009]

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Inauguration Alternative

Bill Murray On Repeat

It's a movie "Murray-thon" all-day Friday on IFC.

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Photo Credit: Everett Collection, GIFs courtesy of GIPHY

Democrats, Republicans and Millennials agree: 2017 is shaping up to be a spectacle — a spectacle that really kicks into high gear this Friday with the presidential inauguration. Not only will the new POTUS swear in, but all the Country’s highest offices will be filled. It’s a daunting prospect, and to feel a little anxious about it is only normal. But if your anxiety is snowballing into panic, we have a solution:
Bill Murray.

He’s the human embodiment of a mental “Happy Place”, and there’s really no problem he can’t solve. So, with that in mind, how about we all set aside reality for a moment and let Bill take the pain away by imagining a top-shelf White House cabinet filled exclusively by his signature characters. Here are a few hypothetical appointments for your consideration…

Secretary of Defense:
Bill Murray from Stripes

His incompetence is balanced by charm, and dumb luck is inexplicably on his side. America could do worse.

Secretary of State:
Bill Murray from Lost In Translation

A seasoned globetrotter steeped in regional traditions who has the respect of the whole wide world. And he kills Costello in karaoke, which is very important.

Press Secretary:
Bill Murray from Ghostbusters

“Cats and dogs, living together. Mass hysteria.” Dude knows how to brief a room.

Secretary of Health and Human Services:
Bill Murray from What About Bob.

A doctor-approved people person who knows that progress is measured in baby steps.

Secretary of Energy:
Bill Murray from Groundhog Day

Let’s be honest, this world is going to need a lot of do-overs.

Feeling better? Hold on to that bliss. And enjoy a healthy alternative to the inauguration brouhaha with multiple Murrays all Friday long in an IFC movie marathon including Kingpin, Zombieland, Ghostbusters, and Ghostbusters II.

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Home Run

Hank Azaria Gets Thrown A Curve Ball

Brockmire Premieres April 5 at 10P

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Photo Credit: Everett Collection

Unless you’ve somehow missed every episode of the Simpsons since 1989, then surely you know that Hank Azaria is one of the most important character actors of our time. He’s so prolific and his voice is so dynamic that he’s responsible for more iconic personalities than most folks realize. Basically, he’s the great and powerful Oz — except that when you pull back the curtain the truth is actually more impressive. And now Hank is coming to IFC to bring yet another character to the TV pop culture hive mind in the new series Brockmire. Check out the trailer below.

Based on the following Funny or Die short and co-starring Amanda Peet, Brockmire follows the story of imploded major league sportscaster Jim Brockmire as he tries to resurrect his career by calling plays for a floundering minor league team in a podunk town.

The series is written by Joel Church-Cooper (Undateable) and produced by Funny or Die’s Mike Farah and Joe Farrell, meaning that there’s funny in front of the camera, funny behind the camera–funny all around. Sounds like a ball to us.

Brockmire premieres April 5 at 10P on IFC.

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Car Notes

Portlandia On People Who Can’t Park

Portlandia returns tonight at 10P on IFC.

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If flagrant bad parking takes nerve, then retaliatory note writing takes neuroses. Watch Fred and Carrie take passive aggression to next level in Car Notes, the new Portlandia web series presented by Subaru. The first episode is yours right here and now, and you can see every installment of Car Notes anytime online, on the IFC app and on demand.

Portlandia returns tonight at 10P on IFC.

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