DID YOU READ

Interview: Chazz Palminteri on “Yonkers Joe”

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01072008_yonkersjoe1.jpgBy Aaron Hillis

If New York-born actor (and sometime writer/director) Chazz Palminteri were just a decade older, he probably would’ve been an Italian-American staple in the ’70s films of Martin Scorsese and Francis Ford Coppola. Instead, during that time he studied at the Actors Studio with Lee Strasberg, then made his way to off-Broadway and TV shows in the ’80s before writing the 1988 play “A Bronx Tale” that would eventually be adapted for the screen as Robert De Niro’s directorial debut and offer him his breakout movie role. Now one of the most prominent Italian-American actors working today, Palminteri currently stars as the titular Vegas shark in “Yonkers Joe,” an entertaining drama about a con man whose seedy world of palming dice, cheating casinos, and conning any poor sucker is uprooted when he’s forced to look after his adult son with Down’s syndrome. I took a seat with Palminteri (while writer/director Robert Celestino quietly looked on) to talk about his cultural background, fatherhood and his New Year’s resolutions.

Are you a gambling man?

Yeah, I like to gamble. Am I like Yonkers? No, but I’ll go to Vegas and gamble a little bit. Why not? I like playing roulette, I like dice. I grew up with gamblers. But the way Yonkers is, which is really fascinating to me, it’s kind of this subculture of people, like magicians with dice and cards. Here’s this guy who’s great at what he does, but he can’t tell anybody because if he does, he’ll get killed. And if he tells his friends, his friends won’t use him anymore. So he lives a life of being kind of lonely.

How long did it take you pick up those sleight-of-hand tricks you perform through the film?

Well, obviously, could I do it like the real Yonkers Joe? No. But Bob, the writer-director, that was his father. Bob can do it as good as his dad can because his father taught him — Bob was teaching me. The beauty of film is that I would study it for hours and hours, but if I do it one out of ten times, that’s the take we’d use. I would screw up a lot, but the one that I did it right, that’s the one we used, so it was okay.

I like that the film never feels obligated to judge this character’s moral compass, considering he regularly rips people off.

01072008_yonkersjoe.jpgNo, that’s what he does. There’s no apologizing, that’s what it is. When you read the script, some people would say: “How do you root for a guy like this?” You end up rooting for him because you don’t have to like him as much. But if you understand him, you’ll start to like him.

You’ve taken a lot of roles that reflect your Italian-American background. Are you offered a ton of projects that play into cultural stereotypes, like gangster movies?

Yeah, and I usually don’t do them. [laughs] That’s why I do movies like “A Guide to Recognizing Your Saints,” “Yonkers Joe,” or “Once More with Feeling,” that I have at Sundance. I don’t want to play a goombah character if he’s just one note. I’m very proud of being Italian-American, but people don’t realize that the mafia is just this aberration. The real community is built on the working man, the guy who’s the cop, the fireman, the truck driver, the bus driver. This is my father. These mafia guys get all the press because they’re fun to write about, they’re fun to watch. That’s why I wrote “A Bronx Tale.” The working guy’s the tough guy: “It doesn’t take much strength to pull the trigger, son.” He says that in the movie, that’s why it was important for me.

Not that you’ve had to take care of a child with Down’s syndrome, but can you think of anything in your own life that has been a tough responsibility?

Not like that. God bless the parents who handle things like that. I’m astounded by them. I have a friend who has a son with Down’s syndrome. He’s about 30 years old, the boy, and the things that they went through in the very beginning: in school, in talking with girls, and the things that he would say in front of people — they would just say anything. You’d get embarrassed: “Oh my god!” And you know what? The child has brought them nothing but joy. So my heart goes out to anyone who has a special needs child, and the work that they must have to do, the constant supervision, and the love. I’m so grateful to be a father, and I have two healthy children, and it made me even more grateful for my kids when I saw how hard it is.

Well, but what about you? What frustrating obligations have you personally embraced?

Well, I think… [deep breath] I don’t know if I should talk about this, but… yeah, I guess so. My father, who was 89, passed away a year ago. He was the inspiration and essence of Lorenzo Anello in “A Bronx Tale,” the character played by Robert De Niro. He was healthy all his life, and then he got sick. For six or seven weeks, he deteriorated, and we knew it was time for him to go. That was it. Holding the family together, I thought I’d be the basket case of all the kids, but I ended up manning up and taking control with my mom and my sisters. I guess I had to, for whatever reason. No one else could. I was looking for someone else to take over, but I had to do it. I’m happy I was there at the end, and I never thought I could do that, but I thank God everyday that I did.

01072008_yonkersjoe2.jpgBesides Celestino, you’ve worked with other up-and-coming filmmakers before. What do you like about working on a project where you’re the veteran and they’re a bit green?

I love people who just started making movies — first-timers, second-timers. They take chances. Usually, they have a script that they’ve had for 20 years that’s really good that no one wants to make, so you want to do it. I think Bob wrote the script maybe 10, 15 ago years, Bob? [Celestino nods.] 15 years. You try to make it and it falls through. You get the money and you don’t have the actor, or you get the actor and you don’t have the money. It’s a nightmare. So finally, if the right actor comes at the right time, I don’t know. I’m happy with the movie, and I can’t picture anybody else doing “Yonkers Joe.” Could you, Bob? [Celestino shakes his head emphatically.] Well, he wouldn’t tell me anyway. [laughs]

How did you two get connected?

He sent the script to the agent, and the agent gave it to me and I read it. Great material gets a response right away because you don’t read much of it. I read a lot of scripts, and most are bullshit. Most scripts are 60% written — you like the ending, the beginning, you might like the middle, but then you read it, and you get 30 pages before you put your head down. I just like a good story, and a character that has flaws and complexities. Could you compare the Yonkers Joe character to anybody in the history of films? “Yonkers Joe is like the guy in…” I can’t do that. I say that honestly. So when I see a movie that’s so original and has three-dimensional pull to it, this subculture of gamblers and the guy has a son with Down syndrome? Show me a movie like that, I haven’t seen it.

Entering this depressing economic year, how much does the potential SAG strike affect you and your upcoming projects?

Obviously, the country is having a tough time right now. Is now the time to strike? I hope not. But I’m only one voice here. There are other actors who have different agendas, and maybe they want to strike for whatever reason. I mean, could we give away the store? No, we can’t give away all Internet rights and things like that. I want to hear both sides a little more. I just don’t think now is the time to strike. I think it would make a bad situation worse.

Do you have any New Year’s resolutions?

Yeah, I just try to be better than I was the year before. I know that sounds lame a little bit, but I go: “Okay, well, what could I do this year that I didn’t do great last year?” I try to be the best father I can be. You could be a billionaire and live in the biggest mansion, but if your kids don’t love you, what success do you have?

01072008_yonkersjoe3.jpgWhat’s been most surprising about fatherhood for you?

I think checking yourself because you are a mirror to your children. You have to get yourself in shape because whatever you are, your children will become. If you’re mean to people, your children will be mean to people. If you’re an asshole, your children will become assholes.

My children are good kids. I taught them that [skin] color means nothing. I have friends who are African-American, and I wanted them to talk to them, hang with them. I don’t want them to one day say, “Oh, gee, there’s other people with different colors than us?” I wrote “A Bronx Tale” because of racism. It’s a big issue with me. You’re not born a racist. You’re taught to be a racist. When you see, like in the South, those five-year-olds walking around with sheets on their heads, what’s more despicable than that? So you teach your kids not to be racist, and they will teach their kids, and their kids will teach their kids. My legacy as a father, I hope, is that our children will welcome everyone.

You’ve played so many tough guy roles. Are you a strict father?

Yes, I am. Sometimes a little too tough? I can be. But I work on that. My wife isn’t as tough, but she balances me out a little bit.

[Photos: Chazz Palminteri in “Yonkers Joe,” Magnolia Pictures, 2008]

“Yonkers Joe” opens in New York and Los Angeles on January 9th.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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